Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Ryman, Robert

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"This volume is a comprehensive study highlighting the interplay of context and meaning in Robert Ryman's work. Featuring new photography and original essays by a formidable array of scholars and curators, the book is the most expansive and thorough investigation of the work of American painter Robert Ryman in over two decades. Arguing that the relationships between his paintings are key to understanding his diverse output, the book offers more faithful reproductions and subtler details of the paintings than have previously been available, and attends closely to the artist's own strategies of display. Ryman's paintings are readily identified by their predominantly achromatic surfaces, but his exploration of the values and effects of white was never limited to paint. His experimentations with canvas, board, paper, aluminum, fiberglass, and Plexiglas have evolved into a material vocabulary as revolutionary as his use of white. The texts featured here reflect on the importance of Ryman's practice to contemporary art: Robert Storr, curator of Ryman's 1993 retrospective, places the painter in historical context while Courtney J. Martin, curator of his 2015-16 exhibition at Dia Chelsea, looks at Ryman's three-dimensional works. Drawings scholar Allegra Pesenti investigates his drawing practice; music historian John Szwed traces the influence of jazz in Ryman's early works; and artist Charles Gaines asks what, in a Ryman, is real"--

Ryman, Robert, --- Criticism and interpretation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The only comprehensive monograph on the artist whose abstract 'white' paintings have inspired generations. A much-revered figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a painting -- abolishing colour in order to focus on material, brushstroke, support, and scale. This, the only comprehensive monograph covering his career to date, places his famous square 'white' paintings with lesser-known but increasingly exhibited works, in order to show that he is not a reductionist, but in fact a restless experimenter.

Ryman, Robert, --- Ryman, Robert, --- Criticism and interpretation. --- 1900-1999 --- United States.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

kunst --- schilderkunst --- Verenigde Staten --- Ryman Robert --- monochromie --- monochrome schilderkunst --- twintigste eeuw --- 75.071 RYMAN --- Ryman, Robert, --- Criticism and interpretation. --- Ryman, Robert

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Painting, American --- Minimal art --- Peinture américaine --- Art minimal --- Exhibitions --- Expositions --- Ryman, Robert, --- Exhibitions. --- Ryman, Robert --- Peinture américaine