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Book
Segovia: a celebration of the man and his music
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ISBN: 0850314925 Year: 1983 Publisher: London Allison & Busby

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Segovia, Andrés


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Andrés Segovia: an autobiography of the years 1893-1920
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ISBN: 071452610X Year: 1976 Publisher: London Boyars

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Segovia, Andrés


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Andrés Segovia: an appreciation
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Year: 1978 Publisher: London Musical New Services

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Segovia, Andrés


Book
The Segovia-Ponce Letters
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ISBN: 0936186291 Year: 1989 Publisher: Columbus, Ohio Orphée

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Book
The Segovia technique
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Year: 1972 Publisher: New York, N.Y. Macmillan

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Book
Víctor Martínez Segovia : engineer.
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ISBN: 9788415253907 Year: 2013 Publisher: Madrid TF. Editores

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Book
The Esteban Vicente Museum of Comtemporary Art
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ISBN: 8493346020 Year: 2004 Publisher: Segovia Esteban Vicente Museum of Contemporary Art

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Book
CapRock Government Solutions, Inc.; ARTEL, Inc.; Segovia, Inc.
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Year: 2010 Publisher: Washington, D.C. : U.S. Government Accountability Office,

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Book
Council and commune : the conciliar movement and the fifteenth-century heritage
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ISBN: 0860120775 0915762080 0860128775 9780915762088 9780860120773 Year: 1979 Publisher: London: Burns and Oates,


Book
The Segovia manuscript
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ISBN: 9781783274635 1783274638 9781787445512 1787445518 Year: 2019 Publisher: Woodbridge, Suffolk, UK ; Rochester, NY The Boydell Press, an imprint of Boydell & Brewer Ltd

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The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular) has puzzled musicologists ever since its rediscovery at the beginning of the twentieth century. It is unique: no other manuscript of the period transmits a comparable blend of late fifteenth-century music, consisting of 204 sacred works and vernacular pieces in Flemish, French, Italian, and Spanish. An important group of pedagogical pieces by French and Flemish composers may preserve transcriptions of instrumental improvisation. This summary might suggest a messy collection, but on the contrary the manuscript is arranged with care, copied by one proficient scribe (except perhaps for the Spanish texts), who obviously followed a predetermined master plan. But which plan, who designed it, and why was the person responsible so interested in this combination? The essays here aim to treat every dimension of this fascinating source. New discoveries help date the manuscript and explain how it came to Segovia; particular attention is paid to the main scribe, now determined to be Flemish, and his relation with northern composers and repertory, above all that of Jacob Obrecht, Alexander Agricola, and Henricus Isaac; and the vexed question of the conflicting attributions is considered afresh and found to affect only a few of the fascicles. The contributors also look at questions of ownership and function.

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