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Narrative and media
Authors: --- --- ---
ISBN: 9780521617420 0521617421 9780511811760 1280414987 0511183186 0511311281 0511132409 051120096X 0511132948 0511811764 Year: 2005 Publisher: Cambridge Cambridge University Press

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Abstract

Narrative and Media, first published in 2006, applies narrative theory to media texts, including film, television, radio, advertising, and print journalism. Drawing on research in structuralist and post-structuralist theory, as well as functional grammar and image analysis, the book explains the narrative techniques which shape media texts and offers interpretive tools for analysing meaning and ideology. Each section looks at particular media forms and shows how elements such as chronology, character, and focalization are realized in specific texts. As the boundaries between entertainment and information in the mass media continue to dissolve, understanding the ways in which modes of story-telling are seamlessly transferred from one medium to another, and the ideological implications of these strategies, is an essential aspect of media studies.


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Spalding Gray's America
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ISBN: 9780879103606 Year: 2008 Publisher: New York Limelight Editions

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Narratives in society: a performer-centered study of narration
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ISBN: 0253316839 9514107470 9514107489 9780253316837 9789514107474 9789514107481 Year: 1995 Volume: 255 Publisher: Helsinki: Suomalainen tiedeakatemia,

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"What distinguishes folklorists from representatives of related disciplines who do similar things - go to the field, collect intentional data and subject them to rigorous analysis and interpretation - for diverse disciplinary purposes? Folklorists are unique in their study of folklore for its own sake, as the folk creates, adapts, recreates stories, songs, dances and proverbs. The folklorist observes personal creativity as individuals shape traditional materials, assisted by a critical audience and sanctioned by a tradition-minded community." "The twenty essays in this book, divided into four sections, represent the author's ideas, theories and methodological approaches to folk narrative. The first makes the case for narrator-orientation as a field-ethnography-based humanistic approach; the second introduces the narrator's personality and Weltanschauung as key to his/her motivation and art; the third discusses the intricacies and dynamics of story-transmission and dissemination; and the fourth presents case studies that illustrate Linda Degh's method of analysis of narrative performance. She focuses on individual creators of variants that link up in processes of narrative development leading to dissemination, and the formation of types and subtypes. She shows how much more this method can reveal of the nature of folklore."--Jacket.

A dictionary of narratology
Author:
ISBN: 0859677494 9780859677493 Year: 1988 Publisher: Aldershot Scolar

Narrative psychology: the storied nature of human conduct
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ISBN: 0275921034 9780275921033 Year: 1986 Publisher: New York Praeger

Shakespeare and narrative
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ISBN: 0521781140 9780521781145 0521023971 9780521023979 Year: 2000 Volume: 53 Publisher: Cambridge: Cambridge university press,

Decameron and the philosophy of storytelling : author as midwife and pimp
Authors: ---
ISBN: 0231136080 0231509820 Year: 2005


Book
Hymnic narrative and the narratology of Greek hymns
Authors: ---
ISBN: 9789004288133 9789004289512 9004288139 9004289518 Year: 2015 Volume: 384 Publisher: Leiden: Boston: Brill,

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Ancient Greek hymns traditionally include a narrative section describing episodes from the hymned deity's life. These narratives developed in parallel with epic and other narrative genres, and their study provides a different perspective on ancient Greek narrative. Within the hymn genre, the place and function of the narrative section changed over time and with different kinds of hymn (literary or cultic; religious, philosophical or magical). Hymnic Narrative and the Narratology of Greek Hymns traces developments in narrative in the hymn genre from the Homeric Hymns via Hellenistic and Imperial hymns to those in the Orphic tradition and in magical papyri, analysing them in narratological terms in order to place them in the wider context of ancient Greek narrative literature. Contributors are: Ewen Bowie, Michael Brumbaugh, Nicola Devlin, William D. Furley, Miguel Herrero de Jáuregi, Anne-France Morand, Ivana Petrovic, Nicholas Richardson, Susan A. Stephens, and Athanassios Vergados --

Time in ancient Greek literature
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ISBN: 9789004165069 9004165061 9786611937317 1281937312 9047422937 9789047422938 Year: 2007 Volume: 291 2 Publisher: Leiden: Brill,

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This is the second volume in a series of volumes which together will provide an entirely new history of ancient Greek (narrative) literature. Its organization is formal rather than biographical. It traces the history of central narrative devices, such as the narrator and his narratees,time, focalization, characterization, and space. It offers not only analyses of the handling of such a device by individual authors, but also a larger historical perspective on the manner in which it changes over time and is put to different uses by different authors in different genres. The present volume deals with time: changes in the order of events (analepsis versus prolepsis), the speed of narration (events may be recounted scenically or in the form of a summary), and frequency (events may be recounted once, repeatedly, or not at all).


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Breaking the Frame
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ISBN: 025305589X Year: 1991 Publisher: Indiana University Press

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Ranging over the broad spectrum of contemporary literary and film theory, Breaking the Frame explores the different approaches to cinematic art that are offered by cognitive psychology, feminist theory, aesthetics, and psychoanalysis. In this study Inez Hedges looks closely at films that challenge accepted norms in both form and content. The films discussed here, including Zazie, La Nuit de Varennes, and E.T., break out of conventional frames, upsetting our expectations about how films should look (the film frame) as well as how experience is usually organized by cine- matic works of art (the psychological or cognitive frame). Hedges focuses on two primary areas: the way that the structure of film texts guides the interpretations of the spectator (hermeneutics) and the way that films reflect social models (representation). Within the hermeneutic approach, the author relates the unconventional use of film language in cinematic works of the 1960s and 1970s not only to the recent novels of Beckett and Queneau and to the French nouveau roman but also to one of the founding texts of Western literature, the Oedipus Rex of Sophocles. The discussion of representation exam- ines the social ascendancy of cinematic narrative in modern times in the light of the philosophical insights of Michel Foucault and Harold Bloom. Finally, contemporary feminist and psychoanalytic theories are brought to bear on cinematic representations of gender. Breaking the Frame will be of interest not only to scholars and students of film and literature but also to today's "filmliterate" public who enjoy exploring the theoretical and philosophical implications of cinematic works.

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