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"In The Egyptian Elite as Roman Citizens Giorgia Cafici offers the analysis of private, male portrait sculptures as attested in Egypt between the end of the Ptolemaic and the beginning of the Roman Period. Ptolemaic/Early Roman portraits are examined using a combination of detailed stylistic evaluation, philological analysis of the inscriptions and historical and prosopographical investigation of the individuals portrayed. The emergence of this type of sculpture has been contextualised, both geographically and chronologically, as it belongs to a wider Mediterranean horizon. The analysis has revealed that eminent members of the Egyptian elite decided to be represented in an innovative way, echoing of portraits of eminent Romans of the Late Republic, whose identity was surely known in Egypt"--
Portrait sculpture, Egyptian. --- Sculpture, Egyptian. --- Egypt --- History --- Portrait sculpture, Egyptian --- Sculpture, Egyptian
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Portrait sculpture, Egyptian --- Egyptian portrait sculpture --- Tetisheri, --- Portraits.
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As archaeologists recover the lost treasures of Alexandria, the modern world is marveling at the latter-day glory of ancient Egypt and the Greeks who ruled it from the ascension of Ptolemy I in 306 B.C. to the death of Cleopatra the Great in 30 B.C. The abundance and magnificence of royal sculptures from this period testify to the power of the Ptolemaic dynasty and its influence on Egyptian artistic traditions that even then were more than two thousand years old. In this book, Paul Edmund Stanwick undertakes the first complete study of Egyptian-style portraits of the Ptolemies. Examining one hundred and fifty sculptures from the vantage points of literary evidence, archaeology, history, religion, and stylistic development, he fully explores how they meld Egyptian and Greek cultural traditions and evoke surrounding social developments and political events. To do this, he develops a "visual vocabulary" for reading royal portraiture and discusses how the portraits helped legitimate the Ptolemies and advance their ideology. Stanwick also sheds new light on the chronology of the sculptures, giving dates to many previously undated ones and showing that others belong outside the Ptolemaic period.
Portraits, Hellenistic --- Portrait sculpture, Egyptian --- Themes, motives. --- Ptolemaic dynasty,
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In The Egyptian Elite as Roman Citizens Giorgia Cafici offers the analysis of private, male portrait sculptures as attested in Egypt between the end of the Ptolemaic and the beginning of the Roman Period. Ptolemaic/Early Roman portraits are examined using a combination of detailed stylistic evaluation, philological analysis of the inscriptions and historical and prosopographical investigation of the individuals portrayed. The emergence of this type of sculpture has been contextualised, both geographically and chronologically, as it belongs to a wider Mediterranean horizon. The analysis has revealed that eminent members of the Egyptian elite decided to be represented in an innovative way, echoing the portraits of eminent Romans of the Late Republic, whose identity was surely known in Egypt.
Portrait sculpture, Egyptian --- Sculpture, Egyptian --- Egypt --- History --- Egyptian sculpture --- Egyptian portrait sculpture --- Portrait sculpture, Egyptian. --- Sculpture, Egyptian.
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Portrait sculpture, Egyptian --- Portrait sculpture, Egyptian --- Sculpture de portraits égyptienne --- Sculpture de portraits égyptienne --- Exhibitions. --- Exhibitions --- Expositions --- Expositions
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Portrait sculpture, Egyptian. --- Egyptian portrait sculpture --- Statues --- Sculpture égyptienne. --- Antiquités --- Sculpture, Egyptian --- Égypte --- Egypt --- History --- Antiquities
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Amenhotep III, King of Egypt --- Art --- Congresses --- Portrait sculpture [Egyptian ] --- Congresses --- Portrait sculpture [Ancient ] --- Egypt --- Congresses
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"In The Iconography of Family Members in Egypt's Elite Tombs of the Old Kingdom, Jing Wen offers a comprehensive survey of how ancient Egyptians portrayed their family members in the reliefs of an elite tomb. Through the analysis of the depiction of family members, this book investigates familial relations, the funerary cult of the dead, ancestor worship, and relevant texts. It provides a new hypothesis and perspective that would update our understanding of the Egyptian funerary practice and familial ideology. The scenes of family members are not a record of family history but language games of the tomb owner that convey specific meaning to those who enter the chapel despite time and space"--
Portrait sculpture, Egyptian. --- Relief (Sculpture), Egyptian. --- Families in art. --- Symbolism in art --- Elite (Social sciences) --- History --- Tombs --- Egypt
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Portrait sculpture, Egyptian --- Sculpture, Egyptian --- Statues --- Sculpture de portraits égyptienne --- Sculpture égyptienne --- Portrait sculpture, Ancient --- Sculpture de portraits égyptienne --- Sculpture égyptienne --- Egyptian portrait sculpture --- Ancient portrait sculpture --- Portrait sculpture, Egyptian - Egypt - Cairo. --- Portrait sculpture, Ancient - Egypt - Cairo. --- Portrait sculpture, Egyptian - Egypt - Luxor. --- Portrait sculpture, Ancient - Egypt - Luxor.
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Portrait sculpture, Hellenistic --- Portrait sculpture, Egyptian --- Sculpture, Hellenistic --- Sculpture, Egyptian --- Egyptian influences --- Greek influences --- Portrait sculpture, Egyptian. --- Greek influences. --- Egyptian influences. --- Hellenistic sculpture --- Sculpture, Greek --- Egyptian sculpture --- Hellenistic portrait sculpture --- Egyptian portrait sculpture --- Portrait sculpture, Hellenistic - Egypt --- Portrait sculpture, Hellenistic - Egypt - Catalogs --- Portrait sculpture, Egyptian - Catalogs --- Sculpture, Hellenistic - Egyptian influences --- Sculpture, Hellenistic - Egyptian influences - Catalogs --- Sculpture, Egyptian - Greek influences --- Sculpture, Egyptian - Greek influences - Catalogs
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