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"Časopis za književnost, umjetnost i kulturna pitanja."
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Jednog dana na obali, kod zavoja velike rijeke, nasukalo se nahoče. Sa sobom je imala samo crveni kofer. Ime je putem izgubila pa su je seljani nazvali Lutalica. Na obali rijeke izgradila je sklonište nalik kolibi i tamo se smjestila. Uživala je u svojoj mreži za ležanje i visokom tornju od automobilskih guma. Stanovnici Wammerswalda zaključili su kako dijete ne smije živjeti samo, a gradonačelnik je objavio: svi koji žele primiti Lutalicu pod svoj krov, mogu se prijaviti. Ali tko će je uzeti? Majstor za sve, Veliki Jos? Najbolji Wammerswaldski liječnik, dr. Hendrik? Pekar s jedanaest sinova? A što ako djevojčica ne bude htjela živjeti ni s jednom obitelji? Dirljiva, zabavna i napeta priča.
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The multi-author monograph titled Peripheries in Croatian Literature and Culture is the result of an international Croatian studies scientific conference held on May 7-9, 2019, which the Croatists of the Institute of Slavonic Philology organized on the occasion of the 25th anniversary of Croatian philology at the Silesian University in Katowice. The speakers delivered 80 papers and the whole conference was attended by about 100 participants. Among them were representatives of many Croatian studies both from Croatia, Montenegro as well as from Poland, Czech Republic, Hungary, Ireland, Germany and Australia. This publication is one of the two parts of the two-volume post-conference book, which consists of texts from the fields of literary and cultural studies. It is divided into three sections, titled: Periferija - teorija, poetika, politika, Čitanje periferije and Na periferiji kanona. The range of topics is very wide: from old Croatian literature (e.g. Kajkavian literature) and folk literature (e.g. the question of the place of folk literature in the history of Croatian literature or the phenomenon of Dalmatian border mentality) to "newer" literature, both prose and poetry, essays and journalism. The monograph also contains several articles dealing with general issues, such as the condition of the humanities in the postmodern world, regionalism, and the attitude of Croats toward Yugoslavia. The authors devote much space to the problem of the canon. There are also articles on television series, comic books and the status of minority literature. The post-conference volumes are edited and published in cooperation with several Croatian university centres. In the case of the literary and cultural studies volume, these are the Croatian Studies departments of the University of Zagreb and of the University of Zadar.
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