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Digital libraries --- Vietnamese literature (French) --- History and criticism. --- France --- Vietnam --- Asia --- Relations --- Colonies --- Historiography.
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'Post-Mandarin' offers an engaging look at a cohort of Vietnamese intellectuals who adopted European fields of knowledge, a new Romanized alphabet, and print media - all of which were foreign and illegible to their fathers. This new generation of intellectuals established Vietnam's modern anticolonial literature. The term 'post-mandarin' illuminates how Vietnam's deracinated figures of intellectual authority adapted to a literary field moving away from a male-to-male literary address toward print culture. With this shift, post-mandarin intellectuals increasingly wrote for and about women.
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The close readings that form the core of the book are inflected by cultural and historical considerations, and informed by a range of primary documents that includes training manuals for colonial administrators, works of imperialist propaganda, tourist guidebooks and travel writing, and textbooks from Franco-Vietnamese schools.
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Environment and Narrative in Vietnam brings together essays about Vietnam’s natural environments and environmental crises from the perspective of culture, with particular attention to narrative templates that have shaped perceptions and interactions with nature on the part of different communities. The essays in this volume explore theoretical problems in the assessment of ecological stewardship and attitudes toward nature across cultures. They focus on both majority (Kinh) and ethnic minority narratives about nature and seek to outline how different ideas of modernization, from the French colonial project to the Marxist understanding of nature on the part of the Communist government, have shaped perceptions, policies, and activism regarding the environment. The essays also highlight the tensions and confluences between nationalist nation-building projects and economic integration into global markets for environmental thinking over the last half-century, and they analyze how texts from literary fiction to contemporary news media represent different environmental cultures in Vietnam. Taken together, the essays in Environment and Narrative in Vietnam begin to fill a significant gap in the understanding of environmental cultures in Asia and in the Environmental Humanities. This is an open access book. Ursula K. Heise is holds the Marcia H. Howard Term Chair in Literary Studies. She is co-founder and Director of the Lab for Environmental Narrative Strategies (LENS) at UCLA's Institute of the Environment and Sustainability. Her research and teaching focus on contemporary literature and the environmental humanities; environmental literature, arts, and cultures in the Americas, Germany, Japan, and Spain; literature and science; science fiction; and narrative theory. She is co-editor of Literatures, Cultures and the Environment series for Palgrave Macmillan. Chi P. Pham is a Tenured Researcher at the Institute of Literature, Vietnam Academy of Social Sciences, Hanoi. She received her first Ph.D. degree in Literary Theory in Vietnam and her second Ph.D. degree in Comparative Literature at the University of California, Riverside (USA). She is the secretary of the Association for the Study of Literature and Ecology in ASEAN (ASLE-ASEAN).
Ecocriticism. --- Environmental degradation in literature. --- Environmentalism in literature. --- Vietnamese literature --- History and criticism. --- Oriental literature. --- Human ecology --- Communication in the environmental sciences. --- Asian Literature. --- Environmental History. --- Environmental Communication. --- History.
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Algerian fiction (French) --- Vietnamese fiction (French) --- Postcolonialism in literature --- Women in literature --- Postcolonialism --- Women and literature --- Romance Literatures --- Languages & Literatures --- French Literature --- Literature --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- French fiction --- Vietnamese literature (French) --- Algerian literature (French) --- Women authors --- History and criticism
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French literature (outside France) --- Thematology --- Vietnam --- Vietnamese fiction (French) --- Colonies in literature --- Imperialism in literature --- Roman vietnamien (français) --- Colonies dans la littérature --- Impérialisme dans la littérature --- History and criticism --- Histoire et critique --- 840-3 "19" --- -French fiction --- Vietnamese literature (French) --- Franse literatuur: proza--20e eeuw. Periode 1900-1999 --- -Franse literatuur: proza--20e eeuw. Periode 1900-1999 --- 840-3 "19" Franse literatuur: proza--20e eeuw. Periode 1900-1999 --- Roman vietnamien (français) --- Colonies dans la littérature --- Impérialisme dans la littérature --- French fiction --- History and criticism. --- Vietnamese fiction (French) - History and criticism --- Litterature vietnamienne --- Nouvelles (genre litteraire) francaises --- 20e siecle
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"Vietnam and the Colonial Condition of French Literature explores an aspect of modern French literature that has been consistently overlooked in literary histories: the relationship between the colonies--their cultures, languages, and people--and formal shifts in French literary production. Starting from the premise that neither cultural identity nor cultural production can be pure or homogenous, Leslie Barnes initiates a new discourse on the French literary canon by examining the work of three iconic French writers with personal connections to Vietnam: Andre Malraux, Marguerite Duras, and Linda Lê. In a thorough investigation of the authors' linguistic, metaphysical, and textual experiences of colonialism, Barnes articulates a new way of reading French literature: not as an inward-looking, homogenous, monolingual tradition, but rather as a tradition of intersecting and interdependent peoples, cultures, and experiences. One of the few books to focus on Vietnam's position within francophone literary scholarship, Barnes challenges traditional concepts of French cultural identity and offers a new perspective on canonicity and the division between "French" and "francophone" literature. "--
LITERARY CRITICISM / Asian / General. --- LITERARY CRITICISM / European / French. --- Vietnamese literature (French) --- National characteristics, French, in literature. --- Cultural fusion. --- French literature --- Culture fusion --- Fusion, Cultural --- Hybridism (Social sciences) --- Hybridity (Social sciences) --- Cultural relations --- Acculturation --- Assimilation (Sociology) --- Ethnicity --- Multiculturalism --- Cultural pluralism --- History and criticism. --- North Vietnamese authors --- Lê, Linda --- Duras, Marguerite --- Malraux, Andre, --- Criticism and interpretation. --- Vietnam --- Betʻŭnam --- Biet Nam --- Bietnam --- Biyetnan --- Chính phủ nước Cộng hòa xã hội chủ nghĩa Việt Nam --- Cộng hòa xã hội chủ nghĩa Việt Nam --- Fītnām --- Fīyatnām --- Fiyitnām --- I︠U︡zhnyĭ Vʹetnam --- National Republic of Vietnam --- Nước Cộng hòa xã hội chủ nghĩa Việt Nam --- Petʻŭnam --- Republica Socialista de Vietnam --- Rèpublica socialista du Viêt Nam --- République socialiste du Vietnam --- RSV --- RSVN --- S.R.V. --- Satsyi︠a︡listychnai︠a︡ Rėspublika V'etnam --- Socialist Republic of Viet Nam --- Socialist Republic of Vietnam --- Sosialistiese Republiek Viëtnam --- Sot︠s︡ialisticheska republika Vietnam --- Sot︠s︡ialisticheskai︠a︡ Respublika Vʹetnam --- SRV --- SRVN --- Vʹet-Nam --- Vʹetnam --- Viet-Nam --- Vijetnam --- Vītnām --- Vīyitnām --- Vjetnamio --- Vyetnam --- Vyetnam Sosialist Respublikası --- Wietnam --- Yüeh-nan --- Сацыялістычная Рэспубліка В'етнам --- Социалистическа република Виетнам --- Виетнам --- В'етнам --- فيتنام --- Vietnam (Democratic Republic) --- Vietnam (Republic) --- In literature. --- Cultural hybridity --- Transculturalism --- Transculturation
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