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Art --- Bentheim, burcht --- Ruisdael, van, Jacob Isaacksz. --- Burg Bentheim (Bad Bentheim, Germany) in art --- Landscapes in art --- Ruisdael, Jacob van, --- Ruisdael, Jacob van --- Reǐsdalʹ, I︠A︡kob van --- Ruidael, Jacob van --- Ruijsdael, Jacob van --- Ruisdaal, Jacob van --- Ruisdael, Jakob van --- Ruisdail, Jacob van --- Rusdael, Jacob van --- Ruysdaal, Giacobbe van --- Ruysdaal, Jacob van --- Ruysdael, Jacob van --- Ruysdahl, Jacob van --- Ruysdall, Jacob van --- Rysdal, Jacob van --- Van Ruisdael, Jacob --- Exhibitions --- van Ruisdael, Jacob Isaacksz. --- van Ruisdael, Jacob --- van Ruisdael, Jacocb
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Iconography --- Ruisdael, van, Jacob Isaacksz. --- Windmills in art --- Water mills in art --- Ruisdael, Jacob van, --- Ruisdael, Jacob van --- Reǐsdalʹ, I︠A︡kob van --- Ruidael, Jacob van --- Ruijsdael, Jacob van --- Ruisdaal, Jacob van --- Ruisdael, Jakob van --- Ruisdail, Jacob van --- Rusdael, Jacob van --- Ruysdaal, Giacobbe van --- Ruysdaal, Jacob van --- Ruysdael, Jacob van --- Ruysdahl, Jacob van --- Ruysdall, Jacob van --- Rysdal, Jacob van --- Van Ruisdael, Jacob --- Criticism and interpretation. --- Themes, motives. --- E-books --- van Ruisdael, Jacob Isaacksz. --- van Ruisdael, Jacob --- van Ruisdael, Jacocb
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This book examines Jacob van Ruisdael's treatment of five subjects—dunes, grainfields, ruins, rushing water, and woodlands—that recur throughout his career. The paintings, though fictive, show close attention to the complexities of particular environments that can be fruitfully considered “ecological.” The pattern of Ruisdael’s reworking each environment and associated phenomena shows him as laboring over these themes. His work across media conveys something of his demanding and methodical procedure as he sought to achieve pictorially the force, temporality, vitality, and motion of nature. Ruisdael’s paintings decenter humankind within familiar yet reimagined landscapes. His ability to depict nature’s dynamism provided an alternative vision at a foundational moment when landscape, increasingly manipulated and controlled, was most often considered property and investment. His focus on the techniques and processes of his own work to render these entities was essential to his ecological perspective and invites a similar recognition from an attentive viewer.
Painting --- Hollandse school --- landschap, Nederlanden --- landscapes [representations] --- Ruisdael, van, Jacob Isaacksz. --- Aesthetics of art --- paintings [visual works] --- art criticism --- Landscape painting, Dutch. --- Van Ruisdael, Jacob, --- Criticism and interpretation. --- Themes, motives. --- Ruisdael, Environment, Techne, painting.
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Christian religion --- Art --- Calvin, John --- Arts and religion. --- Calvinism. --- Reformation and art. --- Christian art and symbolism --- Calvin, Jean, --- Arts and religion --- Calvinism --- Reformation and art --- Art and the Reformation --- Art and religion --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Reformed Protestantism --- Congregationalism --- Reformation --- Reformed Church --- Theology, Doctrinal --- Arminianism --- Puritans --- Zwinglianism --- Arts --- Religion and the arts --- Religion --- Doctrines --- Religious aspects --- Calvijn, Johannes --- Calvin, Jean --- Calvinus, Johannes --- Europe --- Cultural aspects --- History --- Symbolism in art --- Christian art and symbolism - Netherlands - Modern period, 1500 --- -Calvin, Jean, - 1509-1564. --- Rembrandt (1606-1669) --- Van Ruisdael, Jacob Isaacksz (1628?-1682) --- Calvin, Jean (1509-1564) --- Illustrations, images, etc. --- Et la Réforme --- Et l'art --- Aspect religieux --- Calvin, Jean, - 1509-1564.
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