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Sean Scully, one of the most important artists of our time, allows conflict to be carried out in his works--conflict between structure and emotion, body and spirit, impulsivity and reflection. The Irish-American painter has been reinterpreting abstract art since the 1960s, not as a purely formal exploration of color, form, planes, structure, body, and light, but as a medium whose means of expression is tied to external and internal moods, literary influences, and physical experiences. Scully has articulated his attitude in many lectures, interviews, and texts, which comprise the starting point for the exhibition Vita Duplex. With 140 illustrations, the eponymous catalogue provides a comprehensive look at the artist's visual oeuvre, as well as his world of ideas, and defines its place in the history of abstract painting.

Painting --- abstracte schilderkunst --- Scully, Sean --- hedendaagse kunst --- hedendaagse kunst. --- Scully, Sean. --- landschappen.

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When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than 1,000 paintings and works on paper that she had kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint's radically abstract painting practice―one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Her boldly colorful works, many of them large-scale, reflect an ambitious, spiritually informed attempt to chart an invisible, totalizing world order through a synthesis of natural and geometric forms, textual elements and esoteric symbolism.

Accompanying the first major survey exhibition of the artist's work in the United States, Hilma af Klint: Paintings for the Future represents her groundbreaking painting series while expanding recent scholarship to present the fullest picture yet of her life and art. Essays explore the social, intellectual and artistic context of af Klint's 1906 break with figuration and her subsequent development, placing her in the context of Swedish modernism and folk art traditions, contemporary scientific discoveries, and spiritualist and occult movements. A roundtable discussion among contemporary artists, scholars and curators considers af Klint's sources and relevance to art in the 21st century. The volume also delves into her unrealized plans for a spiral-shaped temple in which to display her art―a wish that finds a fortuitous answer in the Guggenheim Museum's rotunda, the site of the exhibition.

Painting --- Klint, Hilma A.F. --- Klint, Hilma af, --- abstracte schilderkunst --- Painting, Abstract --- Spiritualism in art --- Women painters --- Painting, Swedish --- folklore --- occultisme --- spiritualiteit --- Kandinsky, Wassily --- Klint, Hilma af --- Zweden --- Af Klint, Hilma --- folklore. --- spiritualiteit. --- occultisme. --- Af Klint, Hilma. --- Kandinsky, Wassily. --- Zweden.

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Alechinsky, Pierre ; Van Anderlecht, Englebert ; Antoine, Paul ; Barbaix, René ; Baugniet, Marcel-Louis ; Bergen, Emiel ; Bertrand, Gaston ; Beullens, André ; Blank, André ; De Boeck, Felix ; Boel, Maurice ; Bogaert, André ; Bogart, Bram ; Bonnet, Anne ; Vanden Borre, Guillaume ; Van Breedam, Camiel ; Burssens, Jan ; Bury, Pol ; Busine, Zephir ; Calonne, Jacques ; Carlier, Marie ; Carrey, Georges ; Closon, Henri-Jean ; Cobbaert, Jan ; Collignon, Georges ; Cortier, Amédée ; Daenens, Albert ; Decock, Gilbert ; Delahaut, Jo ; Donas, Marthe ; Van Dooren, Edmond ; Dorchy, Henri ; Dotremont, Christian ; Drybergh, Charles ; Dubail, Berthe ; Dubois, Jean ; Dudant, Roger ; Eemans, Marc ; Engel-Pak ; Flouquet, Pierre-Louis ; Gailliard, Jean-Jacques ; Gentils, Vic ; Greisch, Roger ; Grosemans, Arthur ; Guiette, René ; Heerbrandt, Henri ; Herregodts, Urbain ; Van Hoeydonck, Paul ; Holley, Francine ; Orix, Bill ; Joostens, Paul ; Jos ; Jung, Simonetta ; Kerels, Henri ; Kiemeneij, Jan ; Lacasse, Joseph ; Lacomblez, Jacques ; Landuyt, Octave ; Leblanc, Walter ; de Leeuw, Bert ; Lempereur-Haut, Marcel ; Lenaerts, Carlos ; Lewy, Kurt ; Van Lint, Louis ; Lismonde ; Lucas, Richard ; Maes, Karel ; Maeyer, Marcel ; Magritte, René ; Mara, Pol ; Matton, Jacques ; Meerbergen, Rudolf ; Mels, René ; Mendelson, Marc ; Michaux, Henri ; Milo, Jean ; Mortier, Antoine ; Noël, Victor ; Ongenae, Joseph ; Peeters, Jozef ; Peire, Luc ; Picon, José ; Plomteux, Léopold ; Quinet, Mig ; Raveel, Roger ; Renotte, Paul ; Rets, Jean ; de Sauvage, Guy ; Saverys, Jan ; Schmalzigaug, Jules ; Schrobiltgen, Paul ; Sempels, Geo ; Servranckx, Victor ; Seuphor, Michel ; Van Severen, Dan ; Staritsky, Anna ; Swimberghe, Gilbert ; Thienpont, Suzanne ; De Troyer, Prosper ; Ubac, Raoul ; etc.

Painting --- abstracte schilderkunst --- Belgium --- Belgique --- België --- Peinture --- Schilderkunst --- 20ste eeuw --- abstracte kunst --- 1920 - 1970 --- #A9709A --- Abstracte schilderkunst ; België ; 1920-1970 --- 75.038 --- (069) --- (493) --- kunst --- twintigste eeuw --- schilderkunst --- abstractie --- 75.036 --- Philippe Roberts-Jones --- Schilderkunst ; 1950 - 2000 --- (Musea. Collecties) --- (België) --- Painting [Modern ] --- 20th century --- Exhibitions --- Painting [Abstract ] --- Painting [Belgian ] --- abstracte, niet-figuratieve kunst --- 730 --- schilder- en tekenkunst --- peinture et dessin --- 75.036 Moderne schilderkunst (na 1900) --- Moderne schilderkunst (na 1900) --- 1920 - 1970. --- 20ste eeuw. --- België.

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Painting --- Graphic arts --- Kandinsky, Vasili Vassileevich --- Russian Federation --- symbolisme --- avant-garde --- folklore --- kleuren --- Kandinsky, Wassily --- 20ste eeuw --- Rusland --- kunst --- twintigste eeuw --- Sovjet-Unie --- schilderkunst --- abstractie --- abstracte schilderkunst --- Kandinsky Wassily --- 75.071 KANDINSKY --- Exhibitions --- Russia --- 730.4 --- symbolisme. --- avant-garde. --- folklore. --- kleuren. --- Kandinsky, Wassily. --- 20ste eeuw. --- Rusland. --- Lam Gods (Gebr Van Eyck). --- restauratie. --- van Eyck (gebr.). --- van Eyck, Jan.

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Introduction: Resisting blackmail -- I. Totems of modernity: Matisse and "Arche-drawing" -- Kahnweiler's lesson -- II. Abstraction I: The De Stijl idea -- Strzemiński and Kobro: in search of motivation -- Piet Mondrian, New York City -- III. Abstraction II: Perceiving Newman -- Ryman's tact -- IV. Archaeology: Painting : the task of mourning -- Painting as model.

Yve-Alain Bois --- kunst --- twintigste eeuw --- kunsttheorie --- esthetica --- schilderkunst --- structuralisme --- poststructuralisme --- Matisse Henri --- Kahnweiler Daniel-Henry --- abstractie --- abstracte schilderkunst --- Ryman Robert --- De Stijl --- Strzeminski Wladyslaw --- Kobro Katarzyna --- Mondriaan Piet --- Mondrian Piet --- Newman Barnett --- 75.01 --- 75.036 --- Schilderkunst ; 20ste eeuw ; theorie --- Kunstfilosofie ; Yve-Alain Bois ; over 20ste eeuwse kunst --- Schilderkunst ; theorie, filosofie, esthetica --- Painting --- Philosophy --- CDL