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Painting --- Iconography --- anno 1500-1799 --- Netherlands --- Peinture de portraits --- Portrait painting --- Portraits [Peinture de ] --- Portraits peints --- Portraiture --- Portretschilderkunst --- Portretten [Geschilderde ] --- Allegories --- Painters --- -Portrait painting, Dutch --- Self-portraits, Dutch --- Dutch self-portraits --- Dutch portrait painting --- Artists --- Allegory (Art) --- Exempla --- Fiction --- Homiletical illustrations --- Tales --- Fables --- Parables --- Psychology --- Portrait painting, Dutch --- Painting [Dutch ] --- Themes, motives
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"This volume embraces the complex and often messy reality of pictorial genres in seventeenth-century Dutch art, by examining how they were defined by artists, theorists, audiences and art historians, how they were part of artistic practices and developed within a specific societal and economic context. Church interiors, cortegaerdjes, scenes of everyday life, tronies, landscapes, spoockerijen, group portraits, bambocciate, hunting scenes, history paintings, sottoboschi, still lives and many other subjects: the wide variety of pictorial genres and sub-genres in which Dutch artists specialized is a key component in our perception of Dutch seventeenth-century art. Yet the epistemological framework constituted by genre definitions, conventions and hierarchies is far from self-evident, nor does it necessarily reflect how people in the seventeenth-century thought about artworks. In fact, art literature of the period is largely silent on these matters and artists do not appear to have followed an established set of principles. This volume examines the way pictorial genres can be, and have been, defined by artists, theorists, audiences and art historians; how individual artists conceived the subject matter of their artworks; and how society and the art market contributed to the development of certain subjects. As such, it embraces the complex and often messy reality of pictorial genres in seventeenth-century Dutch art." --
Peinture --- Art --- Esthétique --- Terminologie --- Aesthetics of art --- Painting --- History of the Netherlands --- genre [visual works] --- anno 1600-1699 --- Art and society. --- Art néerlandais --- Art, Dutch --- Art, Dutch. --- Genre painting, Dutch --- Genre painting, Dutch. --- Painting, Dutch. --- Prints, Dutch --- Prints, Dutch. --- 1600-1699. --- Esthétique --- Terminologie. --- Painting, Dutch --- Portrait painting, Dutch --- Peinture néerlandaise --- Catégorisation (psychologie) --- Diversité culturelle --- Painters --- Theory of art --- Low Countries (c. 1501-1800) --- Baroque & Rococo painting --- genre pictures --- Hollandse school --- genre, Nederlanden
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Painting --- Museum of Fine Art [Budapest] --- anno 1700-1799 --- anno 1600-1699 --- Netherlands --- Flanders --- Portrait painting, Dutch --- Portrait painting, Flemish --- Portrait painting --- Portraiture --- Flemish portrait painting --- Dutch portrait painting --- Szépművészeti Múzeum (Hungary) --- Musée hongrois des beaux-arts --- Musée national hongrois des beaux-arts --- Magyar Nemzeti Múzeum. --- Budapeshtskiĭ muzeĭ izobrazitelʹnykh iskusstv --- Museum der Schönen Künste (Hungary) --- Muzeĭ izobrazitelʹnykh iskusstv (Hungary) --- Szépművészeti Museum (Hungary) --- Museum der Bildenden Künste (Hungary) --- Országos Magyar Szépműveszeti Múzeum --- Budapest. --- Museo di belle arti di Budapest --- Museum of Fine Arts (Hungary) --- Hungary. --- Musée des beaux-arts (Hungary) --- Budapest Museum of Fine Arts --- Museum of Fine Arts, Budapest --- Museo de Bellas Artes de Budapest --- Museo de Belas Artes (Hungary) --- Муэей иэобраэительных искусств --- Muzeul de Arte Frumoase (Hungary) --- Muzeul de Arte Frumoase din Budapesta --- Figure painting --- Magyar Nemzeti Múzeum. Szépművészeti Múzeum --- Budapest. Szépművészeti Múzeum. --- Hungary. Museum of Fine Arts --- Hungary. Szépművészeti Múzeum --- Hollandse school --- Vlaamse school --- portret, Nederlanden
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