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Choice Outstanding Academic Title 2002. Community organizing became an integral part of the activist repertoire of the New Left in the 1960's. Students for a Democratic Society, the organization that came to be seen as synonymous with the white New Left, began community organizing in 1963, hoping to build an interracial movement of the poor through which to demand social and political change. SDS sought nothing less than to abolish poverty and extend democratic participation in America. Over the next five years, organizers established a strong presence in numerous low-income, racially diverse
Community development, Urban --- Economic Research and Action Project. --- Students for a Democratic Society (U.S.). --- ERAP --- American. --- campaign. --- community. --- first. --- full-fledged. --- history. --- innovative. --- most. --- organizing. --- post-war. --- what.
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Before Liz Smith and Perez Hilton became household names in the world of celebrity gossip, before Rush Limbaugh became the voice of conservatism, there was Hedda Hopper. In 1938, this 52-year-old struggling actress rose to fame and influence writing an incendiary gossip column, “Hedda Hopper’s Hollywood,” that appeared in the Los Angeles Times and other newspapers throughout Hollywood’s golden age. Often eviscerating moviemakers and stars, her column earned her a nasty reputation in the film industry while winning a legion of some 32 million fans, whose avid support established her as the voice of small-town America. Yet Hopper sought not only to build her career as a gossip columnist but also to push her agenda of staunch moral and political conservatism, using her column to argue against U.S. entry into World War II, uphold traditional views of sex and marriage, defend racist roles for African Americans, and enthusiastically support the Hollywood blacklist.While usually dismissed as an eccentric crank, Jennifer Frost argues that Hopper has had a profound and lasting influence on popular and political culture and should be viewed as a pivotal popularizer of conservatism. The first book to explore Hopper’s gossip career and the public’s response to both her column and her politics, Hedda Hopper’s Hollywood illustrates how the conservative gossip maven contributed mightily to the public understanding of film, while providing a platform for women to voice political views within a traditionally masculine public realm. Jennifer Frost builds the case that, as practiced by Hopper and her readers, Hollywood gossip shaped key developments in American movies and movie culture, newspaper journalism and conservative politics, along with the culture of gossip itself, all of which continue to play out today.
Conservatism --- Motion picture industry --- Motion pictures --- Press and politics --- Gossip columnists --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Journalists --- History --- Political aspects --- Hopper, Hedda, --- Political and social views. --- 791.43 --- film --- film en politiek --- filmindustrie --- Hopper Hedda --- politiek --- twintigste eeuw --- Verenigde Staten --- Hedda. --- Hollywood. --- Hoppers. --- conservative. --- contributed. --- film. --- gossip. --- illustrates. --- masculine. --- maven. --- mightily. --- platform. --- political. --- providing. --- public. --- realm. --- traditionally. --- understanding. --- views. --- voice. --- while. --- within. --- women.
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Before Liz Smith and Perez Hilton became household names in the world of celebrity gossip, before Rush Limbaugh became the voice of conservatism, there was Hedda Hopper. In 1938, this 52-year-old struggling actress rose to fame and influence writing an incendiary gossip column, “Hedda Hopper’s Hollywood,” that appeared in the Los Angeles Times and other newspapers throughout Hollywood’s golden age. Often eviscerating moviemakers and stars, her column earned her a nasty reputation in the film industry while winning a legion of some 32 million fans, whose avid support established her as the voice of small-town America. Yet Hopper sought not only to build her career as a gossip columnist but also to push her agenda of staunch moral and political conservatism, using her column to argue against U.S. entry into World War II, uphold traditional views of sex and marriage, defend racist roles for African Americans, and enthusiastically support the Hollywood blacklist.While usually dismissed as an eccentric crank, Jennifer Frost argues that Hopper has had a profound and lasting influence on popular and political culture and should be viewed as a pivotal popularizer of conservatism. The first book to explore Hopper’s gossip career and the public’s response to both her column and her politics, Hedda Hopper’s Hollywood illustrates how the conservative gossip maven contributed mightily to the public understanding of film, while providing a platform for women to voice political views within a traditionally masculine public realm. Jennifer Frost builds the case that, as practiced by Hopper and her readers, Hollywood gossip shaped key developments in American movies and movie culture, newspaper journalism and conservative politics, along with the culture of gossip itself, all of which continue to play out today.
History --- Gossip columnists --- Press and politics --- Motion pictures --- Motion picture industry --- Conservatism --- Political aspects --- Hopper, Hedda, --- Political and social views.
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This book is a resource for teaching US history using social problem films-"message movies"-as illustrations and tools for student engagement. In addition to covering key themes and concepts, this book provides an overview of significant issues, a tutorial for using film in history classes, user guides for thinking about social problems on screen, and sample exercises and assignments for classroom use.
History --- Social problem films --- Motion pictures in education. --- Study and teaching (Secondary) --- Audio-visual aids.
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