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Steve Neale and Frank Krutnik take as their starting point the remarkable diversity of comedy's forms and modes - feature-length narratives, sketches and shorts, sit-com and variety, slapstick and romance. Relating this diversity to the variety of comedy's basic conventions - from happy endings to the presence of gags and the involvement of humour and laughter - they seek both to explain the nature of these forms and conventions and to relate them to their institutional contexts. They propose that all forms and modes of the comic involve deviations from aesthetic and cultural conventions and n
791.43-1 --- Comedy films --- Comic, The --- Television comedies --- #SBIB:309H1326 --- Comedies, Television --- Comedy programs --- Comedy programs, Television --- Comedy television programs --- Television comedy programs --- Television programs --- Ludicrous, The --- Ridiculous, The --- Comedy --- Wit and humor --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- Filmkunst. Films. Cinema--?-1 --- History and criticism. --- History. --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Comic, The. --- History and criticism --- History --- CDL --- 791.43
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791.43-22 --- #SBIB:309H1521 --- #SBIB:309H1326 --- Filmcomedies --- Radio- en/of televisieprogramma’s met een amusementsfunctie en/of esthetische functie --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- 791.43-22 Filmcomedies --- Comedy films --- Comic, The --- Television comedies --- Wit and humor --- Comedies, Television --- Comedy programs --- Comedy programs, Television --- Comedy television programs --- Television comedy programs --- Television programs --- Ludicrous, The --- Ridiculous, The --- Comedy --- History and criticism --- 791.43 --- CDL
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