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Art --- art [fine art] --- feminism --- gender issues --- bodies [animal components] --- women [female humans] --- Women in art --- Body image in art --- Art, Modern --- Feminist art criticism --- Women artists --- Artists, Women --- Women as artists --- Artists --- Art criticism --- Feminist criticism --- Modern art --- Nieuwe Ploeg (Group of artists) --- Themes, motives --- History --- art [discipline]
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Through meticulous examinations, this book analyzes how women update their identities and articulate their feelings through clothing and art in protests, politics in the United States in the 20th century. Topics explored include the suffragists and their impact on contemporary art, the significance of the red dress in both The Handmaid’s Tale and the Missing and Murdered Indigenous Women movement, the impact of the Miss America protests, the rising popularity of the pantsuit for women, the recent dominance of the pussyhat, and the way that feminist slogans are disseminated on t-shirts. Movements discussed include craftivism, hashtag culture, feminism, the CROWN act, Pantsuit Nation, socially-committed stores, and more. Interdisciplinary and intersectional at its core, addressing numerous areas, including fashion, sociology, visual culture, art history, feminism, and popular culture; Fashioning Politics and Protests uncovers how women continue to use visual means, explored via their clothing, to change the world. Emily L. Newman is Associate Professor of Art History at Texas A&M University-Commerce, USA. Her research concerns intersections of modern and contemporary art history, popular culture, fashion, and the female body exemplified by her latest book, Female Body Image in Contemporary Art: Dieting, Eating Disorders, Self-Harm, and Fatness (2018).
Clothing and dress—Social aspects. --- Human body in popular culture. --- America—Politics and government. --- Sex. --- Fashion and the Body. --- American Politics. --- Gender Studies. --- Gender (Sex) --- Human beings --- Human sexuality --- Sex (Gender) --- Sexual behavior --- Sexual practices --- Sexuality --- Sexology --- Body, Human, in popular culture --- Popular culture
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Through meticulous examinations, this book analyzes how women update their identities and articulate their feelings through clothing and art in protests, politics in the United States in the 20th century. Topics explored include the suffragists and their impact on contemporary art, the significance of the red dress in both The Handmaid's Tale and the Missing and Murdered Indigenous Women movement, the impact of the Miss America protests, the rising popularity of the pantsuit for women, the recent dominance of the pussyhat, and the way that feminist slogans are disseminated on t-shirts. Movements discussed include craftivism, hashtag culture, feminism, the CROWN act, Pantsuit Nation, socially-committed stores, and more. Interdisciplinary and intersectional at its core, addressing numerous areas, including fashion, sociology, visual culture, art history, feminism, and popular culture; Fashioning Politics and Protests uncovers how women continue to use visual means, explored via their clothing, to change the world. Emily L. Newman is Associate Professor of Art History at Texas A&M University-Commerce, USA. Her research concerns intersections of modern and contemporary art history, popular culture, fashion, and the female body exemplified by her latest book, Female Body Image in Contemporary Art: Dieting, Eating Disorders, Self-Harm, and Fatness (2018).
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"This collection of new essays is the first to focus on Lifetime and the programs that helped define the network's brand that appeals to both viewers and advertisers. Series like Project Runway, Girlfriend Intervention and Army Wives are explored in depth. The contributors discuss the network's large opus of original films, as well at its online presence"--
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Numerous contemporary artists, particularly female artists, have chosen to examine the idealization of the female body. In this crucial book, Emily L. Newman focuses on a number of key themes including obesity, anorexia, bulimia, dieting, self-harm, and female body image. Many artists utilize their own bodies in their work, and in the act of trying to critique the diet industry, they also often become complicit, as they strive to lose weight themselves. Making art and engaging eating disorder communities (in real life and online) often work to perpetuate the illnesses of themselves or others. A core group of artists have worked to show bodies that are outside the norm, paralleling the rise of fat activism in the 1990s and 2000s. Interwoven throughout this inclusive study are related interdisciplinary concerns including sociology, popular culture, and feminism
Körperbild. --- Frau.
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