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Lavishly illustrated, this volume includes thematic essays and commentaries on works by this Brazilian, who has made some of the most politically telling and aesthetically seductive works in modern art.

Conceptual art --- Meireles, Cildo, --- kunst --- twintigste eeuw --- kunst en politiek --- Meireles Cildo --- concept art --- conceptuele kunst --- eenentwintigste eeuw --- Brazilië --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Exhibitions --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Meireles, Cildo

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Koons, Jeff, --- Catalogs --- Catalogues --- kunst --- Verenigde Staten --- twintigste eeuw --- Koons Jeff --- pop art --- concept art --- conceptuele kunst --- 7.071 KOONS --- Koons, Jeff --- Koons, Jeffrey, --- Kunsi, Jiefu, --- Catalogs. --- Ḳuns, G'ef, --- קונס, ג'ף

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"British conceptual artist Gillian Wearing won the Turner Prize in 1997 while still in her mid 30. This comprehensive, copiously illustrated exhibition catalog documents the first major retrospective of her video and photography based works. One of the young British artists, Wearing is represented in important collections ranging from the Tate Modern to the Guggenheim and the Hammer Museum. The key to unlocking the work of Gillian Wearing is found not in art history but in reality television, writes Ben Luke in the London Evening Standard. Not so much the tabloid fodder of the 21st century but the tough stuff from the Sixties and Seventies. Always at the grittier end of the Young British Artists spectrum, she is in essence a documentary film maker and photographer, her work weaving around the line that documentary treads between fact and fiction." --Publisher description.

Art, British --- Art, Modern --- Photography --- 7.071 WEARING --- 77.071 WEARING --- concept art --- conceptuele kunst --- eenentwintigste eeuw --- fotografie --- gender studies --- Groot-Brittannië --- identiteit --- kunst --- lichamelijkheid --- performances --- portret --- portretfotografie --- twintigste eeuw --- Wearing Gillian --- Wearing, Gillian, --- Exhibitions --- Wearing, Gillian

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This book was published after Shannon Ebner's exhibition 'A Public Character', held at the Institute of Contemporary Art, Miami. Ebner's work is an extended mediation of language that often takes the form of photography. Certain aspects, especially seen in the ongoing series 'Black Box Collision A', represent her efforts to reflect upon our experience of language at the intersection of landscape and architecture, looking to the social world as a realistic, concrete location of poetics found and made; observed and constructed. Also included are the works 'A Hudson Yard', 'A Self', and 'A Singular', as well as the title work 'A Public Character'.

graphic arts --- photographers --- letters [signs] --- art [fine art] --- sculpture [visual works] --- photography [process] --- video art --- Art --- Ebner, Shannon --- kunst --- fotografie --- 7.071 EBNER --- 77.071 EBNER --- Ebner Shannon --- video-installaties --- woord en beeld --- concept art --- conceptuele kunst --- videokunst --- video --- Exhibitions --- Art. --- Ebner, Shannon. --- Exhibitions. --- Art - Exhibitions --- Ebner, Shannon - Exhibitions --- art [discipline]

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"Marc Camille Chaimowicz's installation Celebration? Realife was originally created for 'Three Life Situations' at Gallery House London in 1972. The work is a strange hybrid of a scatter environment, a theatrical stage and a performance piece. Meant as a critique of modernist objectivism, Celebration? Realife is also a consciously messy and ambivalent reaction to the clean conceits of Conceptualist and post Minimalist tendencies." "Tom Holert argues that with Celebration? Realife, Chaimowicz makes a strategic and important meditation on the changing role of the artist, who in this defining work simultaneously becomes art director, stage designer, choreographer and participant. Celebration? Realife probes the relationship between art, design, popular culture and performance at a moment when these disciplines, genres and milieus hardly ever met. Holert shows how this influential work inventively anticipates and helps to define an important and increasingly popular tendency in art."--Jacket.

Installations (Art) --- Performance art --- Chaimowicz, Marc Camille. --- kunst --- 7.071 CHAIMOWICZ --- performance --- concept art --- kunst en design --- design --- conceptuele kunst --- installaties --- Chaimowicz Marc Camille --- Frankrijk --- Groot-Brittannië --- twintigste eeuw --- Arts, Modern --- Happenings (Art) --- Performing arts --- Chaimowicz, Marc Camille --- Criticism and interpretation.