Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

An undisputed classic, the Fourth Edition of this bestselling media studies text offers an unparalleled analysis of the cultural industries. Bringing together a huge range of research, theory and key concepts, David Hesmondhalgh provides an accessible yet critical exploration of cultural production and consumption in the global media landscape. This new edition: Analyses the influence of IT and tech companies like Google, Apple, Amazon and Facebook on the cultural industries ; Discusses the impact of digital technologies on industries such as music, TV, newspapers, books and digital games ; Explores the effects of digitalisation on culture, discussing critical issues like participation, power, commercialism, surveillance, and labour. Examines the changing conceptions of audiences, and the increasing influence of market research, audience tracking and advertising.As one of the most read, most studied and most cited books in the field, this Fourth Edition is an essential resource for students and researchers of media and communication studies, the cultural and creative industries, cultural studies and the sociology of the media.

Cultural industries. --- Industries culturelles.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Cultural industries --- Creative ability --- Industries culturelles --- Créativité

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Cultural industries --- Sex discrimination in employment. --- Industries culturelles --- Discrimination sexuelle dans l'emploi

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This volume deals with communicative, social and media-related aspects of discourses under globalization. In one way or another, all the contributions touch upon issues relating to new multilingualism and new multiculturalism, which are being propelled worldwide by politically and economically motivated processes of migration. The pivotal topics covered are: postmodern social identities (esp. national, transnational and consumer identities), linguistic and cultural variation and change under the influence of global English and new technologies, as well as the ideologization of public discourses and that of the media in particular. The chapters are united by their focus on in-depth critical interpretations of public (often political) discourses. While most of the contributions are couched in a Critical Discourse Analysis framework, room has been made for cognate interdisciplinary approaches to social communication. Alongside well grounded empirical studies, this volume features innovative theoretical reflections and proposals of how new approaches and methods for investigating social and linguistic phenomena might be employed to meet the challenges of the 21st century. The bilingual format of this volume (English and German) affords the possibility to elucidate on language- and culture- based variation and on how these respective issues are academically researched and socially mediated.

Industries culturelles --- Médias --- Médias et politique --- Aspect social --- Discoursanalyse --- Discourse analysis. --- Globalisering --- Massamedia --- Massamedia en globalisering --- Media discourse --- discoursanalyse --- Discoursanalyse. --- Globalisering. --- Massamedia en globalisering. --- Media discourse. --- discoursanalyse. --- Industries culturelles. --- Médias et politique. --- Aspect social.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"In popular culture, management in the media industry is frequently understood as the work of network executives, studio developers, and market researchers --"the suits"--Who oppose the more productive forces of creative talent and subject that labor to the inefficiencies and risk aversion of bureaucratic hierarchies. However, such portrayals belie the reality of how media management operates as a culture of shifting discourses, dispositions, and tactics that create meaning, generate value, and shape media work throughout each moment of production and consumption. Making Media Work aims to provide a deeper and more nuanced understanding of management within the entertainment industries. Drawing from work in critical sociology and cultural studies, the collection theorizes management as a pervasive, yet flexible set of principles drawn upon by a wide range of practitioners--artists, talent scouts, performers, directors, show runners, and more--in their ongoing efforts to articulate relationships and bridge potentially discordant forces within the media industries. The contributors interrogate managerial labor and identity, shine a light on how management understands its roles within cultural and creative contexts, and reconfigure the complex relationship between labor and managerial authority as productive rather than solely prohibitive. Engaging with primary evidence gathered through interviews, archives, and trade materials, the essays offer tremendous insight into how management is understood and performed within media industry contexts. The volume as a whole traces the changing roles of management both historically and in the contemporary moment within US and international contexts, and across a range of media forms, from film and television to video games and social media"

Management --- Mass media --- Cultural industries. --- Creative industries --- Culture industries --- Industries --- Management. --- Cultural industries --- E-books --- Administration --- Industrial relations --- Organization --- Gestion --- Médias --- Industries culturelles --- Etudes transculturelles