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Born in 1956, Cheri Samba lives and works in Kinshasa in the Democratic Republic of the Congo. After leaving school in 1972, he earned his living painting advertising billboards, and at the same time created comic strips for his publication Bilenge Info. In 1975, he began to put his comic strips onto canvas, thus inaugurating African painting with word bubbles. His work illustrates social life: customs, sexuality, AIDS, social inequalities, corruption. Along with the painter Moke, he is one of the principal founders of the movement in painting known as "Popular Zairean," His acrylic paintings, imbued with political awareness, are always representational, realistic, and colorful. "My painting focuses on people's lives. I'm not interested in myths or beliefs. I appeal to people's consciences. Artists must make people think."From the 1980s on, he himself became the main subject of his paintings, "so that people would nut only know my name, but also my face."
sous la direction d'André Magnin = Edited by André Magnin --- kunst --- twintigste eeuw --- schilderkunst --- Samba Chéri --- kunst en politiek --- Chéri Samba (Samba wa Mbimba N'zingo Nuni Masi Ndo Mbasi) , (° 1956, Kinto M'Vuila, Bas Congo, Congo) --- Afrika --- Schilderkunst ; 1981-2003 ; Cherie Samba --- Congo --- 75.071 SAMBA --- Populaire kunst --- Kunst en cultuur ; globalisering --- Beeld en woord ; beeld en tekst --- Afrikaanse schilderkunst ; Kongo --- Tentoonstellingscatalogi ; Parijs ; Fondation Cartier --- Naïeve schilderkunst --- 75.07 --- (069) --- Schilderkunst ; schilders --- (Musea. Collecties) --- Painting --- modern African --- Samba, Cheri --- Samba, Chéri (Samba wa Mbimba N'zingo Nuni Masi Ndo Mbasi) °1956 (°Kinto M'Vuila, Bas Congo, Congo) --- Schilderkunst ; 2de helft 20ste eeuw ; Cherie Samba
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Catalogue de l'exposition "Ex Africa" qui vise à montrer et à faire comprendre les relations qui existent aujourd'hui et depuis la fin du XXe siècle entre les arts contemporains et les arts africains anciens. Il s'agit d'en finir avec la notion de primitivisme telle qu'elle était énoncée en 1984 dans l'exposition "Primitivism" au MoMA et de montrer que les idées et les formes propres à ces arts sont aujourd'hui plus vivantes que jamais. Exposition au musée du quai Branly.
kunst --- twintigste eeuw --- eenentwintigste eeuw --- Vergier Françoise --- Tshindele Pathy --- Tayou Pascale Marthine --- Scurti Franck --- Sarkis --- Pouyandeh Nazanin --- ORLAN --- Mihindou Myriam --- Messager Annette --- Mercier Théo --- De Medeiros Emo --- Mabunda Gonçalo --- Lebel jean-Jacques --- Lavier Bertrand --- Hazoumè Romuald --- Hammons David --- 7.039 --- Friedmann Gloria --- Edmonds john --- Dossou Kifouli --- Di Rosa Hervé --- Dakpogan Calixte --- Clavé Antoni --- Chéri Samba --- Chapman Jake and Dinos --- Camara Seyni Awa --- Brown James --- Basquiat Jean-Michel --- Bandoma Steve --- Alun Be --- Alberola Jean-Michel --- Agbodjelou Leonce Raphael --- Penck A.R. --- postkolonialisme --- kolonialisme --- Afrika --- Exhibitions --- Art --- Influence. --- Penck, A. R. --- Agbodjelou, Leonce Raphael --- Be, Alun --- Alberola, Jean-Michel --- Bandoma, Steve --- Basquiat, Jean-Michel --- Brown, James --- Attia, Kader --- Camara, Seyni Awa. --- Lebel, Jean-Jacques --- Samba, Chéri --- Clavé, Antoni --- Chapman, Jake --- Chapman, Dinos --- Dakpogan, Calixte --- Di Rosa, Hervé --- Dossou, Kifouli --- Edmonds, John --- Medeiros de, Emo --- Friedmann, Gloria --- Hammons, David --- Hazoumé, Romuald --- Lavier, Bertrand --- Mabunda, Gonçalo --- Mercier, Théo --- Messager, Annette --- Mihindou, Myriam --- Orlan --- Pouyandeh, Nazanin --- Scurti, Franck --- Tayou, Pascale Marthine --- Tshindele, Pathy --- Vergier, Françoise --- Penck A.R --- Art, African --- Art africain
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