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Iconography --- Painting --- anno 1500-1799 --- anno 1400-1499 --- anno 1800-1999

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Museology --- Iconography --- Art --- Architecture --- Sculpture --- architecture [discipline] --- museology --- Nature --- sculpting --- museums [institutions] --- tentoonstellingsorganisme --- museumarchitectuur --- Heerich, Erwin --- Museum Insel Hombroich [Neuss] --- anno 1900-1999 --- Germany

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Music --- Iconography --- History of civilization --- anno 500-1499 --- Europe --- Music in art --- Musique dans l'art --- Musique --- History and criticism. --- Histoire et critique --- 091:78 --- Handschriften i.v.m. muziek --- Exhibitions --- 091:78 Handschriften i.v.m. muziek --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- 500-1400 --- History and criticism --- Art [Medieval ] --- Art and music --- History --- Paris. Musée de la musique --- Music in art - Exhibitions --- Art et musique --- Moyen age --- Expositions

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Hans Memling's 'God the Father with Singing and Music-making Angels' formed the upper register of an enormous polyptych painted for the Benedictine monastery of Santa Maria la Real in Nájera, Spain. The three large panel paintings are undoubtedly among the most monumental works of early Netherlandish painting. Since 1895 they have belonged to the collection of the Royal Museum of Fine Arts Antwerp (KMSKA), where a team of conservators and scholars have devoted themselves in recent years to their complex conservation. To mark the completion of this project, the KMSKA organized a symposium in March 2017 in cooperation with the University of Antwerp. This latest volume in the 'Me Fecit' series publishes the contributions presented on that occasion. Their wide-ranging themes include the commissioning and iconography of the panels, their acquisition by the museum, the depicted vestments and what the work has to tell us about fifteenth-century musical practice. Close attention is paid to technical aspects such as the materials and the painting technique used for the panels, Memling's underdrawing, the frames, and the conservation treatment not least the oxalate-containing layer that posed the greatest challenge. There is a musical aspect to the project too: precise replicas have been made of the depicted instruments, which were then used to perform fifteenth-century compositions with playing techniques inferred from the paintings. The book features contributions by Maryan Ainsworth, Wim Becu, Till-Holger Borchert, Bart Fransen, Ingrid Goddeeris, Catherine Higgitt, Lizet Klaassen, Louise Longneaux, Karel Moens, Lisa Monnas, Keith Polk, Marie Postec, Marika Spring and Geert Van der Snickt.

Conservation. Restoration --- Painting --- restoration [process] --- polyptychs --- technical art history --- Memling, Hans --- anno 2000-2099 --- iconology --- musicology --- Iconography --- Music --- restorative processes and techniques --- artists-in-residence --- panel painting [image-making] --- musical instrument makers --- Royal Museum of Fine Arts [Antwerp] --- Memling, Hans, --- Painting, Netherlandish --- Art, Renaissance --- Hemelinck, Hans, --- Hemling, Hans, --- Hemmeling, Hans, --- Mamline, Hans, --- Memlinc, Hans, --- Memmelinck, Hans, --- Memmelynghe, Jan van, --- Memling, Khans, --- Memling, --- Netherlandish painting --- Art, Renaissance. --- Hemelinck, Hans --- Hemling, Hans --- Hemmeling, Hans --- Mamline, Hans --- Memlinc, Hans --- Memmelinck, Hans --- Memmelynghe, Jan van --- Memling, Khans --- Memling --- Renaissance art --- interdisciplinair onderzoek --- restauratie --- altaarstukken --- muziek --- muziekinstrumenten

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Avant-garde (Aesthetics) --- Sound in art --- Sound sculpture --- 7.049 --- CD-ROMS --- Kunst en muziek ; 20ste eeuw ; klankkunst ; geluidskunst --- 781.1 --- Laurie Anderson --- Sam Auinger --- Llorenç Barber --- Andres Bosshard --- Henning Christansen --- Nicolas Collins --- Brian Eno --- Gary Hill --- Maurizio Kagel --- Ana Torfs --- Peter Vogel --- Kyra Stratman --- 778.5 --- Sonic sculpture --- Sculpture --- Sound art --- Iconografie ; verschillende onderwerpen --- Geluidskunst --- Kunst nieuwe technieken ; video, laser, computer, klank, . --- Art styles --- Iconography --- Art --- Music --- Film --- History --- music [performing arts] --- art history --- sound [acoustics] --- video art --- environmental art --- motion pictures [visual works] --- Paik, Nam June --- Fox, Terry --- Julius, Rolf --- Neuhaus, Max --- Trimpin --- Vortex --- Auinger, Sam --- Barber, Ilorenç --- Bordoni, Isabella --- Bosshard, Andres --- Breindl, Martin --- Freyer, Achim --- Collins, Nicolas --- Curran, Alvin --- Marinis, De, Paul --- Demers, Louis-Philippe --- Demnig, Gunter --- Eller, Ulrich --- Fuchs, Paul --- Gierschik, Hans --- Glandien, Lutz --- Gün --- Günschel, Josefine --- Heckert, Matt --- Hess, Felix --- Jacobsen, Robert [1963] --- Jovanovic, Arsenije --- Kuhn, Hans Peter --- Kuivila, Ron --- Lemberg, Götz --- Lotz, Beate --- Lucier, Alvin --- Lüders, Malte --- Maubrey, Benoît --- Minard, Robin --- Miranda, Fátima --- Monahan, Gordon --- Moss, David --- Odland, Bruce --- Osborn, Ed --- Paci Dalò, Roberto --- Palestine, Charlemagne --- Panhuysen, Paul --- Riches, Martin --- Ritter, Don --- Rose, Jon --- Sani, Nicola --- Sasso, Mario --- Schatzl, Leo --- Schwibbert, Dirk --- Sodomka, Andrea --- Sonami, Laetiti --- Stratmann, Kyra --- Suzuki, Akio --- Trayle, Mark --- Vogel, Peter --- Vorn, Bill --- Wada, Junko --- White, Red --- Kubisch, Christina --- Huene, von, Stephan --- Sarkis --- Leitner, Bernhard --- Brecht, George --- Bruch, vom, Klaus --- Christiansen, Henning --- Hill, Gary --- Marclay, Christian --- Qin Yufen --- Torfs, Ana --- Kagel, Mauricio --- Rihm, Wolfgang --- Schnebel, Dieter --- Eno, Brian --- Anderson, Laurie --- Young farmers claim future --- anno 1900-1999 --- anno 2000-2099 --- Kunst nieuwe technieken ; video, laser, computer, klank, --- Trimpin, Gerhard --- Barber, Llorenç --- music [performing arts genre] --- kunst en technologie