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Fiction --- Thematology --- Old French literature --- Arthur [King] --- Arthurian romances --- Cycles (Literature) --- French poetry --- Grail --- History and criticism. --- Legends --- Cycles (Literature). --- King Arthur [Fictitious character]
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Amour courtois dans la littérature --- Clothing and dress in literature --- Costume dans la littérature --- Costume in literature --- Courtly love in literature --- Hoofse liefde in de literatuur --- Kleding in de literatuur --- French literature --- -Clothing and dress in literature --- History and criticism --- To 1500
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French literature --- Women silk industry workers in literature. --- Silk industry in literature. --- Clothing and dress in literature. --- Littérature française --- Soie --- Vêtements dans la littérature --- History and criticism. --- Histoire et critique --- Industrie --- Personnel féminin, dans la littérature --- Industrie, dans la littérature --- Silk Road --- Route de la soie dans la littérature --- In literature. --- Women silk industry workers in literature --- Silk industry in literature --- Clothing and dress in literature --- Women silk industry workers --- History and criticism --- History --- In literature --- Littérature française --- Vêtements dans la littérature --- Personnel féminin, dans la littérature --- Industrie, dans la littérature --- Route de la soie dans la littérature --- French literature - To 1500 - History and criticism --- Women silk industry workers - Mediterranean Region - History --- Silk Road - In literature
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Clothing was used in the Middle Ages to mark religious, military, and chivalric orders, lepers, and prostitutes. The ostentatious display of luxury dress more specifically served as a means of self-definition for members of the ruling elite and the courtly lovers among them. In Courtly Love Undressed, E. Jane Burns unfolds the rich display of costly garments worn by amorous partners in literary texts and other cultural documents in the French High Middle Ages. Burns "reads through clothes" in lyric, romance, and didactic literary works, vernacular sermons, and sumptuary laws to show how courtly attire is used to negotiate desire, sexuality, and symbolic space as well as social class. Reading through clothes reveals that the expression of female desire, so often effaced in courtly lyric and romance, can be registered in the poetic deployment of fabric and adornment, and that gender is often configured along a sartorial continuum, rather than in terms of naturally derived categories of woman and man. The symbolic identification of the court itself as a hybrid crossing place between Europe and the East also emerges through Burns's reading of literary allusions to the trade, travel, and pilgrimage that brought luxury cloth to France.
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Civilization, Medieval. --- Clothing and dress --- Kleding. --- Kleidung. --- Middeleeuwen. --- Textiel. --- Textile fabrics, Medieval. --- Textilien. --- Textilkunst. --- History --- Medieval. --- Symbolic aspects --- Symbolic aspects. --- 500-1500. --- Europe.
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Thematology --- Sociology of literature --- anno 500-1499 --- Europe
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Feminist discourses have called into question axiomatic world views and shown how gender and sexuality inevitably shape our perceptions, both historically and in the present moment. Founding Feminisms in Medieval Studies advances that critical endeavour with new questions and insights relating to gender and queer studies, sexualities, the subaltern, margins, and blurred boundaries. The volume's contributions, from French literary studies as well as German, English, history and art history, evince a variety of modes of feminist analysis, primarily in medieval studies but with extensionsinto early modernism. Several interrogate the ethics of feminist hermeneutics, the function of women characters in various literary genres, and so-called "natural" binaries - sex/gender, male/female,East/West, etc. - that undergird our vision of the world. Others investigate learned women and notions of female readership, authorship, and patronage in the production and reception of texts and manuscripts. Still others look at bodies - male male, female, neither, and both - and how clothes cover and socially encode them.
Founding Feminisms in Medieval Studies is a tribute to E. JaneBurns, whose important work has proven foundational to late twentieth- and early twenty-first-century Old French feminist studies. Through her scholarship, teaching, and leadership in co-founding theSociety for Medieval Feminist Scholarship, Burns has inspired a new generation of feminist scholars.
Laine E. Doggett is Associate Professor of French at St. Mary's College of Maryland, St. Mary's City; Daniel E. O'Sullivan is Professor of French at the University of Mississippi.
Contributors: Cynthia J. Brown, Matilda Tomaryn Bruckner, Kristin L. Burr, Madeline H. Caviness, Laine E. Doggett, Sarah-Grace Heller, Ruth Mazo Karras, Roberta L. Krueger, Sharon Kinoshita, Tom Linkinen, Daniel E. O'Sullivan, Lisa Perfetti, Ann Marie Rasmussen, Nancy Freeman Regalado, Elizabeth Robertson, Helen Solterer
Civilization, Medieval --- Medieval civilization --- Middle Ages --- Civilization --- Chivalry --- Renaissance --- Historiography. --- History --- Middle Ages. --- Feminism. --- Civilization, Medieval. --- Emancipation of women --- Feminist movement --- Women --- Women's lib --- Women's liberation --- Women's liberation movement --- Women's movement --- Social movements --- Anti-feminism --- Dark Ages --- History, Medieval --- Medieval history --- Medieval period --- World history, Medieval --- World history --- Medievalism --- Emancipation --- feminism. --- feminist scholarship. --- gender binary. --- gender roles. --- gender studies. --- key figures. --- medieval history. --- medieval studies. --- modernism. --- sexuality. --- women in medieval history. --- women's studies.
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