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From the photographic act to the possibilities of presentation: the fundamental conditions of photography German photographer Timm Rautert’s (born 1941) Bildanalytische Photographie (Image-Analytical Photography) highlights the fundamental conditions of photographic work—from the photographic act and the development of photographic images under an enlarger in the lab to the various possibilities of presentation. A systematically elaborated ensemble of analogue black-and-white and colour photographs, of image-text compilations, and of manuals and photographic material provokes elementary questions about what photography means as a medium, what is expected from it, and how it has shaped the perception of the world. Black-and-white photographs, passport photos, lab experiments and combinations of selected photo prints with their negatives are found here among Rautert’s 56 works, but also nonphotographic material such as a gray card (used for measuring light mainly in photo studios), postcards and graphic manuals. Each work becomes an element of “analysis” showing the numerous potential scenarios of photography.
Photography --- photography [process] --- Contemporary [style of art] --- artistieke fotografie --- Rautert, Timm
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Photography --- photography [process] --- Horn, Rebecca --- Böhmler, Claus --- Blume, Bernhard --- Gruber, Hetum --- Klauke, Jürgen --- Rinke, Klaus --- Schweizer, Helmut --- Leisgen, Barbara en Michael --- Baumgartl, Monika --- Beuys, Joseph --- Rautert, Timm --- Sachsse, Rolf --- Sauer, Michel --- Richter, Gerhard --- Windheim, von, Dorothee --- Rosenbach, Ulrike --- Gelpke, André --- Hacker, Dieter --- Gerz, Jochen --- Becher, Bernd und Hilla --- Brus, Johannes --- Koliusis, Nikolaus --- Sieverding, Katharina
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