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Spierincks, Karel Philips --- Sebastian [s.]

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Painting --- History --- Sebastian [s.] --- Lieferinxe, Josse --- anno 1400-1499 --- France

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Painting --- History --- radiography --- technical art history --- Sebastian [s.] --- Dyck, van, Anthony --- anno 1600-1699 --- Flanders

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This book explores the modern cultural history of the queer martyr in France and Belgium. By analyzing how popular writers in French responded to Catholic doctrine and the tradition of St. Sebastian in art, Queering the Martyr shows how religious and secular symbols overlapped to produce not one, but two martyr-types. These are the queer type, typified first by Gustave Flaubert, which is a philosophical foil, and the gay type, popularized by Jean Genet but created by the Belgian Georges Eekhoud, which is a political and pornographic device. Grounded in feminist queer theory and working from a post-psychoanalytical point of view, the argument explores the potential and limits of these two figures, noting especially the persistence of misogyny in religious culture.

Sociology of the family. Sociology of sexuality --- French literature (outside France) --- French literature --- LGBTQIA+ (lesbian, gay, bi, trans, queer, intersex and asexual) --- katholicisme --- katholieke kerk --- Genet, Jean --- Sebastian [s.] --- Flaubert, Gustave --- Eekhoud, Georges --- France --- Belgium

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Iconography --- Painting --- Hollandse school --- Nederlandse school --- Vlaamse school --- Adam en Eva --- Laatste Oordeel --- naakte man --- oordeel van Paris --- Haarlem, van, Cornelis Cornelisz. --- Odysseus [Mythological character] --- Meester van St.-Sebastiaan --- Seneca [Younger] --- Vos, de, Maarten --- Sebastian [s.] --- Thomas [Apostle] --- Memling, Hans --- Orley, van, Bernard --- Floris, Frans I --- Gossaert, Jan --- Eve --- Rubens, Peter Paul --- Pourbus, Pieter --- Hercules [Mythological character] --- Adam --- anno 1500-1599 --- anno 1600-1699