Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Marlowe, Christopher, --- Doctor Faustus.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Drama --- Faust, - d. ca. 1540 --- Marlowe, Christopher, - 1564-1593. - Doctor Faustus --- Shakespeare, William, - 1564-1616 - Hamlet --- Goethe, Johann Wolfgang von, - 1749-1832. - Faust --- Frost, Robert, - 1874-1963. - Masque of reason

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"During the period of his American exile in the 1930s and 1940s, the German author Thomas Mann became one of the most prominent anti-fascists in the United States, and in so doing forever transformed our understanding of what a modern writer is and should be doing"--

Authors, German --- Authors, Exiled --- Politics and literature --- World War, 1939-1945 --- World War, 1939-1945, in literature --- Exiled authors --- Exiles --- Refugees --- Expatriate authors --- Political and social views. --- Political activity --- History --- Literature and the war. --- Public opinion. --- Foreign public opinion --- Mann, Thomas, --- Mann, Paul Thomas --- Mann, Thomas --- マン・トオマス --- マン, トーマス --- Political activity. --- World War II, world literature, exile, propaganda, Doctor Faustus.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book interprets Mon Faust and explores the differences between Valéry's and Goethe's treatments of the Faust figure. The author shows by close analysis how Valéry opposes a Cartesian, anti-Pascalian Faust to Goethe's romantically flawed hero. The title of the project conceived by Valéry's Faust, The Mind's Body-part autobiography, part metaphysical treatise-embodies the Cartesian dilemma ironically illustrated by the Mon Faust fragments: the misfortunes of the thinking essence, the cogito, in its subjugation to the body. The first three chapters examine the Cartesian character of a Faust engaged in superhuman but vain attempts to reconcile the intellect and the libido. A fourth chapter discusses the differences between Goethe's and Valéry's protagonists and as well between Goethe and his Faust. Throughout the book the author explores Valéry's linguistic experimentation, which, through charades, paranomasia, onomastics, and etymological puns, brings into full play the mystifying and mythologizing aspects of language. To resolve the stylistic problems associated with this fragmentary work the author adapts the tone of his exegesis to the diverse stylistic levels of Mon Faust. His analysis illuminates the Cartesian potential inherent in Valéry's protagonist.Originally published in 1976.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

French and German. --- German and French. --- Faust, Johann, --- Faust, Johannes, --- Faustus, --- Faustus, Georg, --- Faustus, John, --- פאוסט --- French and German --- German and French --- Valery, Paul --- Comparative literature --- Faust, --- Goethe, Johann Wolfgang von, --- Valery, Paul, --- In literature. --- Valéry, Paul, --- In literature --- Faust --- Doctor Faust --- Doctor Faustus --- Dr. Faust --- Dr. Faustus --- Faustus --- Comparative literature - French and German --- Comparative literature - German and French --- Valéry, Paul, - 1871-1945 - Mon Faust --- Goethe, Johann Wolfgang von, - 1749-1832. - Faust --- Faust, - -approximately 1540 - In literature --- Faust, - -approximately 1540

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Building on recent transformative theories of influence, John Foster explores the many ways Nietzsche's intellectual and artistic example helped shape an interconnected series of major literary projects from 1900 to the 1940s. He portrays Nietzsche as a stimulating but disturbing force who left a well-defined legacy of concerns that modernists appropriated for their fiction. The author focuses particularly on Gide, D. H. Lawrence, Malraux, and Mann, analyzing their strategies of acceptance, revision, and subversion.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Comparative literature --- Nietzsche, Friedrich W. --- anno 1900-1999 --- Literature, Modern --- Modernism (Literature) --- Philosophy in literature. --- History and criticism. --- Nietzsche, Friedrich Wilhelm, --- Influence. --- Modernism (Literature). --- Nietzsche, Friedrich --- Crepuscolarismo --- Literary movements --- History and criticism&delete& --- History and criticism --- Aestheticism. --- Allusion. --- Anguish. --- Antithesis. --- Apathy. --- Aphorism. --- Apollonian and Dionysian. --- Art for art's sake. --- Arthur Schopenhauer. --- Beyond Good and Evil. --- Black rage (law). --- Career. --- Catharsis. --- Consciousness. --- Criticism. --- Critique. --- Cultural Bolshevism. --- D. H. Lawrence. --- Death in Venice. --- Decadence. --- Dionysus. --- Disenchantment. --- Disgust. --- Distrust. --- Doctor Faustus (novel). --- Doctor Faustus (play). --- E. M. Forster. --- Epigram. --- Existence. --- Existentialism. --- Faust. --- Friedrich Nietzsche. --- Geoffrey Hartman. --- Gesta Romanorum. --- God is dead. --- Good and evil. --- Hans Vaihinger. --- Henri Bergson. --- Iconoclasm. --- Imagery. --- Irony. --- Jacques Derrida. --- Jude the Obscure. --- Karl Jaspers. --- Last man. --- Literary modernism. --- Literature. --- Man's Fate. --- Master–slave morality. --- Mephistopheles. --- Modernism. --- Morality. --- Necessitarianism. --- New Thought. --- Nietzschean affirmation. --- Nihilism. --- On the Aesthetic Education of Man. --- On the Genealogy of Morality. --- Out of Revolution. --- Paradox. --- Parody. --- Philosopher. --- Philosophy of Friedrich Nietzsche. --- Philosophy. --- Picaresque novel. --- Pity. --- Polemic. --- Posthumanism. --- Psychoanalysis. --- Psychology. --- Rainer Maria Rilke. --- Religion. --- Ressentiment. --- Result. --- Robert Musil. --- Romanticism. --- Scientism. --- Self-denial. --- Self-fulfillment. --- Superiority (short story). --- Søren Kierkegaard. --- The Birth of Tragedy. --- The Case of Wagner. --- The Counterfeiters (novel). --- The Cult of the Self. --- The Four Great Errors. --- The Goths. --- The Philosopher. --- The Work of Art in the Age of Mechanical Reproduction. --- Theodor W. Adorno. --- Thought. --- Thus Spoke Zarathustra. --- Tragedy. --- Twilight of the Idols. --- Utilitarianism. --- Will to power. --- Women in Love. --- Word and Object. --- Writer. --- Writing.