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#SBIB:309H140 --- #SBIB:309H2812 --- Populaire muziek: algemene werken --- Marketing, consumentengedrag, consumentisme --- Theses
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A history of pop music from its underground origins through its low and high art phases to its current omni-presence. Includes fiction, reportage, fashion, art and fantasy as filtered through pop music.
Music --- Popular music --- #SBIB:309H140 --- History and criticism --- Populaire muziek: algemene werken --- Pop music
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Popular music --- #SBIB:309H140 --- History and criticism --- Populaire muziek: algemene werken
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#SBIB:031.AANKOOP --- #SBIB:309H140 --- Populaire muziek: algemene werken --- Popular music --- History and criticism. --- History and criticism
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-#SBIB:041.AANKOOP --- Popular music --- History and criticism. --- #SBIB:041.AANKOOP --- #SBIB:309H140 --- History and criticism --- Populaire muziek: algemene werken
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#SBIB:309H140 --- #SBIB:309H021 --- Populaire muziek: algemene werken --- Intra- en interpersonele communicatie --- Interpersonal communication --- Communication --- Interpersonal relations --- Research&delete& --- Methodology --- Research
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#SBIB:034.AANKOOP --- #SBIB:309H140 --- Populaire muziek: algemene werken --- Music trade. --- Music --- Sociology of culture --- Popular culture. --- Popular music --- Social aspects.
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This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include the use of popular song to rouse anti-slavery sentiment in mid-nineteenth-century America, the reception of such African-American styles and genres as rock 'n' roll and soul music by the black population of South Africa, the question of genre in the early songs of Irving Berlin, the attempts by the governments of South Africa and China to impose specific bodies of music on their populations, the persistence of the minstrel show in rural twentieth-century America and the impact of modernist modes of thought on writing about popular music.
Popular music --- Music --- #SBIB:309H140 --- Music and society --- History and criticism. --- Social aspects. --- Populaire muziek: algemene werken --- 78.30 --- History and criticism --- Social aspects
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Popular music --- #SBIB:041.AANKOOP --- #SBIB:309H140 --- #SBIB:309H142 --- Populaire muziek: algemene werken --- Populaire muziek: functies, muziekgenres, historiek --- Popmuziek --- Naslagwerken --- Verenigde Staten van Amerika --- 21e eeuw
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#SBIB:032.AANKOOP --- #SBIB:309H140 --- #SBIB:309H01 --- #SBIB:03H4 --- Populaire muziek: algemene werken --- Communicatiewetenschap: encyclopedieën, woordenboeken, naslagwerken, bibliografieën --- Biografieën --- Musicians --- Popmuziek --- Naslagwerken --- Groot-Brittannië --- 21e eeuw
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