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Greek drama (Comedy) --- History and criticism. --- Aristophanes.
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Jesuit drama --- College and school drama --- Surgeons --- Barbers --- History and criticism. --- History
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Phyllis Hartnoll is en autoriteit op het gebied van de theatergeschiedenis'. Helder, overzichtelijk en beknopt beschrijft zij de geschiedenis van de dramatische literatuur en van het theater, vanaf haar oorsprong in dein de hymnes die door de Griekse koren rond het altaar van Dionysus gezongen werden tot aan de fascinerende rijkdom van theatervormen in onze tijd. 290 afbeeldingen illustreren de verscheidenheid aan stijlen in ensceneren, acteren en theaterbouw. Aan de geschiedenis van het theater in Nederland, van de abele spelen tot het Werktheater, is een apart hoofdstuk gewijd.
theater --- toneelgeschiedenis --- Theatrical science --- Netherlands --- 82-2 <09> --- Toneel. Drama--Geschiedenis van ... --- 82-2 <09> Toneel. Drama--Geschiedenis van ... --- #KVHA:Letterkunde --- #KVHA:Theater --- Toneel. Drama--Geschiedenis van .. --- History of civilization --- 792 --- geschiedenis --- Toneel. Drama--Geschiedenis van --- Toneelkunst --- Geschiedenis --- Chronologie --- Beschrijvingen
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Dutch drama --- Chambers of rhetoric. --- History and criticism
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Greek drama (Tragedy). --- Greek drama (Tragedy). --- Mythology, Greek --- Mythology, Greek. --- Euripides --- Euripides. --- Euripides. --- Criticism and interpretation. --- Fragments (Euripides).
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In the lead essay for this volume, Joshua Foa Dienstag engages in a critical encounter with the work of Stanley Cavell on cinema, focusing sceptical attention on the claims made for the contribution of cinema to the ethical character of democratic life. In this debate, Dienstag mirrors the celebrated dialogue between Rousseau and Jean D'Alembert on theatre, casting Cavell as D'Alembert in his view that we can learn to become better citizens and better people by observing a staged representation of human life, with Dienstag arguing, after Rousseau, that this misunderstands the relationship between original and copy, even more so in the medium of film than in the medium of theatre. The argument is developed further by essays from Clare Woodford, Tracy B. Strong, Margaret Kohn, Davide Panagia and Thomas Dunn, to which Dienstag responds in the concluding chapter, 'A reply to my critics'.
Motion pictures --- Political aspects. --- Philosophy. --- Plots, themes, etc. --- Cavell, Stanley, --- Motion picture plays --- Motion picture plots --- Plots (Drama, novel, etc.) --- Film genres --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Themes, motives --- History and criticism --- Cavell, Stanley Louis, --- Goldstein, Stanley Louis, --- カヴェル, スタンリー, --- cinema --- stanley cavell --- ethics --- democracy --- political theory --- Humanities. --- Ethics and moral philosophy. --- POLITICAL SCIENCE / History & Theory. --- Philosophy & Religion --- Philosophy --- Topics in philosophy --- Ethics & moral philosophy.
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