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The Design Politics of the Passport presents an innovative study of the passport and its associated social, political and material practices as a means of uncovering the workings of 'design politics'. It traces the histories, technologies, power relations and contestations around this small but powerful artefact to establish a framework for understanding how design is always enmeshed in the political, and how politics can be understood in terms of material objects. Combining design studies with critical border studies, alongside ethnographic work among undocumented migrants, border transgressors and passport forgers, this book shows how a world made and designed as open and hospitable to some is strictly enclosed, confined and demarcated for many others - and how those affected by such injustices dissent from the immobilities imposed on them through the same capacity of design and artifice.

Passports --- Design --- Creation (Literary, artistic, etc.) --- International law --- International travel regulations --- Safe-conducts --- Political aspects --- Law and legislation --- Politics --- passports --- graphic design --- kunst en politiek

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kunst --- eenentwintigste eeuw --- Orozco Gabriel --- Mexico --- 7.071 OROZCO --- utopie --- kunst en politiek --- fotografie --- installaties --- beeldhouwkunst --- schilderkunst --- Orozco, Gabriel, --- Exhibitions --- Art --- installations [visual works] --- drawing [image-making] --- photography [process] --- geometric figures --- Nature --- site-specific works --- mixed media works --- Orozco, Gabriel

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Uitgave van Artium, een museum ter ondersteuning van de Baskische kunst, Tea, een Spaans museum, en Caam, Centro Atlantico de Arte Moderno. Kunstenares Régina José Galindo confronteert ons met onze moderne maatschappij en de vragen die we ons kunnen stellen bij bepaalde trends en procedures. Ze maakt hierbij veel gebruik van haar eigen lichaam en gaat soms wel eens hard om met zichzelf: bloed vloeit regelmatig. De catalogus is verpakt in een omslag waarin ook geleverd worden een set kaarten met gedichten van de kunstenares en ... een vleeshaak. Geeft je meteen een idee van het werk en de visies van Galindo. Doet bij momenten een beetje denken aan de performances van Marina Abramovic.

politics --- video art --- power --- wars --- poetry --- body art [visual works, performance] --- women [female humans] --- sculpture [visual work] --- murders --- assassinations --- Art --- performance art --- violence --- installations [visual works] --- feminism --- suffering --- nudity --- Galindo, Regina José --- Galindo, Regina José, --- sculpture [visual works] --- murders [deaths] --- dood --- lichaam (van de mens) --- kunst en politiek --- mensenrechten (kunst) --- genocide --- mensenrechten --- social criticism

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rococo --- mecenaat --- hofkunst --- Piffetti, Pietro --- 1730 - 1750 --- 18de eeuw --- Turijn --- Piemonte --- Savoie --- Rococo --- Art --- art [fine art] --- patronage --- Politics --- courts [social groups] --- Savoye [Dynasty] --- anno 1700-1799 --- Turin --- rococo. --- mecenaat. --- hofkunst. --- Piffetti, Pietro. --- 1730 - 1750. --- 18de eeuw. --- Turijn. --- Piemonte. --- Savoie. --- art [discipline] --- kunst en politiek

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This publication is a substantial archive and a singular point of entry into thinking with and understanding Andrea Fraser's work and reception. The interview format provides intimate insight into Fraser's self-positioning as a central aspect of her practice. By presenting the artist's voice as mediated through interlocutors ranging from professional peers to popular media, 'Collected Interviews, 1990-2018' uniquely contextualizes Fraser's practice in the artistic, institutional, and discursive fields in which she intervenes. As Fraser is engaged, challenged, and understood from diverse perspectives, readers learn as much about her artistic commitments from the artist's humor and affect as from her incisive analyses. The collection spans three decades, from the early 1990s to the present, and is organized chronologically with minimal editing. The collection's unmediated format allows Fraser's key ideas and themes to attain deeper resonance through repetitions and subtle differentiations over multiple conversations.

Fraser, Andrea, --- Fraser, Andrea --- Art criticism --- Performance art --- kunst --- kunst en politiek --- gender studies --- 7.01 --- 7.071 FRASER --- video-installaties --- videokunst --- video --- performance --- performances --- kunsttheorie --- museologie --- musea --- feminisme --- institutional critique --- concept art --- conceptuele kunst --- twintigste eeuw --- Arts, Modern --- Happenings (Art) --- Performing arts --- Art --- Arts --- Criticism --- Analysis, interpretation, appreciation --- Exhibitions --- interviews --- artists' statements