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Narrative and Media, first published in 2006, applies narrative theory to media texts, including film, television, radio, advertising, and print journalism. Drawing on research in structuralist and post-structuralist theory, as well as functional grammar and image analysis, the book explains the narrative techniques which shape media texts and offers interpretive tools for analysing meaning and ideology. Each section looks at particular media forms and shows how elements such as chronology, character, and focalization are realized in specific texts. As the boundaries between entertainment and information in the mass media continue to dissolve, understanding the ways in which modes of story-telling are seamlessly transferred from one medium to another, and the ideological implications of these strategies, is an essential aspect of media studies.
Fiction --- Literary rhetorics --- Mass communications --- Discourse analysis, Narrative. --- Mass media. --- MAD-faculty 12 --- mediakunst --- beeldkunst --- vertelkunst --- Narration (Rhetoric) --- Mass communication --- Media, Mass --- Media, The --- Communication
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Art de conter en litterature --- Storytelling in literature --- Vertelkunst in de literatuur --- Gray, Spalding --- Dramatists [American ] --- 20th century --- American drama --- History and criticism
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"What distinguishes folklorists from representatives of related disciplines who do similar things - go to the field, collect intentional data and subject them to rigorous analysis and interpretation - for diverse disciplinary purposes? Folklorists are unique in their study of folklore for its own sake, as the folk creates, adapts, recreates stories, songs, dances and proverbs. The folklorist observes personal creativity as individuals shape traditional materials, assisted by a critical audience and sanctioned by a tradition-minded community." "The twenty essays in this book, divided into four sections, represent the author's ideas, theories and methodological approaches to folk narrative. The first makes the case for narrator-orientation as a field-ethnography-based humanistic approach; the second introduces the narrator's personality and Weltanschauung as key to his/her motivation and art; the third discusses the intricacies and dynamics of story-transmission and dissemination; and the fourth presents case studies that illustrate Linda Degh's method of analysis of narrative performance. She focuses on individual creators of variants that link up in processes of narrative development leading to dissemination, and the formation of types and subtypes. She shows how much more this method can reveal of the nature of folklore."--Jacket.
Art de conter. --- Contes. --- Conteurs. --- Folklore --- Folklore. --- Mondelinge literatuur. --- Narration --- Storytellers. --- Storytelling. --- Tales --- Tales. --- Vertelkunst. --- Performance. --- Aspect social. --- History and criticism. --- Storytelling --- Storytellers --- History and criticism --- Performance
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82-31 <038> --- Roman--Vertaalwoordenboeken --- Verteltheorie. --- Vertelkunst. --- Erzählforschung. --- Erzähltheorie. --- Narrative --- 82-31 <038> Roman--Vertaalwoordenboeken --- Narrative. --- 82.0 --- 82.0 Literatuurtheorie --- Literatuurtheorie --- Fiction --- Literature --- Narration (Rhetoric).
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Psycholinguistics --- Fiction --- Psychological study of literature --- Pragmatics --- Discourse analysis, Narrative --- Analyse du discours narratif --- Psychological aspects --- Aspect psychologique --- Communication. --- Imagination. --- Psychology, Social. --- Discours narratif --- Verteltheorie. --- Psychologie. --- Vertelkunst. --- Psychologische aspecten. --- Epik. --- Literaturpsychologie. --- Erzählen. --- Psychological aspects. --- Aspect psychologique.
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Style, Literary. --- Vertelkunst. --- Literatura inglesa (crítica e interpretação) --- Erzähltechnik. --- Shakespeare, William, --- Shakespeare, William. --- Criticism and interpretation. --- Literary style. --- London --- Globe Theatre (London) --- Globe Theatre. --- Literatura inglesa (crítica e interpretação). --- Globe Theatre (London).
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Art de conter --- Art de dire les contes --- Art de raconter des histoires --- Art du conte --- Art du conteur --- Contes -- Art de dire --- Conteurs -- Art de dire --- Story-telling --- Storytelling --- Telling of stories --- Vertelkunst --- Boccaccio, Giovanni --- Criticism [Textual ]
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Ancient Greek hymns traditionally include a narrative section describing episodes from the hymned deity's life. These narratives developed in parallel with epic and other narrative genres, and their study provides a different perspective on ancient Greek narrative. Within the hymn genre, the place and function of the narrative section changed over time and with different kinds of hymn (literary or cultic; religious, philosophical or magical). Hymnic Narrative and the Narratology of Greek Hymns traces developments in narrative in the hymn genre from the Homeric Hymns via Hellenistic and Imperial hymns to those in the Orphic tradition and in magical papyri, analysing them in narratological terms in order to place them in the wider context of ancient Greek narrative literature. Contributors are: Ewen Bowie, Michael Brumbaugh, Nicola Devlin, William D. Furley, Miguel Herrero de Jáuregi, Anne-France Morand, Ivana Petrovic, Nicholas Richardson, Susan A. Stephens, and Athanassios Vergados --
Hymns, Greek (Classical) --- Narration (Rhetoric) --- Hymnes grecs anciens --- Narration --- History and criticism. --- Histoire et critique --- Homeric hymns --- History and criticism --- Hymnen. --- Grieks. --- Vertelkunst. --- Hymnes homériques --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Inni omerici --- Homērikoi hymnoi --- Hymni Homerici --- Hymns, Greek (Classical) - History and criticism
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This is the second volume in a series of volumes which together will provide an entirely new history of ancient Greek (narrative) literature. Its organization is formal rather than biographical. It traces the history of central narrative devices, such as the narrator and his narratees,time, focalization, characterization, and space. It offers not only analyses of the handling of such a device by individual authors, but also a larger historical perspective on the manner in which it changes over time and is put to different uses by different authors in different genres. The present volume deals with time: changes in the order of events (analepsis versus prolepsis), the speed of narration (events may be recounted scenically or in the form of a summary), and frequency (events may be recounted once, repeatedly, or not at all).
Greek literature --- Time in literature. --- History and criticism. --- Littérature grecque --- Temps --- Histoire et critique --- Dans la littérature --- Littérature grecque --- Temps dans la littérature --- Time in literature --- History and criticism --- Histoire et critique. --- Dans la littérature. --- Bellettrie. --- Grieks. --- Tijd. --- Vertelkunst. --- Griechische Literatur --- Zeit --- Zeit. --- Griechische Literatur. --- Greek literature - History and criticism. --- Literature & literary studies --- Literary studies: classical, early & medieval
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Ranging over the broad spectrum of contemporary literary and film theory, Breaking the Frame explores the different approaches to cinematic art that are offered by cognitive psychology, feminist theory, aesthetics, and psychoanalysis. In this study Inez Hedges looks closely at films that challenge accepted norms in both form and content. The films discussed here, including Zazie, La Nuit de Varennes, and E.T., break out of conventional frames, upsetting our expectations about how films should look (the film frame) as well as how experience is usually organized by cine- matic works of art (the psychological or cognitive frame). Hedges focuses on two primary areas: the way that the structure of film texts guides the interpretations of the spectator (hermeneutics) and the way that films reflect social models (representation). Within the hermeneutic approach, the author relates the unconventional use of film language in cinematic works of the 1960s and 1970s not only to the recent novels of Beckett and Queneau and to the French nouveau roman but also to one of the founding texts of Western literature, the Oedipus Rex of Sophocles. The discussion of representation exam- ines the social ascendancy of cinematic narrative in modern times in the light of the philosophical insights of Michel Foucault and Harold Bloom. Finally, contemporary feminist and psychoanalytic theories are brought to bear on cinematic representations of gender. Breaking the Frame will be of interest not only to scholars and students of film and literature but also to today's "filmliterate" public who enjoy exploring the theoretical and philosophical implications of cinematic works.
Interpretatie. --- Vertelkunst. --- Filmkunst. --- Motion pictures --- Motion pictures and literature. --- Cinema --- Cinema et litterature. --- Philosophy. --- Philosophie. --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Film history, theory & criticism
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