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"With this book, I try answering in a clear language two complex riddles: How is experience imprinted into films? What draws audiences to theaters? François Truffaut, like Fellini, Bergman or Scorsese, worked with an autobiographical material and Totally Truffaut follows the coded inscription of major life events in his films from his illegitimate birth to his passionate but doomed relationship with Catherine Deneuve. I focus first on the process that embeds experience into fictions, and more specifically into visual forms and patterns. I also try to define the mode of perception film language triggers in the spectator. When entering a movie theater, we expect perceptual pleasure. Truffaut's creative work is devoted to distilling this drug to audiences, an ambition central to the evolution of his style. These two issues are closely connected and Totally Truffaut follows, film after film, their crisscrossing paths. It also highlights the essential role several great actresses-Jeanne Moreau, Françoise Dorléac, Jacqueline Bisset, Isabelle Adjani, Fanny Ardant or Catherine Deneuve- played in the creation of the films"--

Truffaut, François --- Criticism and interpretation.

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François Truffaut (1932-1984) ranks among the greatest film directors and has had a worldwide impact on filmmaking as a screenwriter, producer, film critic, and founding member of the French New Wave. His most celebrated films include The 400 Blows, Shoot the Piano Player, Jules and Jim, Day for Night, and The Last Metro. A Truffaut Notebook is a lively and eclectic introduction to the life and work of this major cinematic figure. In entries as brief as a page, as well as in full-length essays, it examines topics such as Truffaut's mentors, the autobiographical nature of his films, his place in the film tradition, his film criticism, his reputation, his relationships with other directors, and the formal and thematic coherence of his body of work. Sam Solecki also argues for Truffaut's continuing appeal and relevance by examining his influence on filmmakers like Woody Allen, Noah Baumbach, Alexander Payne, Patrice Leconte, and Jean-Pierre Jeunet, and on writers such as Julian Barnes, Ann Beattie, and Salman Rushdie. Because the book returns regularly to the author's shifting responses to Truffaut's work over the last fifty years, it also offers an autobiographical meditation on his own lifelong fascination with film. Consisting of over eighty short entries and essays, as well as provocative lists, dreams, and quizzes, A Truffaut Notebook is an original and exciting text and a model of passionate engagement with cinema.

Truffaut, François --- Criticism and interpretation. --- PERFORMING ARTS / Film & Video / History & Criticism.

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For François Truffaut, the lost secret of cinematic art is in the ability to generate emotion and reveal repressed fantasies through cinematic representation. Available in English for the first time, Anne Gillain's François Truffaut: The Lost Secret is considered by many to be the best book on the interpretation of Truffaut's films. Taking a psycho-biographical approach, Gillain shows how Truffaut's creative impulse was anchored in his personal experience of a traumatic childhood that left him lonely and emotionally deprived. In a series of brilliant, nuanced readings of each of his films, she demonstrates how involuntary memories arising from Truffaut's childhood not only furnish a succession of motifs that are repeated from film to film, but also govern every aspect of his mise en scène and cinematic technique.

Truffaut, François, --- Critique et interprétation --- Motion picture producers and directors --- Motion pictures --- Producteurs et réalisateurs de cinéma --- Cinéma --- Truffaut, François --- Criticism and interpretation. --- Truffaut, François --- Critique et interprétation.