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book (17)


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Doubting Thomas
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Year: 2005 Publisher: Cambridge, Mass. Harvard University Press

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Thomas [Apostle]


Book
Thomas
Year: 2006 Publisher: Place of publication unknown House of Knowledge

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Thomas [Apostle]


Book
St. Thomas, the apostle of India
Authors: ---
Year: 1990 Publisher: Kottayam publisher unknown

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Thomas [Apostle]


Book
The attributes of God in the sentences of St. Thomas
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Year: 1954

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Thomas [Apostle]


Book
Rembrandt and the incredulity of Thomas : papers on a rediscovered painting from the seventeenth century
Authors: --- --- ---
Year: 1981 Publisher: Leiden Aliotta and Manhart

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Thomas: seeking the historical context of the Gospel of Thomas
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ISBN: 0567083292 Year: 2003 Publisher: London Clark

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Book
Something's missing : a note on the historiography of Rubens's Rockox triptych

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Book
The Rijksmuseum 'Incredulity' and Terbrugghen's chronology

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Doubting Thomas
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ISBN: 0674019148 9780674025615 9780674019140 Year: 2005 Publisher: Cambridge, Mass. : Harvard University Press,


Book
Italy by way of India : translating art and devotion in the early modern world
Author:
ISBN: 9781912554775 1912554771 Year: 2021 Publisher: [London] Harvey Miller Publishers

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The return of a saint’s body to its rightful resting place was an event of civic and spiritual significance retold in Medieval sources and substantiated by artistic commissions. Legends of Saint Thomas Apostle, for instance, claimed that the martyred saint had been miraculously transported from India to Italy during the thirteenth century. However, Saint Thomas’s purported resting place in Ortona, Italy did not become a major stopping point on pilgrimage or exploration routes, nor did this event punctuate frescoed life cycles or become a subject for Renaissance altarpieces as one would expect. Instead, the site of the apostle’s burial in Chennai, India has flourished as a terminus of religious pilgrimage, where a multifaceted visual tradition emerged, and where a vibrant local cult of ‘Thomas Christians’ remains to this day. An unlikely destination on the edge of the ‘known’ world thus became a surprising source of early modern Christian piety. By studying the art and texts associated with this little-known cult, this book disrupts assumptions about how knowledge of Asia took shape during the Renaissance and challenges art historical paradigms in which art was crafted by locals merely to be exported, collected, and consumed by curious European patrons. In so doing, Italy by Way of India proposes that we redefine the parameters of early modern visual culture to account for the ways that global mobility and the circulation of objects profoundly influence how cultures see and know each other as well as themselves

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