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This is an illustrated history of the art of the silhouette, from its origins as a parlour hobby in the 18th century to its use by contemporary designers and artists such as Tord Boontje and Kara Walker.
Art --- theme --- portraits --- thema's in de kunst --- papierkunst --- portretten --- Silhouettes --- 741.034/035 --- achttiende eeuw --- kunst --- negentiende eeuw --- schaduw --- silhouetten --- tekenkunst --- History --- Cut-out craft --- Portraits
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Ready·to·Use, Alexia de Visscher & Raphaël Van Lerberghe, Original A.R.D.V.L. (2021) publication. 202 black-and-white illustrations. 64pp. printed one side only. 8 1⁄4 x 11. Paperbound.
kunst --- silhouetten --- 7.071 VAN LERBERGHE --- 7.071 DE VISSCHER --- De Visscher Alexia --- eenentwintigste eeuw --- België --- Van Lerberghe Raphaël --- kunstenaarsboeken --- artists' books --- Art, Belgian --- Artists' books. --- Clip art
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Boek over de weergave van het naakte menselijke lichaam door verschillende kunstenaars in de loop van de 20ste eeuw
Bonnard, Pierre --- Warhol, Andy --- 20e eeuw --- 738.2 --- geschiedenis --- modeltekenen --- naakten --- naaktstudies --- tekenkunst --- schilder- en tekenkunst, geschiedenis volgens genres en motieven, figuren en portretten (ook portretminiaturen en -silhouetten) --- Art, Modern --- Nude in art
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"This exhibition catalogue documents almost one hundred figurative works on paper by Ellsworth Kelly (American, 1923-2015) and shows a new side of an artist best known for abstraction. These informal depictions of friends and other ad hoc models as well as expressive self-portraits-all rarely or never previously displayed or published-span the entirety of Kelly's career, from the mid-1940s to the early 2000s. Throughout his life, such drawings provided a place to test his ideas, refine his bold use of lines, and interrogate the space between naturalism and abstraction. These works also capture his social milieu, which intersected with other creative circles and the queer community. Bolstered by support from the Ellsworth Kelly Foundation and the participation of the artist's husband, Jack Shear, the publication finally situates an important aspect of the artist's work within his full oeuvre"--
Kelly, Ellsworth --- 738.2 --- 737.8 --- Verenigde Staten --- modeltekenen --- anatomietekenen --- figuurtekenen --- naaktstudies --- naaktmodel --- schilder- en tekenkunst, geschiedenis volgens genres en motieven, figuren en portretten (ook portretminiaturen en -silhouetten) --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- Exhibitions --- Drawing --- portrettekenen
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Thematology --- Art --- vrouwen --- vrouwelijke kunstenaars --- kunsttheorie --- 17de eeuw --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- 16de eeuw --- 738.2 --- geschiedenis --- schilderkunst --- tekenkunst --- schilder- en tekenkunst, geschiedenis volgens genres en motieven, figuren en portretten (ook portretminiaturen en -silhouetten) --- vrouw --- vrouwelijke kunstenaars. --- kunsttheorie. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- 16de eeuw.
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Self-portraits. --- Autoportraits --- 7.041 --- Thema's in de kunst ; zelfportretten --- beeldhouwkunst --- introduction by Julian Bell --- portret --- portretbeeldhouwkunst --- portretfotografie --- portretschilderkunst --- schilderkunst --- zelfportret --- 738.2 --- geschiedenis --- tekenkunst --- zelfportretten --- Iconografie ; de mens, portretten --- schilder- en tekenkunst, geschiedenis volgens genres en motieven, figuren en portretten (ook portretminiaturen en -silhouetten) --- Self-portraits --- Portraits
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The human condition: six modern painters reinvent reality / Elena Crippa. - An intensification of reality / Catherine Lampert .
Painting --- Art styles --- figurative art --- artists' collectives --- easel paintings [paintings by form] --- Auerbach, Frank --- Freud, Lucian --- Bacon, Francis --- Kitaj, Ronald B. --- Kossoff, Leon --- Andrews, Michael --- London --- School of London (Group of artists) --- Figurative painting, English --- portretschilderkunst --- naaktstudies --- 738.2 --- figuurtekenen --- schilder- en tekenkunst, geschiedenis volgens genres en motieven, figuren en portretten (ook portretminiaturen en -silhouetten) --- Ecole de Londres (Groupe d'artistes) --- Peinture figurative anglaise
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Gustav Klimt (1862-1918) and his younger protege Egon Schiele (1890-1918) are considered two of the greatest figures of Austrian Modernism. Whether competing with or inspiring one another, together they reconfigured the way the human body was translated into art. Although both artists are primarily remembered as painters, between them they left 7,000 drawings, many of the greatest of which are now in the collection of the Albertina Museum, Vienna.0In 2018 an exhibition opens in London of both artists' drawings from the Albertina. This stunning publication records these precious works, which are very rarely displayed and almost never travel, in all their erotic, intriguing and sometimes disturbing beauty. Leading experts on the period provide authoritative texts that illuminate the important relationship between the two artists. They analyse the role of drawing in their practice and chart the response of early twentieth-century Vienna to their electrifying work, which still has the power to shock and enthral to this day. Exhibition: Royal Academy of Arts, London, UK (04.11.2018 - 02.02.2019).
Albertina (Wenen) --- tekeningen --- Klimt, Gustav --- Schiele, Egon --- Drawing, Austrian --- 738.2 --- 736.8 --- naaktstudies --- figuurtekenen --- modeltekenen --- Austrian drawing --- schilder- en tekenkunst, geschiedenis volgens genres en motieven, figuren en portretten (ook portretminiaturen en -silhouetten) --- schilder- en tekenkunst, 20e eeuw, België, kunstenaars afzonderlijk --- Klimt, Gustav, --- Schiele, Egon, --- クリムト, --- Exhibitions --- Albertina (Wenen). --- tekeningen. --- Klimt, Gustav. --- Schiele, Egon.
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Cast shadows have been exploited in art to enhance the impression of the surrounding light as well as that of the solidity of the casting objects. They can contribute to the mood of the scene, and can reveal the presence of features outside the space represented, but as Professor Gombrich points out, they appear only sporadicaly and have been more frequently ignored or suppressed in Western art. Gombrich touches on the ambiguous nature of shadows in myth, legend, and philosophy, and briefly analyses the factors governing their shape: the location and form of the light source, the shape of the illuminated object and that of the surface on which the shadow falls, and the position of the viewer. Early Renaissance painters such as Masaccio and Campin, intent on a faithful rendering of visual reality, did incorporate shadows in their art, but artists of Leonardo's time largely avoided painting them, and it was not until early in the seventeenth century that painters - particualrly Caravaggio and Rembrandt - were again interested in the effects of shadows. In subsequent centuries artists of the Romantic, Impressionist and Surrealist movements exploited the device of the cast shadow to enhance the realism or drama of their images.
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shadows
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National Gallery [London]
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Shades and shadows in art
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Exhibitions
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Painting [European ]
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Kunst
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schaduwen
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National Gallery [Londen]
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CDL
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7.03
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Visual perception
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Paintings.
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742.5
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7.017.9
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#BIBC:ruil
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David Hockney is recognised as one of the master draughtsmen of our times and a champion of the medium. This book will feature Hockney's work from the 1950s to now and focus on his depictions of himself and a smaller group of sitters close to him: his muse, Celia Birtwell; his mother, Laura Hockney; and his friends, the curator, Gregory Evans, and master printer, Maurice Payne. This book will examine not only how drawing is fundamental to Hockney's distinctive way of observing the world around him, but also how it has been a testing ground for ideas and modes of expression later played out in his paintings.0From Old Masters to modern masters, from Holbein to Picasso, Hockney's portrait drawings reveal his admiration for his artistic predecessors and his continuous stylistic experimentation throughout his career.0Alongside an in-depth essay from the curator, this book will feature an exclusive interview between author and curator, Sarah Howgate, and artist, David Hockney. In addition, an 'In Focus' essay by British Museum curator Isabel Seligman, will explore the relationship between Hockney, Ingres and Picasso drawings.
Hockney, David --- Exposition --- Entretien --- Drawing, English --- Art, English --- 738.2 --- 736.8 --- naaktstudies --- figuurtekenen --- modeltekenen --- English art --- Ancients (Group of artists) --- HobbypopMUSEUM (Group of artists) --- School of London (Group of artists) --- Shoreham Circle (Group of artists) --- English drawing --- schilder- en tekenkunst, geschiedenis volgens genres en motieven, figuren en portretten (ook portretminiaturen en -silhouetten) --- schilder- en tekenkunst, 20e eeuw, België, kunstenaars afzonderlijk --- Exhibitions --- Hockney, David - Exposition --- Hockney, David - Entretien
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