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Slovenian poetry.

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Slovenian poetry --- History and criticism.

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Gradivo, ki ga obravnava študija, so kitično členjene pesmi, ohranjene v rokopisih (Slatenski urbar, Leški rokopis, Martjanska pesmarica idr.) iz časa pred objavo pesniškega almanaha Pisanice od lepeh umetnost (1779–1781), kitično členjene pesmi treh natisnjenih številk in dveh rokopisnih variant za četrto številko pesniškega almanaha (avtor kitično členjenih pesmi v Pisanicah je v največji meri Janez Damascen Dev), ter pesmi avtorjev Zoisovega kroga: izvirne pesmi in prevodi Žige Zoisa, Jurija Japlja in Valentina Vodnika ter vložne pesmi v Linhartovi komediji Matiček se ženi.

Slovenian language --- Slovenian poetry --- Versification. --- History and criticism. --- Slovenian literature --- Slovene language --- Windic dialect (Slovenian) --- Slavic languages, Southern --- Slovenian --- Literary studies: poetry & poets --- 17/18th century --- rhyme --- stanza --- versification --- 17.-18. st. --- kitica --- rima --- slovenska poezija --- verzifikacija

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Using the approaches of semiotics and text linguistics, Žerjal-Pavlin’s monograph deals with Slovenian lyrical cycles from romanticism to postmodernism. They are understood as secondary texts composed of primary texts with the intention of expanding the horizons of the textual world and, within them, further intertextually supplementing the meanings of individual texts, thereby generating a new semantic potential of the cyclic whole. Due to the intersubjectivity of textual criteria and dynamic conventions of the literary system, the lyrical cycle cannot be defined with precision. Several variables are in play: intra- and intertextual coherence, the title and the outer form, and literary conventions (such as poetry collections). Two types of the cyclic composition are distinguished: the syntagmatic and paradigmatic, the former tending towards the epical. In the first variety, the elements are arranged either in a narrative manner or they treat the theme thorugh causal relationships between the poems. The cycles of the paradigmatic type use variation to express the same theme or motive in different perspectives or contexts. The monograph also addresses problems in distinguishing the lyric cycle from the lyric poem, the sonnet wreath, and similar supra-textual compositions. V monografiji so prvič celovito obravnavani slovenski lirski cikli z literarnozgodovinskih, teoretskih in lingvističnih vidikov. Avtorica analizira ravnine literarnega diskurza, ki presegajo posamezno besedilo in ga vključujejo v nadrejene kompozicije, med katere poleg cikla sodijo še knjižni razdelek, zbirka, serija itn. Cikel opredeljuje v glavnem z vidika besediloslovja in sistemske teorije kot drugotno, intencionalno sestavljeno »besedilo besedil«. Zato se loteva temeljite, na interpretacijah tekstov utemeljene razčlembe medpesemske kohezije in koherence in s sistemske perspektive preučuje tiste strategije literarne produkcije in distribucije, ki prispevajo k formiranju ali razpadanju ciklov glede na medije distribucije (od revije do pesniške zbirke) oziroma glede na različne interese akterjev literarnega sistema.

Slovenian poetry --- Cycles (Literature) --- History and criticism. --- Literature --- Sequels (Literature) --- Slovenian literature --- Slovenian --- Literary studies: poetry & poets --- 19/20th century --- cycles --- literary genres --- literary theory --- lyric cycles --- sonnet --- stylistics --- textual linguistics --- 19.-20. st. --- besediloslovje --- cikli --- lirski cikli --- literarna teorija --- literarne zvrsti --- slovenska književnost --- slovenska poezija --- sonet --- stilistika

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The book Glasba, politika, afekt: novo življenje partizanskih pesmi v Sloveniji ('Music, Politics, Affect: New Lives of Partisan Songs in Slovenia') explores the potentialities of music in imagining alternatives and establishing alliances, which introduce new senses of belonging and solidarity in global neoliberal capitalism. It examines the reactualization of partisan songs in post-Yugoslav Slovenia with an emphasis on the collective spirit, its rebelliousness and emancipatory potential. In researching the “new lives” of partisan songs, the book focuses on the self-organized female choir Kombinat, an emblematic example of thinking about the partisan art in Slovenia today. Just a part of Kombinat repertoire, partisan songs are discursively, sonically, spatially, ideologically and symbolically reloaded, challenging thus the various boundaries in thinking about this legacy in Slovenian context. Using theoretical framework of affect theory, and particularly theories of music materialism and sonic affect, the book provides an alternative perspective to our understanding of political capacity of music. It addresses four main issues: the role of music and sound in political mobilization and participation, the potentials of musical alliances and musical self-organization and self-education, referencing musical past as a way of political engagement, and finally, revitalization and reactualization of socialist ideas and values in the current moment of global transition. Ali gre pri petju partizanskih pesmi danes za čisti nostalgični eskapizem? Ali je zborovsko petje res preživeta glasbena dejavnost? Ali je skupinsko petje kot primer družbenosti glasbe v pravem pomenu besede še vedno zmožno družbene kritike? Zakaj se določene glasbene prakse štejejo kot bolj učinkoviti dejavniki mobilizacije estetske izkušnje v političnem boju? Kakšno (zvočno) moč ima glasba v globalnem neoliberalnem kapitalizmu? Knjiga Glasba, politika, afekt: novo življenje partizanskih pesmi v Sloveniji ponuja premislek o osrednjih vprašanjih, ki se nanašajo na politični potencial glasbe in zvoka v postjugoslovanski Sloveniji, zaznamovani z okoliščinami globalnega kapitalizma. Cilj knjige je premislek o vlogi glasbe in zvoka v politični mobilizaciji in participaciji, o potencialu glasbenih dejavnosti pri samoorganiziranju, o izzivih in potencialih tako imenovanih glasbenih kolektivitet ter o sklicevanju na glasbeno preteklost kot načinu političnega angažmaja. Knjiga izziva obstoječe diskurze o političnosti glasbe v postjugoslovanskem kontekstu ter dihotomije med političnim in nostalgičnim, komercialnim in angažiranim ter eskapističnim in emancipacijskim.

Music --- Guerrillas --- World War, 1939-1945 --- Social aspects --- Political aspects --- Songs and music --- History and criticism. --- Music and the war. --- Kombinat (Musical group) --- Bushwhackers --- Francs-tireurs --- Guerillas --- Maquis --- Partisans --- National liberation movements --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism --- Kombinatke (Musical group) --- Slovenia --- Second World War --- Cultural studies --- Nationalism --- anthropology of music --- NOB --- partisan songs --- patriotic poetry --- psychology of music --- social aspect --- sociology of music --- World War 1939-1945 --- antropologija glasbe --- domoljubna poezija --- družbeni vidik --- partizanske pesmi --- psihologija glasbe --- sociologija glasbe --- svetovna vojna 1939-1945