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This book explores the complex relationship between cinema and the transition to democracy in several Latin American countries, focusing on Argentina, Bolivia, Brazil, Chile, and Uruguay. It examines how films from the late 20th century both reflect and influence political changes during the transition periods from dictatorship to democracy. The book challenges the notion of 'transition' as a clearly defined historical period and delves into the aesthetic and political significance of films produced during this time. Through a series of critical essays, the authors analyze the diverse cinematic responses to political shifts, the role of memory and narrative, and the generational dialogues between older militant cinema and new filmmakers. The book is aimed at scholars, students, and readers interested in film studies, Latin American history, and political transitions.
Democratization. --- Political culture. --- Democratization --- Political culture
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Political culture. --- France --- History
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Political culture --- United States --- Canada
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One of the most interesting and distinctive notes of this book refers to its relevance with the time when writing against the consolidation of the extractivist accumulation model multiplies the struggles for land and territory, and proliferate studies on the subject
Society & social sciences --- political culture --- Latin America
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Political culture --- Nicaragua --- Politics and government.
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Dance --- Peronism. --- Political culture --- Political aspects
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