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The work of German sculptor Isa Genzken is brilliantly receptive to the ever-shifting conditions of modern life. In this first book devoted to the artist, Lisa Lee reflects on Genzken's tendency to think across media, attending to sculptures, photographs, drawings, and films from the entire span of her four-decade career, from student projects in the mid-1970s to recent works seen in Genzken's studio. Through penetrating analyses of individual works as well as archival and interview material from the artist herself, Lee establishes four major themes in Genzken's oeuvre: embodied perception, architecture and built space, the commodity, and the body. Contextualizing the sculptor's engagement with fellow artists, such as Joseph Beuys and Bruce Nauman, Lee situates Genzken within a critical and historical framework that begins in politically fraught 1960s West Germany and extends to the globalized present. Here we see how Genzken tests the relevance of the utopian aspirations and formal innovations of the early twentieth century by submitting them to homage and travesty. Sure to set the standard for future studies of Genzken's work, Isa Genzken is essential for anyone interested in contemporary art.

Sculpture --- kunst --- film --- fotografie --- tekenkunst --- 7.071 GENZKEN --- 73.71 GENZKEN --- installaties --- beeldhouwkunst --- Genzken Isa --- Duitsland --- eenentwintigste eeuw --- twintigste eeuw --- Stonework, Decorative --- Genzken, Isa, --- Criticism and interpretation. --- sculptors --- mixed media works --- installations [visual works] --- Art --- Genzken, Isa --- Bas-relief --- Statues --- Sculpture. --- 1900-2099. --- Germany. --- Sculpture, Primitive

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This holistic approach to the microbiome and gut integrates the latest findings from Western medicine with Oriental medicine, allowing Oriental health practitioners to enhance their treatment. It describes how gut microbiome health is intricately linked with physical and mental wellness and includes advice on biome-friendly eating and recipes.

Gastrointestinal system --- Medicine, Oriental. --- Microbiology.

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Art --- art [discipline] --- texts [documents] --- philosophy of art --- Hirschhorn, Thomas --- anno 1900-1999 --- anno 2000-2099 --- Switzerland

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For the artist Thomas Hirschhorn, writing is a crucial tool at every stage of his artistic practice. From the first sketch of an idea to appeals to potential collaborators, from detailed documentation of projects to post-disassembly analysis, Hirschhorn's writings mark the trajectories of his work. This volume collects Hirschhorn's widely scattered texts, presenting many in English for the first time. In these writings, Hirschhorn discusses the full range of his art, from works on paper to the massive Presence and Production projects in public spaces. “Statements and Letters” address broad themes of aesthetic philosophy, politics, and art historical commitments. “Projects” consider specific artworks or exhibitions. “Interviews” capture the artist in dialogue with Benjamin Buchloh, Jacques Rancière, and others. Throughout, certain continuities emerge : Hirschhorn's commitment to quotidian materials ; the centrality of political and economic thinking in his work ; and his commitment to art in the public sphere. Taken together, the texts serve to trace the artist's ideas and artistic strategies over the past two decades. Critical Laboratory also reproduces, in color, 33 Ausstellungen im öffentlichen Raum 1998–1989, an out-of-print catalog of Hirschhorn's earliest works in public space.

Hirschhorn, Thomas --- Hirschhorn, Thomas, --- Themes, motives --- Themes, motives. --- Matériau de récupération --- Matériau recyclé --- Ecrit d'artiste --- Hirschhorn, Thomas, - 1957- - Themes, motives --- Hirschhorn, Thomas, - 1957 --- -Hirschhorn, Thomas, 1957 --- -Hirschhorn, Thomas --- -Matériau de récupération --- Hirschhorn, Thomas, 1957 --- -Hirschhorn, Thomas, - 1957

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