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Architecture, Spanish. --- Modern architecture

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Architecture, Modern --- Architecture --- Architecture. --- Architecture, Modern. --- 1900-1999 --- Modern architecture --- Architecture, Western (Western countries) --- Building design --- Construction --- Western architecture (Western countries) --- Art --- Building --- Buildings --- Design and construction

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architecture --- city --- architectural theory --- architectural history --- art --- Architecture --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Design and construction --- Architecture, Modern --- Modern architecture --- Architecture, Modern. --- 1900-2099 --- Architecture.

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Vector Architects, founded by Gong Dong (Beijing, 1972) has become one of the key architectural offices in China. Their work is distinguished by its careful attention to context, a deep respect for landscape and the natural environment, the contemporary reinterpretation of Chinese building traditions, and the conscientious use of natural light as a project tool. With these ingredients the studio envisions and designs intimate and emotional spaces, as those that can be found in the sixteen projects, all of them in China, featured in this monograph. The list includes works like the Alila Yangshuo Hotel, the Seashore Library and Chapel, the Captain’s House, and the Changjiang Art Museum.

Bibliothèque --- Vector architects --- Architectural firms --- Architecture, Modern --- 72.07 --- Vector Architects --- Architectuur ; China ; 21ste eeuw --- Modern architecture --- Firms, Architectural --- Architects --- Business enterprises --- Architecten. Stedenbouwkundigen --- Vector Architects ; opgericht te Peking in 2008 door Gong Dong --- Gong Dong °1972 (°Peking, China) --- Dong, Gong

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Baumschlager Eberle has given architectural form to a verse of Jorge Guillén which Eduardo Chillida made popular: “How profound is the air.” The sculptor met the poet in Harvard in 1971, and that encounter sparked a friendship, an artist’s book, and a series of sculptures that took their title from a fortunate line of ‘Más allá,’ the poem that introduced Cántico in 1928. When the two have disappeared, Dietmar Eberle brings new life to the verse where Guillén – who sang the lyrical materiality of the building – and Chillida – who studied architecture several years – converge, and this with a body of work that reconciles density and atmosphere, depth and air: the compactness that urban sustainability demands and the hygrothermal control that permits reducing or eliminating energy use; the thermal inertia that compensates daily or seasonal oscillations and the ‘exact breathing’ that regulates the maximum presence of carbon dioxide

Architectural firms --- Architecture, Modern --- 72.07 --- Baumschlager & Eberle --- Baumschlager, Carlo °1956 (°Bregenz, Vorarlberg, Oostenrijk) --- Eberle, Dietmar °1952 (°Hittisau, Bregenzerwald, Vorarlberg, Oostenrijk) --- Baumschlager, Carlo --- Eberle, Dietmar --- 72.036 --- 72.037 --- Modern architecture --- Firms, Architectural --- Architects --- Business enterprises --- Architecten. Stedenbouwkundigen A - Z --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- 21ste eeuw (architectuur) --- Eenentwintigste eeuw (architectuur) --- Baumschlager & Eberle. --- Baumschlager und Eberle --- Baumschlager and Eberle --- Baumschlager-Eberle --- ARGE Baumschlager-Eberle --- B&E --- Logement individuel groupé --- Tour --- Architecture --- Architectural practice --- Pratique. --- Architectural practice. --- Baumschlager, Carlo, --- Eberle, Dietmar,