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Book
New talents : Stand der Dinge.
Authors: --- ---
ISBN: 9783899861105 Year: 2009 Publisher: Ludwigsburg Avedition

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La donation Kartell : un environnement plastique 1949 - 2000.
Authors: ---
ISBN: 2844260659 Year: 2000 Publisher: Paris Centre Pompidou / CCI


Book
How we work : the avant-garde of Dutch design
Authors: --- --- --- ---
ISBN: 9789462260795 9462260796 Year: 2014 Publisher: Eindhoven Lecturis

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Just what is it that makes today's Dutch design so different, so appealing? In 'How we work' (het vervolg op 'How they work'uit 2008) duiken fotograaf Inga Powilleit en stylist Tatjana Quax in de dagelijkse praktijk van een nieuwe generatie jonge ontwerpers. Deze ker draait het steeds opnieuw om die ene vraag : wat doen we met de overdaad?

Young European designers
Author:
ISBN: 3937718427 Year: 2005 Publisher: Cologne : Daab,


Book
Product design in the sustainable era.
Author:
ISBN: 9783836520935 3836520931 Year: 2010 Publisher: Köln Taschen

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Sustainability is not a passing fashion, and people are constantly searching for more information, products and innovations in this area. Designers, in turn, are responding with elegant, efficient, low-impact products that look towards a sustainable future. This book brings together over 100 such innovative and award-winning projects from over 20 countries, launched by leading design offices and companies worldwide, including IDEO, IBM, and New Deal Design.


Book
The plastic collection
Authors: --- ---
ISBN: 9782875720153 2875720155 Year: 2015 Publisher: Bruxelles : CFC-Editions,

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Nouveau musée et centre d'art, le ADAM (Art & Design Atomium Museum) a pour ambition de devenir une référence muséale en matière d'expositions d'art et de design à Bruxelles. Installé sur le plateau du Heysel, à deux pas de l'Atomium, il dispose de près de 5.000m2 et a pour exposition permanente la collection du Plasticarium. Constituée depuis les années 1980, cette collection est un ensemble singulier et unique au monde qui regroupe plusieurs centaines d'objets en plastique, allant du plus usuel à l'œuvre d'art, en passant par l'objet de design. Si cette collection occupe la large place qu'elle mérite au sein du musée, d'autres espaces proposent des expositions temporaires dédiées à l'art et au design du XXe siècle et d'aujourd'hui. Le présent ouvrage reprend les créations des designers parmi les plus importants dans le domaine du plastique depuis les années 1950 jusqu'à nos jours. Un florilège de formes et de matières magnifiquement illustré par des reproductions en quadrichromie dont beaucoup en pleine page. Un livre référence, qui compte également quelques œuvres d'art ayant recours au plastique, publié en quatre langues (français, néerlandais, anglais, allemand). Textes de Anne Bony, Alexandra Midal et Richard Thommeret. Quadrilingue français, néerlandais, anglais, allemand.

Enthoven associates : simplicity, complexity
Authors: --- --- --- --- --- et al.
ISBN: 905856133X 9789058561336 Year: 2006 Publisher: Oostkamp Stichting Kunstboek

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Custom wheel rims for Mercedes Benz, double-decker train cars for the Belgian railway system, pots and pans for Tupperware and ice coolers for Coca-Cola are but a few of the 1500 sleekly designed products that the Belgian firm Enthoven Associates has created for its impressive roster of international clients over the past 30 years. This well-edited compendium illustrates how the role of product design has evolved within the firm over the past three decades, moving from the vision of an individual designer, Axel Enthoven, to the combined expertise of a team that has expanded to include Alain Denis and Jean-Pierre Geelen. Through images, interviews and essays, it traces the development of the firm's designs, from early aesthetic objects to current projects that combine design with technology, ethics and marketing concepts. (Copié du site "amazon.ca")

Van bakeliet tot composiet : design met nieuwe materialen.
Authors: --- --- --- --- --- et al.
ISBN: 9058560864 Year: 2002 Publisher: Gent Design museum

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Keywords

Bakelite (TM) --- Chemistry --- Building materials. Building technology --- composition [material] --- Applied arts. Arts and crafts --- Architecture --- materials [matter] --- Catalogues d'expositions --- Design --- Kunststoffen --- Matières synthétiques --- Tentoonstellingscatalogi --- Composite materials --- Industrial design --- Composites --- Exhibitions. --- History --- Expositions --- Histoire --- bakeliet --- composiet (materiaal) --- plastic --- composiet --- meubilair --- vervoer --- 745 --- 745.58 --- Industrieel design ; 2de h. 20ste eeuw ; nieuwe materialen --- Industrieel design ; materialen ; van bakeliet tot composiet --- Sportuitrustingen ; auto's ; fietsen ; uit composietmaterialen --- Tentoonstellingscatalogi ; Gent ; Design Museum --- (069) --- 749.02 --- deskeditor Moniek E. Bucquoye ; teksten = texts Adriaan Beukens, Moniek E. Bucquoye, Lieven Daenens [et al.] --- design --- materialen --- materiaal --- plastiek --- twintigste eeuw --- productontwikkeling --- productdesign --- gebruiksvoorwerpen --- polymeren --- sport --- auto's --- fietsen --- kunst --- meubelkunst --- kunststof --- 745.036 --- kunststoffen --- designmaterialen --- 678 --- 678 )* KUNSTSTOFFEN --- composieten --- Kunstnijverheid --- Bakeliet (materialen) --- Composieten (materialen) --- Koolstofvezels (materialen) --- (Musea. Collecties) --- Meubelkunst en design ; technieken, materialen --- CAD, design en industriële vormgeving --- Exhibitions --- materiaalkennis --- Materials sciences --- Design, Industrial --- Mechanical drawing --- New products --- Composites (Materials) --- Multiphase materials --- Reinforced solids --- Solids, Reinforced --- Two phase materials --- Materials --- composietmaterialen --- SMV:België --- SMV:materialia --- SMV:sport algemeen --- SMV:000001


Book
Ceci n'est pas une copie : design between innovation and imitation
Authors: ---
ISBN: 9789401440486 9401440484 Year: 2016 Publisher: Tielt : Lannoo,

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Copying is bad. So we are told, from school to the workplace. Gaining money or honour by stealing someone else's work is morally despicable and forbidden by law. But is it really that simple? Sometimes a copy--or something that strongly resembles the original--can bring fresh new insights about the original. The line between innovation and imitation is not always clear, and as technology allows us to come closer to the art of perfect imitation, things such as originality and individual authorship are placed under pressure. In Ceci n'est pas une Copie, design journalist Chris Meplon looks for the nature, meaning, and perception of copying techniques in design practice. The book offers a wide selection of interesting examples and perspectives on 'copying,' making for a reader-experience that is both informative and open-ended, allowing you to make up your own mind.

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