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The wonder of Woolies : memories from both sides of the counter of Britain's best-loved store
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ISBN: 1911105078 1911105086 Year: 2016 Publisher: Gosport, [England] : [Place of distribution not identified] : Footplate Publishing, Andrews UK Limited,

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Vaudeville: Untersuchungen zu Geschichte und literatursystematischem Ort einer Erfolgsgattung
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ISBN: 3533034313 3533034305 9783533034315 9783533034308 Year: 1983 Volume: 52 Publisher: Heidelberg: Winter,

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Periodical
Вісник Київського національного університету культури і мистецтв. Серія: Сценічне мистецтво
ISSN: 2616759X 26171236 Publisher: Ukraine KNUKiM Publishing Centre

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Chaplin's 'Limelight' and the music hall tradition
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ISBN: 0786424257 Year: 2006 Publisher: Jefferson (N.C.) : McFarland,

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The cabaret
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ISBN: 0289706122 Year: 1975 Publisher: London Studio Vista

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Crop varieties : varieties of cereals, flax, potatoes, beans and field peas
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Year: 1951 Publisher: London : Farmer and stock-breeder,

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The taxi-dance hall : a sociological study in commercialized recreation and city life
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Year: 1932 Publisher: Chicago, Ill. : The University of Chicago press,

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Rank ladies : gender and cultural hierarchy in American vaudeville
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ISBN: 0807876054 9780807876053 0807824836 9780807824832 0807848123 9780807848128 9798890870100 Year: 1999 Publisher: Chapel Hill London University of North Carolina Press

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Rank Ladies: Gender and Cultural Hierarchy in American Vaudeville


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Queen of vaudeville
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ISBN: 0801465281 0801465729 9780801465727 0801449707 9780801449703 1322503400 Year: 2012 Publisher: Ithaca

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In her day, Eva Tanguay (1879-1947) was one of the most famous women in America. Widely known as the "I Don't Care Girl"-named after a song she popularized and her independent, even brazen persona-Tanguay established herself as a vaudeville and musical comedy star in 1904 with the New York City premiere of the show My Lady-and never looked back. Tanguay was, at the height of a long career that stretched until the early 1930's, a trend-setting performer who embodied the emerging ideal of the bold and sexual female entertainer. Whether suggestively singing songs with titles like "It's All Been Done Before But Not the Way I Do It" and "Go As Far As You Like" or wearing a daring dress made of pennies, she was a precursor to subsequent generations of performers, from Mae West to Madonna and Lady Gaga, who have been both idolized and condemned for simultaneously displaying and playing with blatant displays of female sexuality. In Queen of Vaudeville, Andrew L. Erdman tells Eva Tanguay's remarkable life story with verve. Born into the family of a country doctor in rural Quebec and raised in a New England mill town, Tanguay found a home on the vaudeville stage. Erdman follows the course of her life as she amasses fame and wealth, marries (and divorces) twice, engages in affairs closely followed in the press, declares herself a Christian Scientist, becomes one of the first celebrities to get plastic surgery, loses her fortune following the Wall Street Crash of 1929, and receives her last notice, an obituary in Variety. The arc of Tanguay's career follows the history of American popular culture in the first half of the twentieth century. Tanguay's appeal, so dependent on her physical presence and personal charisma, did not come across in the new media of radio and motion pictures. With nineteen rare or previously unpublished images, Queen of Vaudeville is a dynamic portrait of a dazzling and unjustly forgotten show business star.

Turn-of-the-century cabaret: Paris, Barcelona, Berlin, Munich, Vienna, Cracow, Moscow, St. Petersburg, Zurich
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ISBN: 023105128X 9780231051286 Year: 1987 Publisher: New York Columbia University

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