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HIS History & Biographies --- Germany --- Republic of South Africa ( RSA ) --- biographies --- botanical collections --- expeditions --- explorations --- history --- history and biographies --- naturalists --- portraits
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In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early modern Italy as well as across Europe. Drawing upon archival evidence, these essays afford abundant documentary information about the diverse strategies that women found for carrying out their artistic careers, from Sofonisba Anguissola's role as a lady-in-waiting at the court of Felipe II of Spain, to Lucrezia Quistelli's avoidance of the Florentine market in favor of upholding the prestige of her family, to Costanza Francini's preference for the steady but humble work of candle painting for a Florentine confraternity. Their unusual life stories along with their outstanding talents brought fame to a number of women artists even in their own lifetimes--so much fame, in fact, that Giorgio Vasari included several women artists in his 1568 edition of artists' biographies. Notably, this visibility also subjected women artists to public scrutiny, to a much greater extent than what their male counterparts experienced. Because of their fame and their extraordinary (and often exemplary) lives, works made by women artists held a special allure for early generations of Italian collectors, including Grand Duke Cosimo III de' Medici, who made a point of collecting their self-portraits. In the eighteenth century, British collectors wishing to model themselves after the Italian virtuosi exhibited an undeniable penchant for the Italian women artists of a bygone era, but turned their backs to the contemporary women artists their midst.
Artists --- anno 1500-1599 --- Italy --- vrouwelijke kunstenaars --- verzamelaars --- kunsthandel --- Anguissola, Sofonisba --- Quistelli, Lucrezia --- Paladini, Arcangela --- Medici, de (familie) --- Francini, Costanza --- Gentileschi, Artemisia --- Guerrieri Nati, Camilla --- Medici, Cosimo de --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Italië --- Europa --- Women artists --- Artists, Women --- Women as artists --- Anguissola, Sofonisba, --- Quistelli, Lucrezia, --- Paladini, Arcangela, --- Francini, Costanza, --- Guerrieri, Camilla, --- Gentileschi, Artemisia, --- Gentileschi Lomi, Artemisia, --- Lomi, Artemisia Gentileschi, --- Francini, Gostanza, --- Cannodoli, Costanza, --- Cannodoli, Gostanza, --- Conferences - Meetings --- Broomans, Arcangela Paladini, --- Palladini, Arcangiola, --- Pietra, Lucrezia Quistelli, --- Quistelli della Mirandola, Lucrezia, --- Mirandola, Lucrezia Quistelli della, --- Della Mirandola, Lucrezia Quistelli, --- Art --- De' Medici (familie) --- De' Medici, Cosimo (I) --- vrouwelijke kunstenaars. --- verzamelaars. --- kunsthandel. --- Anguissola, Sofonisba. --- Quistelli, Lucrezia. --- Paladini, Arcangela. --- De' Medici (familie). --- Francini, Costanza. --- Gentileschi, Artemisia. --- Guerrieri Nati, Camilla. --- De' Medici, Cosimo (I). --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Italië. --- Europa. --- vrouwelijke kunstenaar --- topografie. --- Rademaker, Abraham. --- Noordelijke Nederlanden.
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"Italian women artists of the Renaissance and Baroque" aims to provide the first survey of women professionally active as painters, engravers and sculptors in 16th and 17th century Italy, and to document the socio-cultural context that contributed to shape their lives and oeuvres. This catalogue, published in association with the travelling exhibition which opens at the National Museum of Women in the Arts in Washington D.C., examines the artistic practices and achievements of these remarkable women who managed to gain public, if not, international acclaim. The catalogue features 60 outstanding works by a dozen of foremost Italian female artists (Properzia de' Rossi, Sofonisba Anguissola, Lavinia Fontana, Artemisia Gentileschi, Barbara Longhi, Fede Galizia, Lucia Fretti, Chiara Varotari, Elisabetta Sirani, Orsola Maddalena Caccia, Giavanna Garzoni), and offers an unparalleled opportunity to understand their social predicaments, appreciate their personalities and assess their stylistic developments.
art history --- Italian [culture or style] --- Art --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Italy --- kostuumgeschiedenis --- literatuur --- mecenaat --- mode --- vrouwelijke kunstenaars --- Anguissola, Sofonisba --- Fontana, Lavinia --- Gentileschi, Artemisia --- Sirani, Elisabetta --- 16de eeuw --- 17de eeuw --- Italië --- vrouwelijke kunstenaar --- vrouwelijke kunstenaars. --- mecenaat. --- literatuur. --- kostuumgeschiedenis. --- mode. --- Gentileschi, Artemisia. --- Anguissola, Sofonisba. --- Sirani, Elisabetta. --- Fontana, Lavinia. --- 16de eeuw. --- 17de eeuw. --- Italië. --- Dulwich Gallery (Londen).
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