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Passing for what you are not--whether it is mulattos passing as white, Jews passing as Christian, or drag queens passing as women--can be a method of protection or self-defense. But it can also be a uniquely pleasurable experience, one that trades on the erotics of secrecy and revelation. It is precisely passing's radical playfulness, the way it asks us to reconsider our assumptions and forces our most cherished fantasies of identity to self-destruct, that is centrally addressed in Passing: Identity and Interpretation in Sexuality, Race, and Religion.Identity in Western culture is largely structured around visibility, whether in the service of science (Victorian physiognomy), psychoanalysis (Lacan's mirror stage), or philosophy (the Panopticon). As such, it is charged with anxieties regarding classification and social demarcation. Passing wreaks havoc with accepted systems of social recognition and cultural intelligibility, blurring the carefully-marked lines of race, gender, and class.Bringing together theories of passing across a host of disciplines--from critical race theory and lesbian and gay studies, to literary theory and religious studies--Passing complicates our current understanding of the visual and categories of identity.Contributors: Michael Bronski, Karen McCarthy Brown, Bradley Epps, Judith Halberstam, Peter Hitchcock, Daniel Itzkovitz, Patrick O'Malley, Miriam Peskowitz, María C. Sánchez Linda Schlossberg, and Sharon Ullman.
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Despite the many social changes of the last half-century, many Americans still pass: black for white, gay for straight, and now in many new ways as well. We tend to think of passing in negative terms--as deceitful, cowardly, a betrayal of one's self. But this compassionate book reveals that many passers today are people of good heart and purpose whose decision to pass is an attempt to bypass injustice, and to be more truly themselves.Passing tells the poignant, complicated life stories of a black man who passed as a white Jew; a white woman who passed for black; a working class Puerto Rican who passes for privileged; a gay, Conservative Jewish seminarian and a lesbian naval officer who passed for straight; and a respected poet who radically shifts persona to write about rock'n'roll. The stories, interwoven with others from history, literature, and contemporary life, explore the many forms passing still takes in our culture; the social realities which make it an option; and its logistical, emotional, and moral consequences. We learn that there are still too many institutions, environments, and social situations that force honorable people to twist their lives into painful, deceit-ridden contortions for reasons that do not hold.Passing is an intellectually absorbing exploration of a phenomenon that has long intrigued scholars, inspired novelists, and made hits of movies like The Crying Game and Boys Don't Cry.
Identité (psychologie) --- Passing (identité) --- Passing (Identity). --- Identité (psychologie) --- Passing (identité)
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" This book provides a history of pro pass receiving and its influence on the game prior to the televised era. The author studies pro football's formative and mid-20th century years, highlighting the players who pulled pigskins from flight"--
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Why do people pass? Fifteen writers reveal their experiences with passing.For some, "passing" means opportunity, access, or safety. Others don't willingly pass but are "passed" in specific situations by someone else. We Wear the Mask, edited by Brando Skyhorse and Lisa Page, is an illuminating and timely anthology that examines the complex reality of passing in America.Skyhorse, a Mexican American, writes about how his mother passed him as an American Indian before he learned who he really is. Page shares how her white mother didn't tell friends about her black ex-husband or that her children were, in fact, biracial.The anthology includes writing from Gabrielle Bellot, who shares the disquieting truths of passing as a woman after coming out as trans, and MG Lord, who, after the murder of her female lover, embraced heterosexuality. Patrick Rosal writes of how he "accidentally" passes as a waiter at the National Book Awards ceremony, and Rafia Zakaria agonizes over her Muslim American identity while traveling through domestic and international airports. Other writers include Trey Ellis, Marc Fitten, Susan Golomb, Margo Jefferson, Achy Obejas, Clarence Page, Sergio Troncoso, Dolen Perkins-Valdez, and Teresa Wiltz.
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Self (Philosophy) --- Passing (Identity) --- Identity (Psychology)
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How often does a novel earn its author both the Presidential Medal of Freedom, awarded to Harper Lee by George W. Bush in 2007, and a spot on a list of "100 best gay and lesbian novels"? Clearly, To Kill a Mockingbird, Lee's Pulitzer Prize-winning tale of race relations and coming of age in Depression-era Alabama, means many different things to many different people. In Mockingbird Passing, Holly Blackford invites the reader to view Lee's beloved novel in parallel with works by other iconic American writers-from Emerson, Whitman, Stowe, and Twain to James, Wharton
Passing (Identity) in literature. --- Lee, Harper. --- Lee, Harper --- Passing (Identity) in literature
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This book is a collection of articles written by international scholars and dealing with passing from a textual and cultural perspective. All these explorations of a complex identity phenomenon that defies reductive dualities result in scholarly interrogations of societal arrangements. The texts under perusal belong to different historical periods and various communities. The novelty of this collection is that passing is viewed not only as a racial or gendered transformation, but also as a religious one. The book deals with passing either as a strategy that results in assimilation, melting, and merging, or as resistance and challenge against the whiteness-only-based identity politics.
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African American men --- College teachers --- Jewish men --- Passing (Identity)
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Identification --- Passing (Identity) --- Authentication --- Security systems --- Computers --- Access control --- Passwords
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