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"As it is no longer possible to consider the environment merely in terms of its potential for exploitation, it becomes increasingly difficult to determine the status of human beings with respect to nature. Today we are under pressure to reconsider our approach to growth, development, and comfort - which raises the spectre of energy consumption and the future of the earth's biodiversity. To address these issues requires a change of perspective - literally, an about-face - which takes the environment, and not human demands on our planetary resources, as the starting point for reflection. This volume presents the work of French landscape designer and gardener Gilles Clement and Swiss architect Philippe Rahm as two tactical approaches to the environment for tomorrow which focus not on technological or aesthetic problems, but rather ethical ones."--Jacket.

Installations (Art) --- Environment (Art) --- Landscape architecture --- Environnement (Art) --- Architecture du paysage --- Exhibitions. --- Expositions --- Clément, Gilles --- Rahm, Philippe, --- Clément, Gilles --- CLEMENT, Gilles (1943 - ....) --- RAHM, Philippe (1967 - ....) --- ARCHITECTURE --- ECOLOGIE HUMAINE --- PAYSAGE --- 1990 - ....

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Philippe Rahm et Jean-Gilles Décosterd travaillent à Lausanne et à Paris. Leur démarche consiste à s'emparer du temps et de l'espace comme d'un matériau pour l'architecte, à explorer le spectre du vide, la densité des corps. Villes hormonales, jardins physiologiques, chambres de mélatonine, environnements de haute altitude, peinture Placebo, l'architecture devient ici un champ énergétique, traversé de failles temporelles et de brèches géographiques. En 2002, ils réalisent "L'Hormonorium pour le Pavillon suisse à la Biennale internationale d'architecture de Venise. Leurs installations à travers modifications climatiques, distorsions psychologiques, placent les visiteurs dans un état plus souvent paradoxal, instable, mise en péril de tous les sens. Parmi leurs porjets en cours, 4 maisons d'hötes pour Fabrice Hybert ( Maison d'hiver, Vendée, 2002-2005), une chartre architecturale pour la région de Vassivière dans le Limousin ( 2005), Hydracafé, nouvelle cafétaria de l'Ecole des Beaux-Arts de Paris et la création d'un jardin sur une île en Autriche.

Space (Architecture) --- Architecture --- Espace (Architecture) --- Exhibitions. --- History --- Expositions --- Histoire --- Rahm, Philippe, --- Décosterd & Rahm --- Appropriation de l'espace --- Espace architectural --- Rapport pleins-vides --- Image de synthèse --- Informatique appliquée --- Temporalité --- Installation vidéo --- Installation-art --- Projet d'architecture --- Temps --- Décosterd, Jean-Gilles --- Rahm, Philippe --- Décosterd & Rahm --- Decosterd & Rahm --- Jean-Gilles Décosterd (° 1963, Zwitserland) Philippe Rahm (° 1967, Zwitserland) --- Architectuur ; installaties ; 2000-2005 ; Décosterd & Rahm --- Digitale architectuur --- Architectuurtheorie ; 21ste eeuw ; fysiologische architectuur --- 72.07 --- 72.091 --- Architecten. Stedenbouwkundigen A - Z --- Architectuur ; installaties --- Contemporary architecture. --- Décosterd & Rahm, associés --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Design and construction --- Architecture, Primitive --- Space (Architecture) - Exhibitions --- Architecture - Switzerland - History - 21st century --- Architecture - France - History - 21st century --- Rahm, Philippe, - 1967- - Exhibitions --- Rahm, Philippe, - 1967 --- -Décosterd,Jean-Gilles

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L'architecture n'est peut-être rien d'autre que l'art de construire des climats : " corriger artificiellement ce que la nature a d'incommode ", comme l'écrivait Vitruve. Pour Philippe Rahm, l'architecture existe parce que le climat naturel est le plus souvent inhospitalier au séjour des hommes : trop chaud ou trop froid ; trop sec ou trop humide ; trop sombre ou trop ensoleillé. L'architecture doit adoucir, intensifier, mitiger : réguler le climat naturel pour le rendre habitable. Le réchauffement climatique modifiera l'écologie urbaine mondiale : un parc de 67 hectares à Taïwan en constitue un prototype tropical. Sous forme de contes, " Jardin Météorologique ", " Extérieur Atténué " ou " Gradation d'intériorité " nous montrent la voie... Philippe Rahm est architecte. Il a été professeur invité à la Graduate School of Design de Harvard.

Parc --- Climat --- Météorologie --- Ecologie --- Construction bioclimatique --- Parc urbain --- Aménagement paysager --- Pollution athmosphérique --- Analyse de site --- Rahm, Philippe --- Liu, Ricky --- Mosbach, Catherine --- Taiwan --- Jade Eco Park --- Parcs --- Architecture et climat --- Projets d'urbanisme --- Écrits d'architectes --- Critique et interprétation. --- Climatologie --- Écrits d'architectes --- Critique et interprétation.

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Abdessemed, Adel ; Adams, Dennis ; Afif, Saadane ; Altindere, Halil ; Alvim, Fernando ; Art & Language ; Attia, Kader ; Azorro ; Bérard, Stéphane ; Blaufuks, Daniel ; Botea, Irina ; Braila, Pavel ; Breitz, Candice ; Büchel, Christoph ; Castro, Jota ; Chang, Hsia-fei ; Cheong, Wong Hoy ; Coste, Annelise ; Croitoru, Alexandra ; Cuevas, Minerva ; Dawicki, Oskar ; Decker, Simone ; Dziatkiewicz, Roman ; Eichelmann, Volker & Faiers, Jonathan & Rust, Roland ; Ersen, Esra ; Euba, Jon Mikel ; Eva & Adele ; Farocki, Harun ; Feliciano, João Paulo ; Ferreira, Angela ; Gallego, Antonio ; Ghazel ; Graur, Teodor ; Haaning, Jens ; Helbling & Marusic ; Jaio, Iratxe ; Jelinek, Robert ; Kalleinen, Tellervo ; Karlsson, Charlotte ; Kavdanska, Mihaela ; Klaman, Grzegorz ; Kogut, Sandra ; Kopainig, Aurelio ; Krkobabic, Miodrag ; Kubin, Felix ; Kuluncic, Andreja ; Lejman, Dominik ; Lewandowska, Marysia ; Cummings, Neil ; Margreiter, Dorit ; Muresan, Ciprian ; Musovik, Oliver ; Nanca, Vlad ; Ostojic, Tanja ; Öztürk, Anny & Sibel ; Pogacean, Cristian ; Ponger, Lisl ; Public Commission # 2 ; Rassim ; Riedl, Isa ; Rosasco, Mia ; Rosefeldt, Julian ; Rumas, Robert ; Sadovsky, Oliver & Valio, Matus ; Sandoval, Juan Esteban ; Sharp, Tim ; Shkololli, Erzen ; Simon, Janek ; Sinclair, Ross ; Soares, Miguel ; Social Impact ; Sramatyová, Veronika ; Stalker ; de Steeg, Niek Van ; Sztwiertnia, Grzegorz ; Time's up ; Tittel, Milan ; Tomic, Milica ; Vaara, Roi ; Ben ; Vitone, Luca ; Wekua, Andro ; Willats, Stephen ; Wójcik, Julita ; Wyrzykowski, Piotr ; Yang, Jun

Art --- art [fine art] --- Décosterd, Jean-Gilles --- Flicinski, Jaroslaw --- Denicolai, Simona --- Pop, Cosmin --- Martini, Yvette --- Weisgerber, Vera --- Frantz, Jerry --- Dudás, Juraj --- Mrzyk, Petra --- Herr Mario --- Dodge, Jason --- Mocanu, Nicoleta --- Rahm, Philippe --- Seidl, Markus --- Vargová, Emöke --- Provoost, Ivo --- Sosnowska, Monika --- Moriceau, Jean-François --- Musil, Barbara --- Prum, Dany --- Gygi, Fabrice --- Raidel, Ella --- Malphettes, Pierre --- Europe --- Europa --- Art contemporain --- Création artistique --- Installation-art --- Perception de l'art --- Project art --- Recherche --- Art, European --- Artistic collaboration --- Identity (Psychology) in art --- Place (Philosophy) in art --- Afif, Saadane --- Castro, Jota --- Breitz, Candice --- Willats, Stephen --- Rassim --- Social Impact --- Time's Up --- Abdessemed, Adel --- Altindere, Halil --- Alvim, Fernando --- Bérard, Stéphane --- Blaufuks, Daniel --- Botea, Irina --- Braila, Pavel --- Büchel, Christoph --- Chang, Hsia-Fei --- Cheong, Wong Hoy --- Coste, Anne-Lise --- Croitoru, Alexandra --- Cummings, Neil --- Dawicki, Oskar --- Adams, Dennis --- Decker, Simone --- Dziadkiewicz, Roman --- Eichelmann, Volker --- Ersen, Esra --- Euba, Jon Mikel --- Faiers, Jonathan --- Feliciano, Joao Paulo --- Gallego, Antonio --- Ghazel --- Graur, Teodor --- Haaning, Jens --- Helbling, Andreas --- Hrdá, Katarina --- Invisible Artist --- Jaio, Iratxe --- Jelinek, Robert --- Kalleinen, Tellervo --- Karlsson, Charlotte --- Kavdanska, Mihaela --- Klaman, Grzegorz --- Kogut, Sandra --- Kopainig, Aurelio --- Kossova, Tatiana --- Krkobabic, Miodrag --- Kubin, Felix --- Kulunčić, Andreja --- Lajman, Dominik --- Lamosova, Markéta --- Lewandowska, Marysia --- Margreiter, Dorit --- Marusic, Zeljka --- Mureşan, Ciprian --- Musovik, Oliver --- Nancă, Vlad --- Ostojic, Tanja --- Öztürk, Anny --- Öztürk, Sibel --- Pogacean, Cristian --- Ponger, Lisl --- Riedl, Isa --- Rosasco, Mia --- Rosefeldt, Julian --- Rumas, Robert --- Rust, Roland --- Sadovsky, Oliver --- Sandoval, Juan Esteban --- Scepka, Martin --- Sharp, Tim --- Shkololli, Erzen --- Simon, Janek --- Sinclair, Ross --- Soares, Miguel --- Sramatyová, Veronika --- Stefanovic, Olga --- Sztwiertnia, Grzegorz --- Tittel, Milan --- Tomić, Milica --- Triaska, Jan --- Vaara, Roi --- Vallo, Matus --- van de Steeg, Niek --- Wekua, Andro --- Wójcik, Julita --- Wyrzykowski, Piotr --- Jun Yang --- Ferreira, Ângela --- Vautier, Ben --- Vitone, Luca --- Eva & Adele --- Farocki, Harun --- Cuevas, Minerva --- Attia, Kader --- Art & Language --- Azorro --- Stalker --- Steeg, van de, Niek --- Afif, Saâdane --- Art, European - 21st century - Exhibitions --- Artistic collaboration - Europe - Exhibitions --- Identity (Psychology) in art - Exhibitions --- Place (Philosophy) in art - Exhibitions --- art [discipline] --- Wong Hoy-Cheong

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L’exposition montre comment, de Calder à Kapoor, de nombreux artistes ont traité les notions de vision, d’espace, de lumière et de mouvement dans leurs œuvres, en réalisant souvent des installations dans lesquelles le visiteur est partie prenante : les atmosphères chromatiques et changeantes d’Ann Veronica Janssens, les miroirs kaléidoscopiques de Jeppe Hein ou les réalisations in situ de Felice Varini.

beweging --- licht --- techniek --- Morellet, François --- Turell, James --- 1913 - 2013 --- 20ste eeuw --- 21ste eeuw --- Installation-art --- Kinetic art --- Motion in art --- Art, Modern --- Light in art --- Optical art --- Exhibitions --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- optical art --- op art --- kinetische kunst --- optische kunst --- Afif Saâdane --- Agam Yaacov --- Albers Josef --- Alviani Getulio --- Anceschi Giovanni --- Antonakos Stephen --- Anuszkiewicz Richard --- Apollonio Marina --- Arden Quin Carmelo --- Armleder John --- Asis Antonio --- Balla Giacomo --- Ballocco Marco --- Bell Larry --- Berlewi Henryk --- Böhm Hartmut --- Boriani Davide --- Boto Martha --- Breer Robert --- Bury Pol --- Calder Alexander --- Castellani Enrico --- Christen Andreas --- Clark Lygia --- Colombo Gianni --- Conrad Tony --- Costa Toni --- Cremer Siegfried --- Crespin Elias --- Cruz-Diez Carlos --- Dadamaino --- Dafflon Stéphane --- Decrauzat Philippe --- Delaunay Robert --- Demarco Hugo --- De Vecchi Gabriele --- Dobes Milan --- Duarte Angel --- Duchamp Marcel --- Eggeling Viking --- Esmeraldo Sérvulo --- Eversley Frederick --- Flavin Dan --- Gabo Naum --- Garcia Rossi Horacio --- Geiger Rupprecht --- Gerstner Karl --- von Graevenitz Gerhard --- Graham Dan --- Grasso Laurent --- GRAV --- Gruppo MID --- Gysin Brion --- Haacke Hans --- Hein Jeppe --- Hirschfeld-Mack Ludwig --- Höller Carsten --- Irwin Robert --- Janssens Ann Veronica --- Kapoor Anish --- Kempinas Zilvinas --- Knoebel Imi --- Koskas George --- Kowalski Piotr --- Kupka Frantisek --- Kusama Yayoi --- Leblanc Walter --- Le Parc Julio --- Lohse Richard Paul --- Lo Savio Francesco --- Ludwig Wolfgang --- Luther Adolf --- Mack Heinz --- Malina Frank --- Mavignier Almir --- McLaren Norman --- Lambert Evelyn --- Mecarelli Adalberto --- Megert Christian --- Moholy-Nagy Laszlo --- Molnar Vera --- Molnar François --- Morellet François --- Munari Bruno --- Nakaya Fujiko --- Nasseri Timo --- Nauman Bruce --- Nogueira Lima Mauricio --- Noland Kenneth --- Otero Alejandro --- Pevsner Antoine --- Picelj Ivan --- Piene Otto --- Poons Larry --- Quaytman R.H. --- Quistrebert Florian --- Quistrebert Mick --- Rackowe Nathaniel --- Rahm Philippe --- Richer Evariste --- Richter Hans --- Rickey George --- Riley Bridget --- Rodchenko Alexander --- Rondinone Ugo --- Roth Dieter --- Ruttmann Walter --- Schöffer Nicolas --- Schwerdtfeger Kurt --- Scott Michael --- Segdley Peter --- Sharits Paul --- Shawcross Conrad --- Smithson Robert --- Sobrino Francisco --- Sonnier Keith --- Soto Jesus Rafael --- Staudt Klaus --- Stazewski Henryk --- Steele Jeffrey --- Stein Joël --- Stella Frank --- Tadasky Kuwayama --- Takis --- Talmann Paul --- Tinguely Jean --- Tomasello Luis --- Tousignant Claude --- Tremblay John --- Turrell James --- Uecker Günther --- Van Munster Jan --- Vantongerloo Georges --- Vardanega Gregorio --- Varini Felice --- Varisco Grazia --- Vasarely Victor --- Veilhan Xavier --- Verjux Michel --- Vieira Mary --- Weber Willy --- Wheeler Douglas --- Whitney John --- Yvaral Jean-Pierre --- Zero --- abstractie --- abstracte kunst --- abstracte beeldhouwkunst --- geometrische abstractie --- 7.036/039 --- 7.048.3 --- 7.037 --- 7.038 --- 7.039 --- Licht en beweging in de kunst ; 1913-2013 --- Tentoonstellingscatalogi ; Parijs ; Grand Palais --- Kinetische kunst --- Lichtobjecten ; lichtzuilen --- Op Art --- Virtual reality --- Kunst ; met ruimte, licht en kleur --- Iconografie ; licht, beweging, kleur --- Kunstgeschiedenis ; 1900 - 1950 --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 2000 - 2050 --- MAD-faculty 13 --- kunst 20-21ste eeuw --- lichtkunst --- tentoonstellingscatalogus --- Quaytman R.H --- Kinetic art - Exhibitions --- Motion in art - Exhibitions --- Art, Modern - 20th century - Exhibitions --- Art, Modern - 21st century - Exhibitions --- Light in art - Exhibitions --- Optical art - Exhibitions --- beweging. --- licht. --- techniek. --- Morellet, François. --- Turell, James. --- 1913 - 2013. --- 20ste eeuw. --- 21ste eeuw.