Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In this 2000 Biennial Exhibition catalogue, Whitney Museum director Maxwell L. Anderson explores the fascinating evolution of Whitney Biennials from 1932 to the present. The curators then ask in their introduction What have we learned about the art being created in the United States in this century turns ? The comprehensive artists' plate section includes more than 150 illustrations as well as explanatory texts that create a framework for understanding the vocabulary and meaning of current artistic enterprises. In addition, a valuable reference section at the end of the book offers biographical, bibliographical and exhibition data on each artist. Adams, Dennis ; Aitken, Doug ; Amer, Ghada ; Amerika, Mark ; art-mark ; Bacher, Lutz ; Baldwin, Craig ; Baldwin, Lew ; Banerjee, Rina ; Baron, Rebecca ; Beecroft, Vanessa ; Belgum, Rolf ; Benjamin, Walter ; Benning, Sadie ; Bernat, Robin ; Besemer, Linda ; Bey, Dawoud ; Blake, Jeremy ; Booker, Chakaia ; Burns, M.W. ; Cai Guo-Qiang ; Calame, Ingrid ; Camnitzer, Luis ; Cohen, Jem & Fugazi ; Coplans, John ; Coyne, Petah ; Currin, John ; Day, E.V. ; Dial, Thornton ; Dingle, Kim ; Discenza, Anthony ; Donovan, Tara ; Dorsky, Nathaniel ; Drake, James ; Duncan, Theresa ; Erlich, Leandro ; Fakeshop ; Fischer, Vernon ; Frecon, Suzan ; Fridge, Brian ; Friedman, Dara ; Gibbons, Joe ; Gober, Robert ; Godmilow, Jill ; Goldberg, Ken ; Griffin, Kojo ; Grigely, Joseph ; Haacke, Hans ; Hancock, Trenton Doyle ; Havel, Joseph ; Huerta, Salomon ; Jafa, Arthur ; Joo, Michael ; Kauper, Kurt ; Kolbowski, Silvia ; Korine, Harmony ; Lawler, Louise ; Leitman, Ruth ; Lemieux, Annette ; Leveque, Les ; Lockhart, Sharon ; De Lottie, William ; Makepeace, Anne ; Manglano-Ovalle, Iñigo ; Marioni, Joseph ; McElheny, Josiah ; Mondini-Ruiz, Franco ; Morris, Errol ; Morrison, Mandy ; Muniz, Vik ; Neshat, Shirin ; Nicosia, Nic ; Pfeiffer, Paul ; Pope, Carl & Karen ; Ra'ad, Walid ; Ramirez Erre, Marcos ; Reeder, Jennifer ; Reid, Laurie ; Rosen, Kay ; Rovner, Michal ; De Salvo, Roman ; Sherwood, Katherine ; Simon, John F. Jr. ; Souza, Al ; Steinke, Darcey ; Subrin, Elisabeth ; Sullivan, Chris ; Sze, Sarah ; Tran, T. Kim-Trang ; Tuttle, Richard ; U'Dongo, Ayanna ; Verene, Chris ; Weintraub, Annette ; Welbon, Yvonne ; Wodiczko, Krzysztof ; Yanagi, Yukinori ; Yuskavage, Lisa

Maxwell L. Anderson, Michael Auping, Valerie Cassel [et al.] --- kunst --- Verenigde Staten --- Whitney Biennial --- 7.038 --- 705.8 --- Whitney Museum of American Art --- kunstgeschiedenis, 20e eeuw

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Broodthaers, Marcel --- 7.071 BROODTHAERS --- België --- Broodthaers Marcel --- diaprojecties --- installaties --- kunst --- red. Frank Lubbers, Anna Hakkens, Maria Gilissen --- twintigste eeuw --- 20e eeuw --- 705.8 --- assemblages --- taalkunst --- kunstgeschiedenis, 20e eeuw

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Cet ouvrage retrace la formation du créateur, sa place au sein du mouvement constructiviste russe son art d'illustrateur du livre et de la presse ainsi que son travail d'artiste peintre pour aboutir à l'oeuvre écrite de Varvara Stepanova.

Illustration, presse --- Illustration, livre --- Artiste --- Constructivisme --- Stepanova, Varvara --- 20e siècle --- 7.071 STEPANOVA --- Alexandre Lavrentiev; introd. par John E. Bowit --- Rusland --- Sovjet-Unie --- Stepanova Varvara --- constructivisme --- kunst --- twintigste eeuw --- 705.8 --- Varvara Stepanova --- affiches --- boekillustraties --- kunstgeschiedenis, 20e eeuw

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Working in Rome since 1956, Greek artist Jannis Kounellis (born 1936) was a seminal contributor to the Arte Povera group. Kounellis began his career as a painter; influenced by Alberto Burri and Lucio Fontana, he explored the boundaries of the medium and by 1963 was using found elements in his practice. Often monumental in scale, the artist's work unites ancient Greek themes with poor materials such as iron, wool, gold, jute sacks, coal, fire and even, controversially, live animals. One of his best-known works from the late 1960s incorporated 11 horses installed in the gallery. Published in conjunction with an exhibition in Bari, Italy, this monograph examines some of the artist's recent monumental evocations and explorations of the human figure and other sculptures alongside past works.

installations [visual works] --- art [fine art] --- Art --- Kounellis, Jannis --- anno 1900-1999 --- Greece --- Italy --- Conceptual art --- Kounellis, Jannis, --- Gloria Moure ; With Texts by Bruno Corà, Jean-Louis Froment, Rudi Fuchs ... [et al.] --- kunst --- twintigste eeuw --- Kounellis Jannis --- Griekenland --- Italië --- arte povera --- 7.071 KOUNELLIS --- 705.8 --- kunstgeschiedenis, 20e eeuw --- ruimtelijke kunst --- art [discipline]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

British artist Gillian Wearing, winner of the 1997 Turner Prize, uses photography and video to explore the intimacies and complexities of everyday life. Borrowing from popular culture, her work is disturbing and confessional. In 1992 she began the acclaimed series Signs that say what you want them to say and not Signs that say what someone else wants them to say', in which random passers-by are photographed holding messages they've written, such as the mild-mannered young businessman whose sign unexpectedly reads 'I'm Desperate'.Wearing's work borrows from familiar forms of popular culture to produce direct, revealing records of deep-seated human trauma and emotion, often adopting the methods of television documentaries for her 'fly-on-the-wall' view of people's lives. Her videos can be alarming, as in Confess All ... in which masked individuals confess their darkest secrets, or humorous, as in (Slight) Reprise - a sampler of adults playing 'air guitar' in the fantasy rock stadium of their bedrooms. Her art can be disconcerting or uplifting: an honest portrait of the many sides to contemporary life.With exhibitions in Britain, the US, Europe and Japan, Wearing is among the best-known and most internationally recognized of the recent generation of British artists. This is the first publication ever to survey this remarkable young artist's gripping work in its entirety.Russell Ferguson of UCLA's Hammer Museum contextualizes Wearing's work in relation to historical precedents in painting, photography and video art. Curator at the Whitney Museum of American Art Donna De Salvo discusses with the artist her collaborative approach towards her work and its subjects. London-based critic John Slyce focuses on Wearing's work 10-16, a remarkable video installation that charts our transition from childhood to adolescence. The artist has selected transcripts from director Michael Apted's acclaimed British television documentary series Seven Up, an important influence on the process Wearing uses in her own work. Published here for the first time in full are the transcripts of the artist's video works.

multimediakunst --- multimedia works --- Wearing, Gillian --- Photographie --- Vidéo --- Criticism and interpretation --- Russel Ferguson, Donna De Salvo, John Slyce --- Seven Up --- Wearing Gillian --- Groot-Brittannië --- fotografie --- Apted Michael --- kunst --- twintigste eeuw --- videokunst --- video-installaties --- 77.071 WEARING --- 791.45 WEARING --- Young British Artists --- conceptuele kunst --- 705.8 --- kunstgeschiedenis, 20e eeuw --- Criticism and interpretation. --- Wearing, Gillian - Criticism and interpretation --- Wearing, Gillian - Interviews