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Angelico [Fra] --- Michelangelo --- Pasture, de le, Roger --- Michelangelo Buonarroti 1475-1564 (° Caprese, Italië) --- Schilderkunst ; beeldhouwkunst ; Renaissance ; Michelangelo --- Beeldhouwkunst ; tekeningen ; Italië ; Hoog-Renaissance --- Humanisme --- 75.07 --- 73.07 --- Schilderkunst ; schilders --- Beeldhouwkunst ; beeldhouwers A - Z --- Jesus Christ --- Michelangelo Buonarroti, --- Mikelandzhelo Buonarroti, --- Michelangelo, --- Mikelʹ-Andzhelo, --- Michael Angelo, --- Miguel Angel, --- Mīkilānjilū, --- Michelangiolo, --- Michel-Ange, --- Michał Anioł, --- Buonarroti, Michel Angelo, --- Miguel Angelo, --- Michelagniolo Buonarroti, --- Buonarroti, Michelagniolo, --- Buonarroti, Michelangelo, --- Michelangiolo Buonarroti, --- Michaelangelo, --- Michelagnolo di Lodovico Buonarroti Simoni, --- Микеланджело Буонарроти, --- מיכאל־אנג׳לו בואונארוטי, --- Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Jezus --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ --- Art --- Michelangelo Buonarroti, - 1475-1564 - Contributions in Christian art. --- Michelangelo Buonarroti --- Buonarroti, Michelangelo --- Mikelandzhelo Buonarroti --- Mikelʹ-Andzhelo --- Michael Angelo --- Miguel Angel --- Mīkilānjilū --- Michelangiolo --- Michel-Ange --- Michał Anioł --- Buonarroti, Michel Angelo --- Miguel Angelo --- Michelagniolo Buonarroti --- Buonarroti, Michelagniolo --- Michelangiolo Buonarroti --- Michaelangelo --- Michelagnolo di Lodovico Buonarroti Simoni --- di Lodovico Buonarroti Simoni, Michelangelo --- Микеланджело Буонарроти --- عيسىٰ
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Erasmus, Desiderius --- Raphaël --- Ficino, Marsilio --- Riccio, Andrea --- Cortese, Gregorio --- Raimondi, Marcantonio --- Ghiberti, Lorenzo --- Giberti, Gian Matteo --- Borromeo, Carlo --- Art --- anno 1400-1499 --- anno 1500-1599 --- renaissance --- geschiedenis --- reformatie --- christelijke kunst --- beeldenstorm --- Christus --- 15de eeuw --- 16de eeuw --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- geschiedenis. --- reformatie. --- renaissance. --- christelijke kunst. --- beeldenstorm. --- Erasmus, Desiderius. --- Rafaël. --- Ficino, Marsilio. --- Christus. --- Riccio, Andrea. --- Cortese, Gregorio. --- Raimondi, Marcantonio. --- Ghiberti, Lorenzo. --- Giberti, Gian Matteo. --- Borromeo, Carlo. --- 15de eeuw. --- 16de eeuw. --- Rafaël --- italianisanten. --- Coxcie, Michiel. --- Coxcie (familie). --- van Orley, Bernard.
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painting [image-making] --- Art --- art history --- art theory --- sculpting --- architecture [discipline] --- Nauman, Bruce --- Rubens, Peter Paul --- Johns, Jasper --- Flavin, Dan --- Andre, Carl --- Serra, Richard --- Warhol, Andy --- Albers, Josef --- Schlemmer, Oskar --- Kooning, de, Willem --- Picasso, Pablo --- Judd, Donald --- Rauschenberg, Robert --- Fontana, Lucio --- Smithson, Robert --- Kollwitz, Käthe --- Feininger, Lyonel --- Kabakov, Ilija Iosefovich --- Lissitzky, Eliezer --- Rothko, Mark --- Beuys, Joseph --- Moholy-Nagy, László --- Pollock, Jackson --- Stockholder, Jessica --- Mendieta, Ana --- Reinhardt, Ad --- Bruegel, Pieter [Elder] --- Kaprow, Allan --- Duchamp, Marcel --- Kandinsky, Vasili Vassileevich --- Schneemann, Carolee --- Schwitters, Kurt --- LeWitt, Sol --- Hirst, Damien --- Holt, Nancy --- Michelangelo --- Cage, John --- Brancusi, Constantin --- anno 1800-1999 --- anno 2010-2019 --- anno 2000-2009 --- anno 1200-1799 --- anno 500-1199 --- MAD-faculty 13 --- middeleeuwen --- esthetica --- hedendaagse kunst --- Lissitzky, El --- Buonarroti, Michelangelo --- Kandinsky, Wassily
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In this volume, Alexander Nagel investigates the use of polychromy in the art and architecture of ancient Iran. Focusing on Persepolis, he explores the topic within the context of the modern historiography of Achaemenid art and the scientific investigation of a range of works and monuments in Iran and in museums around the world. Nagel's study contextualizes scholarly efforts to retrieve aspects of ancient polychromies in Western Asia and interrogates current debates about the contemporary use of color in the architecture and sculpture in the ancient Mediterranean world, especially in North Africa and the eastern Mediterranean. Bringing a multi-disciplinary perspective to the topic, Nagel also highlights the important role of theory, methodology, and conservation studies in the process of reconstructing polychromy in ancient monuments. A celebration of the work of painters, artisans, craftsmen and -women of Iran's past, his volume suggests frameworks through which historical and contemporary research play a dynamic role in the reconstruction of ancient technological knowledge.
Polychromy --- Paint materials --- Art, Achaemenid. --- History --- Research.
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Christian religion --- Art styles --- Antique, the --- religious art --- Byzantine [culture and style] --- Renaissance --- anno 1400-1499 --- anno 1500-1599 --- Europe
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subject analysis --- iconology --- Art --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Representation (Philosophy) --- Subject (Philosophy) --- Aesthetics, Modern --- Philosophy --- Art - Philosophy
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The volume offers an overview of meta-pictorial tendencies in book illumination, mural and panel painting during the Italian and Northern Renaissance. It examines visual forms of self-awareness in the changing context of Latin Christianity and claims the central role of the Renaissance in the establishment of the modern condition of art. Meta-painting refers to the ways in which artworks playfully reveal or critically expose their own fictiveness, and is considered a constitutive aspect of Western art. Its rise was connected to changes in the consumption of religious imagery in the sixteenth century and to the advent of the portable framed canvas, the single most important medium of modernity. While the key initial contributions of some Renaissance painters from Jan van Eyck to Andrea Mantegna have always been acknowledged, in the principal narrative the Renaissance has largely remained the naïve moment of realistic experimentation to be ultimately superseded by the complex reflexive developments in Early Modern art, following the Reformation
Painting --- iconology --- Renaissance --- anno 1400-1499 --- anno 1500-1599 --- Peinture de la Renaissance --- Peinture moderne --- Thèmes, motifs. --- Painting, Renaissance. --- Painting, Modern. --- Painting, Renaissance --- Themes, motives. --- Paintings, Renaissance --- Renaissance painting
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"Caves and Worship in Ancient Greece brings together a series of stimulating chapters contributing to the archaeology, and our modern understanding of the character and importance of caves and cave sanctuaries in the first millennium BCE Mediterranean. Written by emerging and established archaeologists and researchers, the book employs a fascinating and wide range of approaches and methodologies to introduce, investigate and interpret material assemblages, many of which are introduced here for the first time. An introductory section explores the emergence and growth of caves as centres of cult and religion. The chapters then probe some of the meanings attached to materials such as bronze shields, terracotta figurines and ceramics, and those who created and used them. The authors use sensory and gender approaches, discuss the contribution of statistical analysis and the role of votive materials. At the heart of the volume is the examination of cave materials excavated on the Cycladic Islands and Crete, in Attika and on the western Greek mainland in Aitoloakarnania, on the Ionian Islands and in Southern Italy. This is a welcome volume for students of prehistoric and classical archaeology, enthusiasts of the history of caves, religion, ancient history, and anthropology"--
Worship. --- Caves --- Religious aspects. --- Greece --- Religion. --- Antiquities. --- Sacred caves --- Cult --- Cultus --- Religion --- Theology, Practical --- Fire-worshipers --- Worship --- Religious aspects --- E-books
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A global reconsideration and broadening of the definition of art conservation through the lenses of theory, ethics, culture, and history. Thought-provoking and timely, this volume challenges inherited thinking on art conservation practice and purposefully reconsiders the definition of the field. Scholars from around the world discuss topics including the conservation of global painting practices, cold storage and digitization, conservation within institutions, and the decolonization of art conservation. The authors seek to broaden the scope of conservation practice and challenge the boundaries that set it apart from art history and art making. They thoughtfully consider the implications of conservation beyond museum walls. This volume in the esteemed Clark Studies in the Visual Arts maintains the series's tradition of providing a nuanced reckoning with vital themes in the field
Art --- Conservation and restoration --- Conservation et restauration. --- Conservation. Restoration --- restoration [process] --- Conservation and restoration.
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