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Contentious Traditions analyzes the debate on sati, or widow burning, in colonial India. Though the prohibition of widow burning in 1829 was heralded as a key step forward for women's emancipation in modern India, Lata Mani argues that the women who were burned were marginal to the debate and that the controversy was over definitions of Hindu tradition, the place of ritual in religious worship, the civilizing missions of colonialism and evangelism, and the proper role of the colonial state. Mani radically revises colonialist as well as nationalist historiography on the social reform of women's status in the colonial period and clarifies the complex and contradictory character of missionary writings on India.
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Sati --- Widows -- India
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Feminism --- Postcolonialism --- Sati. --- Sex role --- Women --- History. --- History --- FEMINISME --- FEMMES --- SATI (SACRIFICE HUMAIN) --- ROLE SELON LE SEXE --- INDE
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Contributed articles; with reference to India. Sati, the burning of a Hindu widow on her husband's funeral pyre, has always been a sensational issue and a highly controversial act. Always exceptional and effecting only a tiny minority of Hindu widows, it has remained close to the surface of social and political life and has played a disproportionately prominent role within Indian history and culture. The importance given to this rite in 'Western' accounts of India since the fifteenth century, as well as the significance of its 'ethos', if not its actual practice, within Indian culture, has meant that sati has remained in the public eye for several centuries and has taken on a variety of different meanings at different times, and for different observers. This anthology explores some of these multiple meanings of sati by bringing together a wide range of both Indian and European historical sources on sati, spanning many hundreds of years.
Sati --- History. --- History --- Indian religions --- Sociology of culture --- India --- Hinduism --- Religious practices --- Rituals --- Widows --- Anthology --- Book
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Several years ago in Rajasthan, an 18-year-old woman was burned on her husband's funeral pyre & thus became sati. Before ascending the pyre, she was expected to deliver both blessings & curses: blessings to guard her family & clan for many generations, & curses to prevent anyone from thwarting her desire to die. Sati also means blessing & curse in a broader sense. To those who revere it, sati symbolizes ultimate loyalty & self-sacrifice. It often figures near the core of a Hindu identity that feels embattled in a modern world. Yet to those who deplore it, sati is a curse, a violation of every woman's womanhood. It is murder mystified, & as such, the symbol of precisely what Hinduism should not be. In this volume a group of leading scholars consider the many meanings of sati: in India & the West; in literature, art, & opera; in religion, psychology, economics, & politics.
Sati. --- Suttee --- Voluntary human sacrifice --- Widow suicide --- Widow suicide. --- Widows --- Suicide
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Erik Satie (1866-1925) was a quirky, innovative, and enigmatic composer whose impact has spread far beyond the musical world. This book explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers.
Music --- Musique --- Satie, Erik, --- Criticism and interpretation. --- Music and literature --- Art and music --- Music. --- History --- Knowledge --- Art. --- Literature. --- Friends and associates. --- Music and art --- Literature and music --- Satie, Erik Alfred Leslie, --- Satie, Éric, --- Satie, Alfred Erik Leslie, --- Sati, Ėrik, --- Sati, Ė. --- Criticism and interpreataion. --- Literature --- Satie, Erik
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Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as 'classical music'. Instead of pursuing the path of a professional composer, Satie initially earned a living as a caf pianist and moved in bohemian circles which prized satire, popularculture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but isto be played by humans. For Satie, music was part of a wider concept of artistic creation, as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartreand Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work withinthe context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book. CAROLINE POTTER is Reader in Music at Kingston University London. A graduate in both French and Music, she has published widely on French music since Debussy and was Series Advisor to the Philharmonia Orchestra's Paris 2014-15 season.
Composers --- Music --- Compositeurs --- Musique --- History and criticism --- Histoire et critique --- Satie, Erik, --- Satie, Erik Alfred Leslie, --- Satie, Éric, --- Satie, Alfred Erik Leslie, --- Sati, Ėrik, --- Sati, Ė. --- Erik Satie. --- French composers. --- French music. --- World War I. --- classical music. --- genre. --- music studies. --- musicology. --- nineteenth century French music. --- performance studies. --- piano.
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