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The overbearing affirmation of the body, with its instincts and impulses, and an effort aimed at suppressing that same push: this powerful dialectic deeply marks Beckett's works, and becomes a crucial reflection of the more general tension between a vain waiting for the end and the need to move forward. The close investigation of the texts suggests a special link with the thought of Arthur Schopenhauer, revealing in particular the contiguity between the concept of Noluntas and the search, by many of Beckett's characters, for “will-lessness”, a peculiar state of quiet and abstraction from reality. Starting from these observations, this study investigates the theme of the body within Beckett's poetics, especially in light of his relationship with the Schopenhauer's Will theory.
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The overbearing affirmation of the body, with its instincts and impulses, and an effort aimed at suppressing that same push: this powerful dialectic deeply marks Beckett's works, and becomes a crucial reflection of the more general tension between a vain waiting for the end and the need to move forward. The close investigation of the texts suggests a special link with the thought of Arthur Schopenhauer, revealing in particular the contiguity between the concept of Noluntas and the search, by many of Beckett's characters, for “will-lessness”, a peculiar state of quiet and abstraction from reality. Starting from these observations, this study investigates the theme of the body within Beckett's poetics, especially in light of his relationship with the Schopenhauer's Will theory.
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The overbearing affirmation of the body, with its instincts and impulses, and an effort aimed at suppressing that same push: this powerful dialectic deeply marks Beckett's works, and becomes a crucial reflection of the more general tension between a vain waiting for the end and the need to move forward. The close investigation of the texts suggests a special link with the thought of Arthur Schopenhauer, revealing in particular the contiguity between the concept of Noluntas and the search, by many of Beckett's characters, for “will-lessness”, a peculiar state of quiet and abstraction from reality. Starting from these observations, this study investigates the theme of the body within Beckett's poetics, especially in light of his relationship with the Schopenhauer's Will theory.
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Jorge Eduardo Eielson (Lima 1924 - Milan 2006) and Mario Vargas Llosa (Arequipa, Peru, 1936; Winner of the Nobel prize in 2010) are certainly two 'exemplary Peruvians', as they have both started by digging into the history and social conflicts of their country, before opening up to global culture and reality with an interdisciplinary and intercultural spirit: Vargas Llosa did so using fiction, theatre, non-fiction and journalism; Eielson used poetry, the visual arts, non-fiction and journalism. The volume offers a rich itinerary starting from an interview with Vargas Llosa by José Miguel Oviedo (Florence, 2008), and then goes through individual aspects of the work by the two authors. It is then accompanied by photographic records and a DVD with an elaboration of Eielson's visual works, paintings and poems.
Peruvian literature --- Linguistics. --- History and criticism.
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Jorge Eduardo Eielson (Lima 1924 - Milan 2006) and Mario Vargas Llosa (Arequipa, Peru, 1936; Winner of the Nobel prize in 2010) are certainly two 'exemplary Peruvians', as they have both started by digging into the history and social conflicts of their country, before opening up to global culture and reality with an interdisciplinary and intercultural spirit: Vargas Llosa did so using fiction, theatre, non-fiction and journalism; Eielson used poetry, the visual arts, non-fiction and journalism. The volume offers a rich itinerary starting from an interview with Vargas Llosa by José Miguel Oviedo (Florence, 2008), and then goes through individual aspects of the work by the two authors. It is then accompanied by photographic records and a DVD with an elaboration of Eielson's visual works, paintings and poems.
Peruvian literature --- Linguistics. --- History and criticism.
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Jorge Eduardo Eielson (Lima 1924 - Milan 2006) and Mario Vargas Llosa (Arequipa, Peru, 1936; Winner of the Nobel prize in 2010) are certainly two 'exemplary Peruvians', as they have both started by digging into the history and social conflicts of their country, before opening up to global culture and reality with an interdisciplinary and intercultural spirit: Vargas Llosa did so using fiction, theatre, non-fiction and journalism; Eielson used poetry, the visual arts, non-fiction and journalism. The volume offers a rich itinerary starting from an interview with Vargas Llosa by José Miguel Oviedo (Florence, 2008), and then goes through individual aspects of the work by the two authors. It is then accompanied by photographic records and a DVD with an elaboration of Eielson's visual works, paintings and poems.
Peruvian literature --- Linguistics. --- History and criticism.
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The volume explores the work of two classic authors such as Capuana and Verga under the lens of the postcolonial perspective, accepting the thesis of the Italian unification process as an internal colonisation process. The author investigates the effects of colonisation on the representation of the Sicilian rural life, highlighting areas of ambiguity and hybridism in the writings of Capuana and Verga. The two writers, living between the colonised world and the colonising world, sometimes take part in the realisation of the hegemonic national discourse, sometimes create counter-discourses, in a never definitive alternation that makes the texts of the two Veristi rich and fascinating.
Verga, Giovanni, --- Capuana, Luigi, --- Criticism and interpretation. --- Sicily (Italy) --- In literature.
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The volume explores the work of two classic authors such as Capuana and Verga under the lens of the postcolonial perspective, accepting the thesis of the Italian unification process as an internal colonisation process. The author investigates the effects of colonisation on the representation of the Sicilian rural life, highlighting areas of ambiguity and hybridism in the writings of Capuana and Verga. The two writers, living between the colonised world and the colonising world, sometimes take part in the realisation of the hegemonic national discourse, sometimes create counter-discourses, in a never definitive alternation that makes the texts of the two Veristi rich and fascinating.
Verga, Giovanni, --- Capuana, Luigi, --- Criticism and interpretation. --- Sicily (Italy) --- In literature.
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The volume explores the work of two classic authors such as Capuana and Verga under the lens of the postcolonial perspective, accepting the thesis of the Italian unification process as an internal colonisation process. The author investigates the effects of colonisation on the representation of the Sicilian rural life, highlighting areas of ambiguity and hybridism in the writings of Capuana and Verga. The two writers, living between the colonised world and the colonising world, sometimes take part in the realisation of the hegemonic national discourse, sometimes create counter-discourses, in a never definitive alternation that makes the texts of the two Veristi rich and fascinating.
Verga, Giovanni, --- Capuana, Luigi, --- Criticism and interpretation. --- Criticism and interpretation. --- Sicily (Italy) --- In literature.
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Women authors, French --- New novel (Literary movement) --- French literature --- Jews --- Women lawyers --- Russians --- History and criticism --- Sarraute, Nathalie --- Women authors, French - Biography --- French literature - 20th century - History and criticism --- Jews - France - Biography --- Women lawyers - France - Biography --- Russians - France - Biography
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