Listing 1 - 10 of 21 | << page >> |
Sort by
|
Choose an application
Narrative and Media, first published in 2006, applies narrative theory to media texts, including film, television, radio, advertising, and print journalism. Drawing on research in structuralist and post-structuralist theory, as well as functional grammar and image analysis, the book explains the narrative techniques which shape media texts and offers interpretive tools for analysing meaning and ideology. Each section looks at particular media forms and shows how elements such as chronology, character, and focalization are realized in specific texts. As the boundaries between entertainment and information in the mass media continue to dissolve, understanding the ways in which modes of story-telling are seamlessly transferred from one medium to another, and the ideological implications of these strategies, is an essential aspect of media studies.
Fiction --- Literary rhetorics --- Mass communications --- Discourse analysis, Narrative. --- Mass media. --- MAD-faculty 12 --- mediakunst --- beeldkunst --- vertelkunst --- Narration (Rhetoric) --- Mass communication --- Media, Mass --- Media, The --- Communication
Choose an application
Art de conter en litterature --- Storytelling in literature --- Vertelkunst in de literatuur --- Gray, Spalding --- Dramatists [American ] --- 20th century --- American drama --- History and criticism
Choose an application
"What distinguishes folklorists from representatives of related disciplines who do similar things - go to the field, collect intentional data and subject them to rigorous analysis and interpretation - for diverse disciplinary purposes? Folklorists are unique in their study of folklore for its own sake, as the folk creates, adapts, recreates stories, songs, dances and proverbs. The folklorist observes personal creativity as individuals shape traditional materials, assisted by a critical audience and sanctioned by a tradition-minded community." "The twenty essays in this book, divided into four sections, represent the author's ideas, theories and methodological approaches to folk narrative. The first makes the case for narrator-orientation as a field-ethnography-based humanistic approach; the second introduces the narrator's personality and Weltanschauung as key to his/her motivation and art; the third discusses the intricacies and dynamics of story-transmission and dissemination; and the fourth presents case studies that illustrate Linda Degh's method of analysis of narrative performance. She focuses on individual creators of variants that link up in processes of narrative development leading to dissemination, and the formation of types and subtypes. She shows how much more this method can reveal of the nature of folklore."--Jacket.
Art de conter. --- Contes. --- Conteurs. --- Folklore --- Folklore. --- Mondelinge literatuur. --- Narration --- Storytellers. --- Storytelling. --- Tales --- Tales. --- Vertelkunst. --- Performance. --- Aspect social. --- History and criticism. --- Storytelling --- Storytellers --- History and criticism --- Performance
Choose an application
82-31 <038> --- Roman--Vertaalwoordenboeken --- Verteltheorie. --- Vertelkunst. --- Erzählforschung. --- Erzähltheorie. --- Narrative --- 82-31 <038> Roman--Vertaalwoordenboeken --- Narrative. --- 82.0 --- 82.0 Literatuurtheorie --- Literatuurtheorie --- Fiction --- Literature --- Narration (Rhetoric).
Choose an application
Psycholinguistics --- Fiction --- Psychological study of literature --- Pragmatics --- Discourse analysis, Narrative --- Analyse du discours narratif --- Psychological aspects --- Aspect psychologique --- Communication. --- Imagination. --- Psychology, Social. --- Discours narratif --- Verteltheorie. --- Psychologie. --- Vertelkunst. --- Psychologische aspecten. --- Epik. --- Literaturpsychologie. --- Erzählen. --- Psychological aspects. --- Aspect psychologique.
Choose an application
Style, Literary. --- Vertelkunst. --- Literatura inglesa (crítica e interpretação) --- Erzähltechnik. --- Shakespeare, William, --- Shakespeare, William. --- Criticism and interpretation. --- Literary style. --- London --- Globe Theatre (London) --- Globe Theatre. --- Literatura inglesa (crítica e interpretação). --- Globe Theatre (London).
Choose an application
Art de conter --- Art de dire les contes --- Art de raconter des histoires --- Art du conte --- Art du conteur --- Contes -- Art de dire --- Conteurs -- Art de dire --- Story-telling --- Storytelling --- Telling of stories --- Vertelkunst --- Boccaccio, Giovanni --- Criticism [Textual ]
Choose an application
Ancient Greek hymns traditionally include a narrative section describing episodes from the hymned deity's life. These narratives developed in parallel with epic and other narrative genres, and their study provides a different perspective on ancient Greek narrative. Within the hymn genre, the place and function of the narrative section changed over time and with different kinds of hymn (literary or cultic; religious, philosophical or magical). Hymnic Narrative and the Narratology of Greek Hymns traces developments in narrative in the hymn genre from the Homeric Hymns via Hellenistic and Imperial hymns to those in the Orphic tradition and in magical papyri, analysing them in narratological terms in order to place them in the wider context of ancient Greek narrative literature. Contributors are: Ewen Bowie, Michael Brumbaugh, Nicola Devlin, William D. Furley, Miguel Herrero de Jáuregi, Anne-France Morand, Ivana Petrovic, Nicholas Richardson, Susan A. Stephens, and Athanassios Vergados --
Hymns, Greek (Classical) --- Narration (Rhetoric) --- Hymnes grecs anciens --- Narration --- History and criticism. --- Histoire et critique --- Homeric hymns --- History and criticism --- Hymnen. --- Grieks. --- Vertelkunst. --- Hymnes homériques --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Inni omerici --- Homērikoi hymnoi --- Hymni Homerici --- Hymns, Greek (Classical) - History and criticism
Choose an application
This is the second volume in a series of volumes which together will provide an entirely new history of ancient Greek (narrative) literature. Its organization is formal rather than biographical. It traces the history of central narrative devices, such as the narrator and his narratees,time, focalization, characterization, and space. It offers not only analyses of the handling of such a device by individual authors, but also a larger historical perspective on the manner in which it changes over time and is put to different uses by different authors in different genres. The present volume deals with time: changes in the order of events (analepsis versus prolepsis), the speed of narration (events may be recounted scenically or in the form of a summary), and frequency (events may be recounted once, repeatedly, or not at all).
Greek literature --- Time in literature. --- History and criticism. --- Littérature grecque --- Temps --- Histoire et critique --- Dans la littérature --- Littérature grecque --- Temps dans la littérature --- Time in literature --- History and criticism --- Histoire et critique. --- Dans la littérature. --- Bellettrie. --- Grieks. --- Tijd. --- Vertelkunst. --- Griechische Literatur --- Zeit --- Zeit. --- Griechische Literatur. --- Greek literature - History and criticism. --- Literature & literary studies --- Literary studies: classical, early & medieval
Choose an application
Humans live in landscapes of make-believe. We spin fantasies. We devour novels, films, and plays. Even spotting events and criminal trials unfold als narratives. Yet the world of story has long remained an undiscovered and unmapped country. Now Jonathan Gottschall offers the first unified theory of storytelling. He argues that stories help us navigate life's complex social problems - just as flight simulators prepare pilots for difficult situations. Storytelling has evolved, like other behaviors, to ensure our survival. Drawing on the latest research in neuroscience, psychology, and evolutionary biology, Gottschall tells us what it means to be a storytelling animal and explains how stories can change the world for the better. We know we are master shapers of story. The Storytelling Animal finally reveals how stories shape us.
#KVHA:Media --- #KVHA:Journalistiek --- #KVHA:Narratieve journalistiek --- #KVHA:Verteltechnieken --- Literature and science --- Storytelling --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Poetry and science --- Science and literature --- Science and poetry --- Science and the humanities --- Performance --- Evolution. Phylogeny --- Fiction --- Literature and science. --- Storytelling. --- Vertelkunst
Listing 1 - 10 of 21 | << page >> |
Sort by
|