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Bookplates, Swedish --- Calligraphy --- Monograms --- Exhibitions --- Forsberg, Karl Erik --- Exhibitions.
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S17/0700 --- 746 --- China --- Japan --- kalligrafie --- schrijfkunst --- China: Art and archaeology--Calligraphy --- praktijk van schilderen en tekenen, schrijf- en letterkunst --- Calligraphers --- Calligraphy, Chinese --- Calligraphy, Japanese --- Calligraphy --- Decorative arts --- Penmanship --- Writing --- Japanese calligraphy --- Biography --- Catalogs --- Private collections&delete& --- Götze, Heinz --- Gëtt︠s︡e, Geĭnt︠s︡ --- Art collections --- Catalogs. --- Private collections
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"Persian Calligraphy and related traditional arts of books make up the most important forms of Iranian-Islamic art, which are still living practiced traditions up to today. This volume puts together a first-of-a-kind handbook and contains the most important termini technici as well as expressions and techniques connected to the traditional art of Persian calligraphy (mostly Nasta'līq), calligraphy tools such as the reed pen, paper and ink as well as some related fields, like taz̲hīb (illumination), taš'īr (historiated painting), book binding, etc. The content is based on thirty prominent classical Persian treatises, composed between twelfth and twentieth centuries. All terms and expressions are followed by an English description and often accompanied by an illustration. These expressions, which are key to understanding old calligraphic treatises and many relevant sources on Islamic art, are meant to familiarise the reader with both common and forgotten techniques and terminology of calligraphic traditions. The volume addresses not only the artists and scholars of Iranian and Islamic art history, but also those, who have dealt with Islamic and Iranian manuscripts, manuscript cultures, codicology and palaeography. Both the author and the editor of this volume are trained practicing calligraphers and illuminators, who learned the art of calligraphy and illumination through long, traditional study under masters of this art"--
Calligraphy --- Calligraphy, Persian --- Illumination of books and manuscripts, Iranian --- Islamic calligraphy --- Miniature painting, Iranian --- Dictionaries --- Iranian miniature painting --- Miniature painting, Persian --- Persian miniature painting --- Calligraphy, Islamic --- Illumination of books and manuscripts, Persian --- Iranian illumination of books and manuscripts --- Persian illumination of books and manuscripts --- Persian calligraphy --- Decorative arts --- Penmanship --- Writing --- Persian.
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The history of drawing, in common with the history of much else, is the history of what has survived.' In the sixteenth century, drawings came to be valued as works of art in their own right. In recognition of this, collectors through time have ensured the preservation of countless drawings. This book takes us through the process of drawing as a functional art of lines. Through the journey from figure to landscape, sketch to meticulously detailed piece and from the artist's studio to the collector's vast portfolio, the exhibition examines what has survived and raises questions about the value of what has been lost. Examining the value of a drawing, the book charters the growth in appreciation of this undefined form and offers insight into the vision of both the artist and the collector. This 184 page catalogue features all the prints on display in the 2013 Ashmolean Master Drawings exhibition.
Drawing --- Ashmolean Museum [Oxford] --- Art --- calligraphy [process] --- Nature --- landscapes [representations] --- Xu Bing --- China --- drawing [image-making] --- tekenkunst --- drawings [visual works] --- pen and wash drawings --- tekeningen --- the Ashmolean Museum (Oxford) --- tekeningen. --- the Ashmolean Museum (Oxford).
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schilderkunst --- technieken --- verzamelen --- kalligrafie --- 700 - 1900 --- China --- S17/0600 --- S17/2113 --- China: Art and archaeology--Calligraphy and painting: general (incl. technic. and esthetic aspects) --- China: Art and archaeology--Musea and exhibitions: United Kingdom --- Exhibitions --- schilderkunst. --- technieken. --- verzamelen. --- kalligrafie. --- 700 - 1900. --- China.
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S17/0400 --- S35/1100 --- S17/0600 --- S17/0622 --- S17/0623 --- China: Art and archaeology--Chinese art: general and history --- Japan--Art and archaeology (incl. prehistory) --- China: Art and archaeology--Calligraphy and painting: general (incl. technic. and esthetic aspects) --- China: Art and archaeology--Painting: Song - Yuan --- China: Art and archaeology--Painting: Ming --- Art and literature --- Painting, Chinese --- Painting, Japanese --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- Japanese painting --- Nihonga --- Chinese painting --- Paintings, Chinese --- Painting [Chinese ] --- China --- Japan --- Art and literature - China. --- Art and literature - Japan.
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Schrift geschiedenis --- Donald Jackson --- 003.3 <09> --- 003.5 --- schrijfmateriaal --- schrijfmachines --- Geschiedenis van het schrift --- Schrijfmaterialen --- paleografie, geschiedenis van het schrift --- 003.5 Schrijfmaterialen --- 003.3 <09> Geschiedenis van het schrift --- oudheid --- middeleeuwen --- 003.077 --- schrift --- geschiedenis --- drukken --- boekdrukkunst --- 902.3 --- miniaturen --- illustraties --- grafische vormgeving --- 766.03 --- 003.077 Schoonschrift. Decoratieve schriften. Kalligrafie --- Schoonschrift. Decoratieve schriften. Kalligrafie --- 091:003 --- 930.272 --- 930.272 Paleografie --- Paleografie --- 091:003 Handschriftenkunde. Handschriftencatalogi-:-Semiotiek. Schriften. Tekens en symbolen. Codes. Grafische voorstellingen --- Handschriftenkunde. Handschriftencatalogi-:-Semiotiek. Schriften. Tekens en symbolen. Codes. Grafische voorstellingen --- Schrift ; geschiedenis --- Writing --- calligraphy [process] --- 950 --- cultuurgeschiedenis --- histoire culturelle
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