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On May 9, 1990, a bottle of Jack Daniels, a ring with letter, a Purple Heart and Bronze Star, a baseball, a photo album, an ace of spades, and a pie were some of the objects left at the Vietnam Veterans War Memorial. For Kristin Hass, this eclectic sampling represents an attempt by ordinary Americans to come to terms with a multitude of unnamed losses as well as to take part in the ongoing debate of how this war should be remembered. Hass explores the restless memory of the Vietnam War and an American public still grappling with its commemoration. In doing so it considers the ways Americans have struggled to renegotiate the meanings of national identity, patriotism, community, and the place of the soldier, in the aftermath of a war that ruptured the ways in which all of these things have been traditionally defined. Hass contextualizes her study of this phenomenon within the history of American funerary traditions (in particular non-Anglo traditions in which material offerings are common), the history of war memorials, and the changing symbolic meaning of war. Her evocative analysis of the site itself illustrates and enriches her larger theses regarding the creation of public memory and the problem of remembering war and the resulting causalities--in this case not only 58,000 soldiers, but also conceptions of masculinity, patriotism, and working-class pride and idealism.

Vietnam Veterans Memorial (Washington, D.C.) --- Funeral rites and ceremonies --- Patriotism --- War memorials --- Vietnam War, 1961-1975 --- Public opinion --- Regions & Countries - Asia & the Middle East --- History & Archaeology --- Southeast Asia --- Opinion, Public --- Perception, Public --- Popular opinion --- Public perception --- Public perceptions --- Judgment --- Social psychology --- Attitude (Psychology) --- Focus groups --- Reputation --- Vietnam Conflict, 1961-1975 --- Vietnamese Conflict, 1961-1975 --- Vietnamese War, 1961-1975 --- War monuments --- Art and war --- Memorials --- Monuments --- Military parks --- Soldiers' monuments --- Public opinion. --- 20th century american culture. --- aftermath of war. --- american culture. --- american society. --- american war memorials. --- commemoration. --- community. --- funerary traditions. --- gender studies. --- idealism. --- masculinity. --- meaning of war. --- memory of bodies. --- memory of war. --- mourning. --- national community. --- national identity. --- patriotism. --- public memory. --- remembering war. --- seashell monuments. --- soldier. --- united states of america. --- vietnam veterans memorial. --- vietnam veterans. --- vietnam war. --- vietnam. --- war memorials. --- war. --- working class.

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Science has taken center stage during the COVID-19 crisis; scientists named and diagnosed the virus, traced its spread, and worked together to create a vaccine in record time. But while science made the headlines, the arts and humanities were critical in people's daily lives. As the world went into lockdown, literature, music, and media became crucial means of connection, and historians reminded us of the resonance of the past as many of us heard for the first time about the 1918 influenza pandemic. As the twindemics of COVID-19 and racial injustice tore through the United States, a contested presidential race unfolded, which one candidate described as "a battle for the soul of the nation." Being Human during COVID documents the first year of the pandemic in real time, bringing together humanities scholars from the University of Michigan to address what it feels like to be human during the COVID-19 crisis. Over the course of the pandemic, the questions that occupy the humanities--about grieving and publics, the social contract and individual rights, racial formation and xenophobia, ideas of home and conceptions of gender, narrative and representations and power--have become shared life-or-death questions about how human societies work and how culture determines our collective fate. The contributors in this collection draw on scholarly expertise and lived experience to try to make sense of the unfamiliar present in works that range from traditional scholarly essays, to personal essays, to visual art projects. The resulting book is shot through with fear, dread, frustration, and prejudice, and, on a few occasions, with a thrilling sense of hope.

COVID-19 Pandemic, 2020 --- -COVID-19 Pandemic, 2020 --- -Human beings --- COVID-19. --- COVID19 --- 2019 Novel Coronavirus Disease --- 2019 Novel Coronavirus Infection --- 2019-nCoV Disease --- 2019-nCoV Infection --- COVID-19 Pandemic --- COVID-19 Pandemics --- COVID-19 Virus Disease --- COVID-19 Virus Infection --- Coronavirus Disease 2019 --- Coronavirus Disease-19 --- SARS Coronavirus 2 Infection --- SARS-CoV-2 Infection --- 2019 nCoV Disease --- 2019 nCoV Infection --- 2019-nCoV Diseases --- 2019-nCoV Infections --- COVID 19 --- COVID 19 Pandemic --- COVID 19 Virus Disease --- COVID 19 Virus Infection --- COVID-19 Virus Diseases --- COVID-19 Virus Infections --- Coronavirus Disease 19 --- Disease 2019, Coronavirus --- Disease, 2019-nCoV --- Disease, COVID-19 Virus --- Infection, 2019-nCoV --- Infection, COVID-19 Virus --- Infection, SARS-CoV-2 --- Pandemic, COVID-19 --- SARS CoV 2 Infection --- SARS-CoV-2 Infections --- Virus Disease, COVID-19 --- Virus Infection, COVID-19 --- Homo sapiens --- Human race --- Humanity (Human beings) --- Humankind --- Humans --- Man --- Mankind --- People --- Hominids --- Persons --- Epidemics --- Social aspects. --- Philosophy. --- United States. --- activism, art, collaborative, coronavirus, covid, Covid-19, diaries, epidemic, historical contexts, humanist, humanities, Humanities Collaboratory, narrative, pandemic, Photography, race, responses to coronavirus --- -Arts medicine. --- Diseases and literature. --- Literature and medicine. --- Medicine and the humanities. --- Human beings --- Humanities and medicine --- Humanities --- Medicine and literature --- Medicine --- Literature and diseases --- Literature --- Arts and medicine --- Medicine and the arts --- Medicine and the humanities