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Children --- Sarcophagi, Early Christian --- Sarcophagi, Roman --- Enfants --- Sarcophages chrétiens --- Sarcophages romains --- Tombs --- Themes, motives --- Tombes --- Sujets, motifs --- Thèmes, motifs --- Themes, motives. --- Sarcophages chrétiens --- Thèmes, motifs --- Roman sarcophagi --- Early Christian sarcophagi --- Childhood --- Kids (Children) --- Pedology (Child study) --- Youngsters --- Age groups --- Families --- Life cycle, Human --- Sarcophagi [Roman ] --- Italy --- Ostia (Extinct city) --- Sarcophagi [Early Christian ] --- Rome --- Sarcophagi, Roman - Italy - Ostia (Extinct city) --- Sarcophagi, Early Christian - Rome - Themes, motives. --- Sarcophagi, Early Christian - Italy - Ostia (Extinct city) - Themes, motives. --- Children - Rome - Tombs. --- Children - Italy - Ostia (Extinct city) - Tombs. --- Sarcophagi, Roman - Themes, motives. --- Children - Tombs - Rome. --- Children - Tombs - Italy - Ostia (Extinct city)
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A strange thing happened to Roman sarcophagi in the third century: their Greek mythic imagery vanished. Since the beginning of their production a century earlier, these beautifully carved coffins had featured bold mythological scenes. How do we make sense of this imagery's own death on later sarcophagi, when mythological narratives were truncated, gods and heroes were excised, and genres featuring no mythic content whatsoever came to the fore? What is the significance of such a profound tectonic shift in the Roman funerary imagination for our understanding of Roman history and culture, for the development of its arts, for the passage from the High to the Late Empire and the coming of Christianity, but above all, for the individual Roman women and men who chose this imagery, and who took it with them to the grave? In this book, Mont Allen offers the clues that aid in resolving this mystery.
Sarcophagi, Roman --- Sarcophagi, Early Christian --- Themes, motives. --- Early Christian sarcophagi --- Roman sarcophagi --- Relief (Sculpture) --- Mythology, Classical, in art. --- Art and society --- Art --- Art and sociology --- Society and art --- Sociology and art --- Sculpture --- Social aspects
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Dr. Susan Walker tells the story of Charles Wilshere's passionate interest in early Christian and Jewish archaeology. His collection was formed in Italy from 1860-1880 and has mostly been on public display ever since, in London and Oxford, where it is now shown in the Ashmolean Museum. The collection includes gold-glass and gravestones from two interesting collections of the southern Italian enlightenment, and Jewish tombstones from the Vigna Randanini. Recent examination of the gold-glass has revealed interesting new information about how the glass was made in fourth-century Rome. The collection also offers a glimpse of the religious and social history of fourth-century Rome: Christians were discouraged from honouring their dead in pagan style with exuberant funerary feasts, and instead were encouraged to honour the memory of Christian martyrs. The Jewish community shared the traditional enthusiasm for feasting at the grave, and bought their gold-glass from the same workshops.
Gold glass --- Sarcophagi, Early Christian --- Art, Early Christian --- Christian art and symbolism --- Private collections --- Wilshere, Charles, --- Art collections. --- Archaeological collections. --- Ashmolean Museum. --- Glassware, Roman --- Sarcophagi, Roman --- Archaeological collections --- Italy --- Antiquities --- Art, Early Christian - Private collections - England - Oxford - Catalogs --- Gold glass - Catalogs --- Glassware, Roman - England - Oxford - Catalogs --- Sarcophagi, Roman - England - Oxford - Catalogs --- Verres à fond d'or --- Sarcophages chrétiens --- Epigraphie chrétienne --- Wilshere, Charles, - 1814-1906 - Archaeological collections - Catalogs --- Italy - Antiquities - Catalogs --- Wilshere, Charles, - 1814-1906
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