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Dmytyrk, Edward --- Lang, Fritz --- Lerner, Irving --- Siegel, Don --- Karlson, Phil
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Film --- Browning, T. --- Siegel, D. --- Motion pictures --- #SBIB:309H1323 --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Direction --- Browning, Tod. --- Siegel, Don, --- Siegel, Donald, --- Smithee, Alan, --- Siegel, Don --- Siegel, Donald --- Smithee, Alan
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Peter Bogdanovich --- twintigste eeuw --- film --- regisseurs --- filmgeschiedenis --- Verenigde Staten --- Aldrich Robert --- Cukor George --- Dwan Allan --- Hawks Howard --- Hitchcock Alfred --- Jones Chuck --- Lang Fritz --- Lewis Jospeh H. --- Lumet Sidney --- McCarey Leo --- Preminger Otto --- Siegel Don --- von Sternberg Josef --- Tashlin Frank --- Ulmer Edgar G. --- Walsh Raoul --- 791.471 AAAA --- Lewis Jospeh H --- Ulmer Edgar G --- CDL
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Upon its release in 1956, Don Siegel's Invasion of the Body Snatchers was widely perceived as another 'B' movie thriller in the cycle of science fiction and horror films that proliferated in the 1950s. Yet the film addresses numerous issues brewing in post-war US society, including the Cold War, McCarthyism and the changing dynamics of gender relations. In the fifty years since the film's release, its reputation has grown from cult status to become an acknowledged classic of American cinema. With its narrative of emotionless alien duplicates replacing average folk, Invasion of the Body Snatchers was the first post-war horror film to locate the monstrous in the everyday, thus marking it as a pivotal moment in American horror film history four years before Psycho.In this first comprehensive critical study of the film, Barry Keith Grant traces Invasion's historical and generic contexts to explore the importance of Communism and conformity, post-war modernity and gender politics in order to understand the film's cultural significance and metaphorical weight. He also provides an account of the film's fraught production history and offers an extended discussion of the distinctive contributions of the production personnel. Concluding with a consideration of the three remakes it has inspired, Grant illustrates how Invasion of the Body Snatchers' enduring popularity derives from its central metaphor for the monstrous, which has proven as flexible as that of the vampire and the zombie. "Upon its release in 1956, Don Siegel's Invasion of the Body Snatchers was commonly perceived as another B-thriller in the cycle of science fiction and horror films that proliferated at the time. But in the 50 years since, its reputation has grown from cult status to become an acknowledged classic of American cinema. In the first comprehensive critical study of the film, Barry Keith Grant traces the film's historical context, it appeared in an America gripped by Cold War paranoia and atomic anxieties, and its production history, and goes on to explore the importance of genre, Communism, conformity, modernity, post-War society, and gender for an understanding of the film's cultural contexts and metaphorical weight"--
#SBIB:309H1320 --- #SBIB:309H1321 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een amusementsfunctie en/of esthetische functie: algemeen --- Invasion of the body snatchers (Motion picture : 1956) --- Invasion of the body snatchers (Motion picture : 1978) --- Siegel, Don
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Film noir --- History and criticism. --- Detective and mystery stories, American --- Noir fiction, American --- Films noirs --- Roman policier américain --- Roman policier noir américain (Genre littéraire) --- History and criticism --- Histoire et critique --- United States --- Lang, Fritz --- Siodmak, Robert --- Welles, Orson --- Polonsky, Abraham Lincoln --- Dassin, Jules --- Ray, Nicholas --- Huston, John --- Fuller, Samuel --- Aldrich, Robert --- Siegel, Don --- Lewis, Joseph H. --- Preminger, Otto --- Mann, Anthony --- Karlson, Phil
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Motion pictures and history --- Motion pictures --- 791.43 --- Curtiz Michael --- Edited by John E. O'Connor and Martin A. Jackson ; Foreword by Arthur M. Schlesinger, Jr --- film --- film en politiek --- filmgeschiedenis --- Ford John --- geschiedenis --- Griffith David Wark --- Hawks Howard --- Kazan Elia --- Kubrick Stanley --- Penn Arthur --- Peregini Frank --- Siegel Don --- Stallone Sylvester --- Stone Oliver --- Verenigde Staten --- Vidor King --- Wellman William --- Wyler William --- History and motion pictures --- Moving-pictures and history --- History --- United States --- ABŞ --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi︠a︡vks Shtattnė --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērikā --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si︠e︡vero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si︠e︡vernoĭ Ameriki --- Spojené staty americké --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheiriceá --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA (Stati Uniti d'America) --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi︠e︡dnani Derz︠h︡avy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi︠a︡ Shtaty Ameryki --- Zlucheni Derz︠h︡avy --- ZSA --- Η.Π.Α. --- Ηνωμένες Πολιτείες της Αμερικής --- Америка (Republic) --- Американь Вейтьсэндявкс Штаттнэ --- Америкӑри Пӗрлешӳллӗ Штатсем --- САЩ --- Съединените щати --- Злучаныя Штаты Амерыкі --- ولايات المتحدة --- ولايات المتّحدة الأمريكيّة --- ولايات المتحدة الامريكية --- 미국 --- Civilization --- Sources. --- Film --- History of civilization --- anno 1900-1999 --- Spojené obce severoamerické --- États-Unis --- É.-U. --- ÉU
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