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Pessimism. --- Pessimismus. --- Gloominess --- Personality --- Philosophy --- Thomson, James, --- Thompson, James, --- B. V., --- V., B.,
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Claims. --- Government contractors. --- Public contracts. --- Shipbuilding. --- Bates, Iris W. --- Carrick, John. --- Thompson, James, --- United States.
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Claims. --- Government contractors. --- Public contracts. --- Shipbuilding. --- Bates, Iris W. --- Carrick, John. --- Thompson, James, --- United States.
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This is the first collection of essays devoted exclusively to the works of the eighteenth-century Scottish poet James Thomson. The volume is divided into two sections, the first addressing Thomsons writings themselves, and the second the reception of his works after his death and their influence on later writers. The first section contains essays analysing the politics and aesthetics of Thomsons major poems and also a reevaluation of Thomson as a heroic dramatist. The second section capitalises on the certainty felt by many in Thomsons own century that the poet, especially through his most successful poem The Seasons, had won for himself an indelible fame. This volume provides a definitive reappraisal of his achievement for our own times.
Thomson, James. --- Thomson, James, --- Thomson, --- Thomson, J. --- Thomson, Jakob, --- Thomson, Jacopo, --- Thompson, James, --- Criticism and interpretation. --- Scotland --- Intellectual life --- In literature.
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Allen, Kenneth E. --- Frazier, A. D. --- Smith, Jeff W. --- Thompson, James R., --- Tennessee Valley Authority --- Officials and employees --- Selection and appointment.
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Allen, Kenneth E. --- Frazier, A. D. --- Smith, Jeff W. --- Thompson, James R., --- Tennessee Valley Authority --- Officials and employees --- Selection and appointment.
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This study presents a contextual and intertextual reading of James Thomson's (1700--1748) poem »The Seasons«, taking into consideration some of the presuppositions and habitus of the text's cultural community and the function of the poem's many intertextual allusions. Contemporary assumptions about processes of perception, reading and the practice of virtue call for an approach to the poem that takes literary pre-texts into account. An intertextual reading reveals »The Seasons«, though heterogeneous on its surface, as coherent in its cultural functionality: It aims to train readers into virtuous habits and asserts the powers of poetic discourse as a culturally relevant force especially in relation to the discourse of natural philosophy. With the emergence of natural philosophy as a cultural activity of considerable market value, poetry had to legitimise itself as a culturally relevant pursuit. An analysis of the poem's intertext, in particular allusions to Virgil, Ovid and Milton, but also to genre conventions such as pastoral, romance, sermon and panegyric, uncovers textual strategies that attempt to re-legitimise poetry on the one hand by transposing scientific method into a poetic environment. On the other hand, the text demonstrates, using its intertext, that poetry has powers which reach beyond the rational and empirical agenda of natural philosophy and that poetry has a distinctive cultural function as a provider of vision, insight and moral knowledge. Diese Studie legt eine historisch kontextualisierte Interpretation von James Thomson's (1700--1748) Gedicht »The Seasons« vor, die Präsuppositionen und Habitus zeitgenössischer Leserschaft sowie dieFunktion seiner zahlreichen intertextuellen Anspielungen mit einbezieht. Diese Lesart erhellt »The Seasons« als einen, trotz heterogener Textoberfläche, in seiner kulturellen Funktionalität kohärenten Text. Die Analyse des Intertexts deckt Textstrategien auf, die den dichterischen Diskurs insbesondere in Relation zum neu privilegierten Diskurs der Naturphilosophie als kulturell relevante Kraft relegitimieren.
Aesthetics, British --- Allusions. --- Thomson, James, --- Allusions --- Intertextuality --- Poetry --- Poems --- Verses (Poetry) --- Literature --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Quotation --- Terms and phrases --- History and criticism&delete& --- Theory, etc --- Philosophy --- Thomson, --- Thomson, J. --- Thomson, Jakob, --- Thomson, Jacopo, --- Thompson, James, --- Aesthetics. --- Intertextuality. --- History and criticism --- Theory, etc. --- Thompson, James --- Poetry - History and criticism - Theory, etc. --- Aesthetics, British - 18th century. --- Thomson, James, - 1700-1748. - Seasons
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Liberty in literature --- Politics and literature --- Individualism in literature --- Tragedy --- Literature and society --- History --- Thomson, James --- Political and social views --- Tragedies --- -Politics and literature --- -Literature --- Literature and politics --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Drama --- Freedom in literature --- Liberty as a theme in literature --- Political aspects --- Social aspects --- -Thomson, James --- -Political and social views --- Individualism in literature. --- Liberty in literature. --- Tragedy. --- -History --- -Freedom in literature --- Thomson, James, --- Thomson, --- Thomson, J. --- Thomson, Jakob, --- Thomson, Jacopo, --- Thompson, James, --- Political and social views. --- Tragedies. --- Thompson, James --- Politics and literature - Great Britain - History --- Literature and society - Great Britain - History --- Thomson, James - Political and social views --- Thomson, James - Tragedies --- Thomson (james), 1834-1882
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Poetry --- Sociology of literature --- American literature --- anno 1910-1919 --- AMERICAN POETRY --- FIRST WORLD WAR --- LITERATURE AND THE WAR --- POLITICS AND LITERATURE --- WAR POETRY, AMERICAN --- CHAPLIN (RALPH) --- HILL (JOE) --- MORGAN (ANGELA) --- SANDBURG (CARL) --- THOMPSON (JAMES) --- WATKINS (LUCIAN B.) --- 20th CENTURY --- HISTORY AND CRITICISM --- U.S. --- HISTORY
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In the words of Richard Maltby . . . ""Maximum Movies--Pulp Fictions describes two improbably imbricated worlds and the piece of cultural history their intersections provoked."" One of these worlds comprises a clutch of noisy, garish pulp movies--Kiss Me Deadly, Shock Corridor, Fixed Bayonets!, I Walked with a Zombie, The Lineup, Terror in a Texas Town, Ride Lonesome--pumped out for the grind houses at the end of the urban exhibition chain by the studios' B-divisions and fly-by-night independents. The other is occupied by critics, intellectuals, cinephiles, and filmmakers such as
Fuller, Samuel --- Thompson, Jim --- Spillane, Mickey --- Film noir --- History and criticism --- Film criticism --- United States --- History --- 20th century --- Great Britain --- Criticism and interpretation --- Spillane, Frank Morrison --- Film adaptations --- Detective and mystery stories [American ] --- Detective and mystery stories --- Detective and mystery stories, American --- Motion picture criticism --- Motion pictures --- Moving-picture criticism --- Criticism --- Crime --- Detective and mystery fiction --- Detectives --- Mystery stories --- Fiction --- History and criticism. --- Film adaptations. --- Evaluation --- Thompson, Jim, --- Spillane, Mickey, --- Fuller, Samuel, --- Spillane, Frank Morrison, --- Спиллейн, Микки, --- ספילאני, מיקי, --- Thompson, James Myers, --- Fuller, Sam, --- Fuller, Samuel Michael, --- Criticism and interpretation.
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