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Classic Chic : Music, Fashion, and Modernism
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ISBN: 128236054X 9786612360541 0520941683 9780520941687 0520245423 9780520245426 9780520256217 0520256212 6612360542 0520245423 9780520245426 Year: 2006 Publisher: Berkeley, CA : University of California Press,

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Music and fashion: the deep connection between these two expressive worlds is firmly entrenched. Yet little attention has been paid to the association of sound and style in the early twentieth century-a period of remarkable and often parallel developments in both high fashion and the arts, including music. This beautifully written book, lavishly illustrated with fashion plates and photographs, explores the relationship between music and fashion, elegantly charting the importance of these arts to the rise of transatlantic modernism. Focusing on the emergence of the movement known as Neoclassicism, Mary E. Davis demonstrates that new aesthetic approaches were related to fashion in a manner that was perfectly attuned to the tastes of jazz-age sophisticates. Looking in particular at three couturiers-Paul Poiret, Germaine Bongard, and Coco Chanel-and three breakthrough fashion magazines-La Gazette du Bon Ton, Vanity Fair, and Vogue-Davis illuminates for the first time the ways in which fashion's imperatives of originality and constant change influenced composers such as Erik Satie, Igor Stravinsky, and Les Six. She also considers the role played by the Ballets Russes, and explores the contributions of artists including costume and set designer Léon Bakst, writer and director Jean Cocteau, Amédée Ozenfant, and Pablo Picasso. The first study to situate music in this rich context, Classic Chic demonstrates the profound importance of the linked endeavors of composition and couture to modernist thought. In addition to its innovative approach to this important moment in history, Davis's focus on the social aspects of the story makes the book a tremendously engaging read.


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Religion in Vogue : Christianity and Fashion in America
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ISBN: 1479810916 Year: 2019 Publisher: New York : New York University Press,

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"From cross necklaces to fashion designs inspired by nuns' habits, how have fashion sources interpreted Christianity? And how, in turn, have these interpretations shaped conceptions of religion in the United States? Religion in Vogue explores the intertwined history of Christianity and the fashion industry. Using a diverse range of fashion sources, including designs, jewelry, articles in fashion magazines, and advertisements, Lynn S. Neal demonstrates how in the second half of the twentieth century the modern fashion industry created an aestheticized Christianity, transforming it into a consumer product. The fashion industry socialized consumers to see religion as fashionable and as a beautiful lifestyle accessory--something to be displayed, consumed, and experienced as an expression of personal identity and taste. Religion was something to be embraced and shown off by those who were sophisticated and stylish, and not solely the domain of the politically conservative. Neal ultimately concludes that, through aestheticizing Christianity, the fashion industry has offered Americans a means of blending traditional elements of religion--such as ritual practice, miraculous events, and theological concepts--with modern culture, revealing a new dimension to the personal experience of religion."--

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