Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Sculpture --- drawings [visual works] --- art [discipline] --- sculpting --- Szapocznikow, Alina --- Poland

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Sculpture --- sculpture [visual works] --- anatomy --- human figures [visual works] --- Szapocznikow, Alina

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Drawing --- sculpting --- Sculpture --- art [fine art] --- drawing [image-making] --- Szapocznikow, Alina --- anno 1900-1999 --- human figures [visual works] --- sculpture [visual works] --- anatomy --- drawings [visual works]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Alina Szapocznikow (1926-1973) created an extensive and expressive oeuvre, in which she was intensively concerned with the human body, right up to her untimely death. In her sculptures, photographs and drawings she divided female bodies in particular into fragments such as lips, breasts, stomachs and limbs, to put them back together again in new ways and to integrate them as traces in her work. Her own body often found its way into the work in the form of casts. Having previously worked with classical materials such as bronze, she began to experiment with new materials such as polyester after arriving in Paris and mixing with the circle of Nouveaux Réalistes artists. With this she revolutionised the expressive possibilities of sculpture. This catalogue traces this artistic development by means of work from between 1954 and 1973, from early figurative sculptures to the "awkward objects" which are strongly influenced by surrealism and pop art.

Sculpture --- drawings [visual works] --- sculpture [visual works] --- busts [general, figures] --- mouths [container components] --- faces [animal components] --- legs [animal components] --- human figures [visual works] --- Szapocznikow, Alina

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Do artists travel away from or towards trauma? Is trauma encrypted or inscribed in art? Or can aesthetic practices (after-images) bring about transformation of trauma, personal trauma or historical traumas? Can they do this in a way that does not imply cure or resolution of the traces (after-affects) of trauma? How do artists themselves process these traces as participants in and sensors for our life-worlds and histories, and how does the viewer, coming belatedly or from elsewhere, encounter works bearing such traces or seeking forms through which to touch and transform them?

gender --- kunsttheorie --- trauma's --- psychoanalyse --- vrouwelijke kunstenaars --- Bourgeois, Louise --- Maiolino, Anna Maria --- Mendieta, Ana --- Szapocznikow, Alina --- Frenkel, Vera --- Kofman, Sarah --- Ackerman, Chantal --- kunst --- eenentwintigste eeuw --- twintigste eeuw --- kunst en psychoanalyse --- trauma --- kunst en feminisme --- Mendieta Ana --- Bourgeois Louise --- Szapocznikow Alina --- Maiolino Anna Maria --- Frenkel Vera --- Kofman Sarah --- Akerman Chantal --- 7.01 --- Feminism and art --- Psychic trauma in art --- Psychic trauma in art. --- Feminism and art. --- Féminisme et art --- Féminisme et art --- Avant-garde (Aesthetics) --- Women artists --- Traumatisme psychique dans l'art --- Avant-garde (Art) --- Femmes artistes --- Attitudes --- Iconografie ; verschillende onderwerpen --- 7.049 --- Kunst en trauma --- Kunst en feminisme --- Kunst ; theorie, filosofie, esthetica --- gender. --- kunsttheorie. --- trauma's. --- psychoanalyse. --- vrouwelijke kunstenaars. --- Bourgeois, Louise. --- Maiolino, Anna Maria. --- Mendieta, Ana. --- Szapocznikow, Alina. --- Frenkel, Vera. --- Kofman, Sarah. --- Ackerman, Chantal. --- Psychologie --- Féminisme --- Traumatisme psychique