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Parody. --- Parody in motion pictures. --- Parodie --- Parodie au cinéma --- Parodie au cinéma
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Parody in literature. --- Marechal, Leopoldo, --- Criticism and interpretation.
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Etnografía imaginaria plantea una nueva teoría sobre la literatura latinoamericana en su relación con la historia. Toda hegemonía, imperial, republicana o revolucionaria, finge según su época e ideología una “historia oficial”, insustentable y despótica, legitimadora de las estructuras de poder y marginadora de las otredades simbólicas. Su eficacia depende de la simulación sistemática y propagandística de una pretendida correspondencia entre Estado y Nación que cohesione el tejido social; reemplazando así la compacta función identitaria que, en las etnias originarias, tuvieran antiguamente los mitos mantenedores de la polis arcaica. Sin esa simulación pseudo-étnica, enraizada en la historia oficial, los estados entran en crisis de legitimidad. La labor de la literatura consiste en desmontar esos relatos legitimadores y reemplazar la historiografía oficializante con una etnografía imaginaria y paródica. La rescritura del pasado desde la marginalidad, el rescate de versiones subalternas y el reemplazo del ideario hegemónico dan muestra del poder de la literatura y el cine de actuar sobre la memoria colectiva de los pueblos, en pos de una verdad ideológica más actual y necesaria. Reuniendo ensayos críticos sobre diversos géneros (crónica, novela, cuento, poesía, ensayo y testimonio), desde el período colonial hasta el contemporáneo, Erik Camayd-Freixas devela los métodos literarios de reinterpretación histórica que enmarcan el triunfo liberador de la parodia etnográfica sobre la historiografía oficial y su vieja ideología de dominación.
Literature and history --- Spanish American literature --- Parody in literature --- History and criticism
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Irony in literature. --- Grotesque in literature. --- Parody. --- Comic literature --- Literature, Comic --- Travesty --- Satire --- Burlesque (Literature) --- Caricature --- Cervantes Saavedra, Miguel de,
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El estudio demuestra que en la obra de Fernando de Rojas la parodia no se limita a los elementos típicos del amor cortés, sino a la novela sentimental en conjunto mediante inversiones, absurdos, ironías, sarcasmos e incongruencias.
Hispanic Literature, general. --- Literary Studies. --- Rojas, Fernando de. --- Rojas, Fernando de, --- Crítica textual. --- Parody in literature.
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Literary semiotics --- Thematology --- Spanish-American literature --- Sociology of culture --- anno 1900-1999 --- Argentine literature --- Camp (Style) --- Kitsch --- Parody. --- Popular culture --- Postmodernism (Literature) --- Sex role in literature. --- History and criticism. --- Camp (Style). --- Parody --- Sex role in literature --- Literary movements --- Literature, Modern --- Modernism (Literature) --- Post-postmodernism (Literature) --- Comic literature --- Literature, Comic --- Travesty --- Satire --- Burlesque (Literature) --- Caricature --- Aesthetics --- History and criticism
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In this brilliant overview of parodic praxis in the Spanish-American novel during the years 1960-1985, Elzbieta SkPlodowska examines several aspects of parody: its role in the renovation of anachronistic forms of discourse (mock-epic) and the re-writing of the canon of the historical novel; its function in transgressing literary formulas (detective novel); its subversive quality in the counter-discourse of women writers; and the relation between parody, satire, irony, humor, and metafiction. This sound analysis of some twenty-five novels, carefully illustrated by works little treated in critic
Spanish American fiction --- Parody. --- Fiction --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Comic literature --- Literature, Comic --- Travesty --- Satire --- Burlesque (Literature) --- Caricature --- History and criticism. --- Technique. --- Parody --- Roman --- Parodie --- Roman hispano-américain --- Technique --- History and criticism --- Histoire et critique --- Spanish-American literature --- anno 1900-1999 --- 20th century --- Spanish American fiction - 20th century - History and criticism. --- Fiction - Technique. --- PARODIE (GENRE LITTERAIRE) --- ROMAN HISPANO-AMERICAIN --- 20E SIECLE
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El volumen reúne en 13 trabajos una sistematización de los recursos de la narración paradójica que, a su vez, se examinan en textos paradigmáticos de Varela, Unamuno, Cortázar, Copi, Piglia y Volpi.
Spanish fiction --- Spanish American fiction --- Paradox in literature. --- Roman espagnol --- Roman hispano-américain --- Paradoxe dans la littérature --- History and criticism. --- Histoire et critique --- Parody --- History and criticism --- 860-3 --- Spaanse literatuur: proza --- 860-3 Spaanse literatuur: proza --- Roman hispano-américain --- Paradoxe dans la littérature --- Paradox in literature --- Paradoxes in literature --- Paradoja --- Literatura española --- Literatura hispanoamericana --- En la literatura. --- Historia y crítica. --- Spanish fiction - History and criticism --- Parody - History and criticism
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Lazarillo de Tormes --- Parodie dans la littérature --- Parodie in de literatuur --- Parody in literature --- Spanish literature --- Picaresque literature, Spanish --- History and criticism. --- Lazarillo de Tormes. --- Parody in literature. --- Satire, Spanish --- Spanish satire --- Spanish wit and humor --- History and criticism --- Lazarillo --- Lázaro de Tormes --- Vida de Lazarillo de Tormes --- Vida de Lazarillo de Tormes y de sus fortunas y adversidades --- Vida de Lorenzillo de Tormes --- Vida del Lazarillo de Tormes y de sus fortunas y adversidades --- Segunda parte de Lazarillo de Tormes --- Satire [Spanish ] --- Lazarillo de Tormes [Fictitious character] --- Spanish literature - Classical period, 1500-1700 - History and criticism. --- Picaresque literature, Spanish - History and criticism.
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