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Socialism --- History --- Vooruit --- History.

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""In this book Prof Balcerowicz brings together 17 academic articles that summarise his research on the process of radical economic transformation ... It is an impressive volume which makes a convincing case for the post-communist transition to be as rapid as possible.""--Financial Times Balcerowicz summarizes the research on institutions, institutional change, and human behavior that he has undertaken since the late 1970s, including the Polish model of economic reform.

Socialism. --- Socialism --- Socialism, Communism & Anarchism --- Political Science --- Law, Politics & Government --- Marxism --- Social democracy --- Socialist movements --- Collectivism --- Anarchism --- Communism --- Critical theory --- History. --- History --- POLITICAL SCIENCE / Political Ideologies / Communism, Post-Communism & Socialism. --- Capitalism, Communism, Debts, Environment, Globalization, History, Modernization, Social structure.

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World War, 1914-1918. --- World War, 1914-1918 --- Socialism.

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In June and July 2014, philologist Vincent W.J. van Gerven Oei and photographer Marco Mazzi undertook the Albanian Lapidar Survey, a project to map, document, and photograph the large majority of Albanian lapidars, a particular type of monument, mainly produced in the period that the communist Labor Party of Albania ruled the country (1945–1990) to commemorate the partisan victims, battles, and military units from the National Anti-Fascist Liberation War (which coincided with World War II), as well as historical figures from before the liberation and the accomplishments of socialism in Albania afterward. These lapidars, which can still be found, albeit in ever decreasing numbers, all over the country — in cities and villages, alongside roads, in forests and on mountain passes — are witness to an enormous expenditure of labor and resources to turn the landscape into a site of what was called “monumental propaganda.” The Albanian Lapidar Survey aimed to capture these monuments as fact. The results of this project are collected into a three-volume, dual-language (English and Albanian) catalogue, under the title Lapidari. The first volume comprises a series of critical reflections on Albanian monumentality of the period 1945–1990 from a variety of perspectives, as well as historical documents and a full indexation of all inscriptions found on the documented monuments. Volume 2 and Volume 3 feature the photographic documentation of all 649 recorded monumental sites by photographer Marco Mazzi.

Albania --- Lithic history. --- Public art. --- Cultural history. --- communism --- public art --- monumentality --- socialism --- political history --- photography

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Wo sich während des NS-Regimes die Zentralen der Gestapo, der SS und des Reichssicherheitshauptamtes befanden, ist mitten in Berlin ein Lern- und Erinnerungsort mit jährlich mehr als einer Million Besucher*innen entstanden. In diesem Band berichtet Historiker Andreas Nachama, von 1994 bis 2019 Direktor der Stiftung Topographie des Terrors, von seinen ersten persönlichen Begegnungen mit dem Ort und zeichnet den Weg von der Entstehung und Etablierung der Topographie des Terrors nach, an der er seit den 1980er-Jahren entscheidend mitwirkte. Die Architektin und Ausstellungsgestalterin Ursula Wilms und der Landschaftsarchitekt Heinz W. Hallmann legen die Leitgedanken ihres Entwurfs für die Neugestaltung der Topographie des Terrors dar – ein Gesamtkonzept aus Architektur, Landschaftsarchitektur und Ausstellungsgestaltung. Erstmals werden in dem Band die Fotografien Friederike von Rauchs veröffentlicht, in denen die Künstlerin die Atmosphäre des Ortes kurz vor dessen Fertigstellung im Jahr 2010 festgehalten hat. The Topography of Terror, a new site of learning and remembrance, was built on the former site of the Nazi-era Gestapo and State Security Headquarters in central Berlin, and it now attracts over a million visitors each year. In this volume, Andreas Nachama, historian and director of the Topography of Terror Foundation from 1994 to 2019, shares his first personal encounters with the place and traces the evolution and establishment of the Topography of Terror, on which he closely worked from the 1980s. Architect and exhibition designer Ursula Wilms and landscape architect Heinz W. Hallmann present the design principles that guided their master plan uniting architecture, landscape, and the permanent exhibition space for the Topography of Terror. The volume includes original photographs by Friederike von Rauch, in which the artist conveys the atmosphere of the site shortly before its completion in 2010

National socialism --- Holocaust, Jewish (1939-1945) --- Museums --- Museums --- Stiftung Topographie des Terrors.