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(Because I am a Girl: The State of the Worlds Girls 2010 Digital and Urban Frontiers' is the fourth in a series of annual reports published by Plan examining the rights of girls throughout their childhood, adolescence and as young women.Focusing on two of the 21st centurys fastest growing areas the boom in city populations and the explosion of IT and communication technology, the report looks at the prospects and perils facing girls. While there are great opportunities, prejudice and poverty is excluding millions of girls from taking advantages of the possibilities on offer.Urban poverty, lack of proper housing and sexual harassment can make many girls feel unsafe. Cyberspace can also be hazardous a hunting ground for traffickers and bullies. The report argues that girls need to be able to gain the skills to protect themselves and to recognise both the threats and the opportunities that await them on the city streets and online
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Lichamelijke opvoeding --- Meisje --- Vrouw --- Zuid-Afrika --- Gymnastiek --- Volksdans --- Atletiek --- Zwemmen
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Meisje --- Zelfbeeld --- Beroep --- Verkleden --- Jeugdboeken 03-06 jaar --- Prentenboeken
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Hoe kom ik op voor mezelf? Hoe kan ik gezond en lekker eten? De Vlaamse cartooniste (22) van webcomic Chrostin gaat in op o.a. je lijf, leven, liefde, werk, pesten, sociale media, maatschappij en diversiteit. Met kleine stripachtige zwart-witillustraties. Vanaf ca. 12 t/m 16 jaar.
Developmental psychology --- Age group sociology --- Didactics of social education --- puberteit --- meisjes --- Boekillustratie --- Cartoon --- Illustratietechniek --- Chrostin --- Welzijn --- Welbevinden --- Meisje --- Zelfbeeld
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The portrait we have come to call 'Little Girl with Dead Bird' is an enigma. On the one hand, we hardly know anything about this sixteenth-century masterpiece. But even so, on the other hand, the picture fascinates viewers to this day. This painting's indeterminate yet compelling status provides Volkmar Mühleis grounds to look beyond its historical significance and to explore its anthropological scope as well, from an intercultural perspective and, moreover, against the backdrop of its complex of themes concerning life and death. To do so, Mühleis returns to the conceptual premises that frame the relationship between the history of art and the anthropology of images, along with those that juxtapose Western and Eastern philosophies.
kunst --- renaissance --- kunsttheorie --- antropologie --- kunst en antropologie --- iconografie --- portret --- portretschilderkunst --- dood --- vanitas --- cultuurfilosofie --- Nederlanden --- 7.041 --- 7.034 --- 75.034 --- Schilderkunst ; Renaissance. Barok. Rococo --- iconology --- Painting --- anno 1500-1599 --- 75.0 --- 75.01 --- Schilderkunst ; Zuidelijke Nederlanden ; eerste kwart 16de eeuw --- Mühleis, Volkmar ; over Het Meisje met de Dode Vogel (anonieme schilder) --- Schilderkunst ; theorie, filosofie, esthetica --- Philosophical anthropology --- children's portraits --- cultuurgeschiedenis --- Vlaamse school --- dood dier
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