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Uitdaging van Leo Copers
Year: 1990

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Copers, Leo


Article
Leo Copers
Year: 1990

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Copers, Leo


Book
Loe Copers (1971).
Year: 1971 Publisher: Wakken : Grafiek 50 - Centrum voor grafiek en projekten Wakken,

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Copers, Leo


Book
Leo Copers : Er was eens... = Once upon a time...
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ISBN: 9077360662 Year: 2006 Publisher: Gent : Imschoot Uitgevers Gent,

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Copers, Leo


Book
Artist in Residence : Leo Copers ; Duister museum (Studie) = Musée obscur (Étude) = Dark museum (Study) ; (tentoonstelling Gent, Museum voor Schone Kunsten, 21.03 - 21.06.2011).
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Year: 2011 Publisher: Gent : Museum voor Schone Kunsten Gent,

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Copers, Leo.


Dissertation
Leo Copers : Katapultinstallatie om een flikkerende gloeilamp af te schieten boven Milaan (1973) - De vliegende en pinkende lamp boven Milaan (1974) - Zonder Titel (1971) - Zonder Titel (1970 of 1971).
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Year: 1998 Publisher: Gent : [s.n.],

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Copers, Leo --- Gent


Book
Leo Copers : "sculpturen" 1989 - 1968 : Museum van hedendaagse kunst Antwerpen, 12 mei - 17 juni 1990 ; Centraal museum Utrecht, 7 juli - 19 augustus 1990
Authors: --- ---
Year: 1990 Publisher: Zedelgem : Stichting "Kunst en projecten",

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Book
Poésie Pure.
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Year: 1995 Publisher: Châteauroux Tourcoing : Collège Marcel Duchamp, Ecole Municipale des Beaux-Arts de Châteauroux Musée des Beaux-arts de Tourcoing,

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Zonder titel = Sans titre = Untitled = Ohne Titel (Uitgegeven ter gelegenheid van de tentoonstelling : 'Affinités Sélectives' Brussel, Paleis voor Schone Kunsten, 1990).
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ISBN: 9072191536 9789072191533 Year: 1991 Publisher: Gent : Imschoot,

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Van den Abeele, Albijn ; van den Berghe, Frits ; Brusselmans, Jean ; Copers, Leo ; Degouve de Nuncques, William ; Ensor, James ; Frederic, Léon ; Khnopff, Fernand ; Mellery, Xavier ; Minne, George ; Rouault, Georges ; Van Rysselberghe, Théodore ; De Smet, Gustave ; De Smet, Léon ; Smits, Jacob ; Spilliaert, Léon ; Tytgat, Edgard ; de Woestyne, Gustave Van ; Wouters, Rik Linnen band met stofomslag. Pp: 80. Chocolate cover, full colour printing, with brown ink on one side. A friend of alchemy and the transformative power of images, Copers uses brown curtain-like pages left uncut, to hide a catalogue of treasures from the art museum in Ghent.

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